UNDER CONSTRUCTION]

Tradacoustic series no. 437

Music, mostly recent, a few days old, a few weeks.

created: 2025/10/15

hk_tradacoustic_437

[UNDER CONSTRUCTION]

Funky tracks series no. 312

creation date: 2025/10/20

These tracks were uploaded to SoundCloud in 09/2025 and 10/2025, except for the following older ones:

. . - (#__): _ years,
. . - (#__): 1 year*,
. . - (#__): _ months,

[TO BE COMPLETED]

Hugs & Kisses.

* SoundCloud time: 1 year = 12 -23 months.

hk_funky_tracks_312

[archive]

Aug 13, 2024
TBC Radio 「en∞voyage」
FM 93.5 / AM1260

setlist:
Ultraísta - Ordinary Boy (Floating Points Remix - Edit) 
Yeaji - Raingirl
KH, Four Tet - Only Human
Disclosure - ENERGY
TREKKIE TRAX CREW, なかむらみなみ - Reiwa(Tomggg Remix)

Special Thx:
Maki Suguchi, Vivienne Sato

en∞voyage mix

This tribal drum solo is a spontaneous improvisation, just for fun. I’m sharing this to give you a glimpse into some of the percussion gear I’ve used over the years, which often gets sampled and woven into my techno tracks. The tribal elements are an important part of my sound, adding texture and depth to my music. It’s all about experimenting with rhythms and sounds, blending them into something fresh. Hope you enjoy this little look into my creative process!

Tribal Drum Solo

A little remix from 2016 I found in the archives.

Free download, might disable later :)

Redman - Can't wait (hxr 2016 remix)

This Comfort Won't Last Here Long

JIM ANDERS _der letzte Sommer

"Tightness" is a composer's value, a quality of music that more often revealed by score study than by casual listening.  Composers might call a score "tight" if its events and parameters turn out overdetermined, as do the answers to a crossword puzzle.  That means the little details all satisfy multiple constraints and the overall fit-together quality verges on the uncanny.

Here I have combined the serial logic with a minimalist's sense of decorum, to keep the listening experience as close as possible to a deep dive into the score.  Indeed, in the second and third sections the rhythmic invention helps you out if your relative pitch lets you down.

In particular, this piece is a love song to the only three tone rows that enjoy a property similar to but distinct from the row that forms the basis of my recent "Let Me Be As Clear As I Can."  

As with the row in that previous piece, each row, joined with certain rotations of two alternative forms of that same row, produces a succession of all 12 distinct trichord classes — and in each case, one can choose the alternative forms in four essentially distinct ways!  Where these rows differ, the succession of trichords always turns out essentially the same across all four solutions.  

Think of a jigsaw puzzle whose pieces can fit together in very different ways and yet strangely still form the same picture.

The three rows and all the solutions receive three different compositional treatments, each forming one of the sections of this work. 

I consider the work indeterminate in a limited way: other versions might replace any or all of the three rows with one of their 2304 = 48² forms (taking into account multiplications of pitch classes and position numbers, as well as transpositions and rotations), and versions can also shuffle, in six ways, which row receives which compositional treatment.




Music Tighter Than A Gnat's Ass Stretched Over A Rain Barrel, for solo piano

SDR (Short Distance Run)

Khaan

LE POINT DE FÉLICITÉ

Jazz band/project - the brainchild of Adam Majdecki-Janicki. From free/noise blasts to Africa/Amon Duul inspired songs. Buy our albums, thank you!

Khaan

Racket Kin