Name: Bruits Sonores: Especial Jan Jelinek - 15/07/2025 by Radio Relativa in August 2025
Duration: 1 h

August 2025

slow ride

In this new episode of the Deep Breakfast Series, we're pleased to host a DJ whose work we genuinely respect. Please join us in welcoming Verveine!
Co-founder of Ouroboros festival and audiovisual EWO collective, Verveine explores music without boundaries, blending ethereal ambient soundscapes, tribal percussions and dub-heavy basslines.

About the mix:
An invitation to introspection.

“ Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heart beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. “ - Paul Bowles

Tracklist:
1. Marco Shuttle - Sonidos y Modulaciones de la Selva Part Two
2. From Within - Lost
3. Paul Bowles - Baptism of Solitude
4. D. Towärds - Rough Ambience
5. Pete Namlook - Inauguration
6. Varuna - Avicennia
7. Marco Shuttle - AfA
8. Nimba - Boke Dreaming
9. Magec - Taj Mahal
10. Polygonia - Tanz Der Gliederfüßer
11. Indigo Egg - Sea of Tranquility
12. Steve Roach - On This Planet
13. Max Figueroa - La Logia del Tiempo
14. Zemög - Rapé (Ambient Interpretation)
15. Ancestral Voices - Yantra
16. Multicast Dynamics - Language Of Colours
17. Steve Roach - Trilobite
18. Al Gromer Khan & Kai Taschner - Prayer for X

Picture shot by himself.

Verveine
INSTAGRAM
https://www.instagram.com/ver__veine/
https://www.instagram.com/ewo_collectif/
https://www.instagram.com/ouroboros.ssss/
SOUNDCLOUD
https://soundcloud.com/blue_verveine
https://soundcloud.com/ouroboros-festival
https://soundcloud.com/ewo_collectif

Deep Breakfast Series
Instagram: www.instagram.com/deepbreakfastseries/
Facebook: www.facebook.com/DeepBreakfastSeries/
Tumblr: www.tumblr.com/deepbreakfastseries

Deep Breakfast 317 ~ Verveine

Welcome to episode #113 - Dylan Thomas

Brussels-based producer and DJ with Irish roots, Dylan Thomas is known for crafting immersive, genre-defying electronic music. His sound blends elements of ambient, techno, and experimental electronics, always guided by a strong conceptual drive and an instinct for emotional depth. His debut LP, We Don’t Own, We Create, released on the forward-thinking label @futurepastnosenseoftime , captures his philosophy as both a musician and a creator: resisting rigid definitions in favor of constant evolution and sonic exploration.
Dylan has built a solid presence in the Belgian underground scene, with performances at iconic venues such as @fusebrussels and @c12brussels . Whether through his productions or his DJ sets, he invites listeners into a soundscape that is hypnotic, textured, and always in motion.

Enjoy!

Soundcloud: https://soundcloud.com/dylan-thomas-hayes
Discogs: https://www.discogs.com/artist/6709892-Thomas-Hayes-4
Instagram: https://www.instagram.com/dylan.thomas.hayes/

E.M.C. atmospheres #113 - Dylan Thomas

After visiting the lakeside dreamland last year I couldn't help myself but imagine on the moment what I would play if I had the opportunity to perform there myself (as any DJ would, I guess). I had different archetypes of sets forming in the back of my mind for different times of the day possible, if the opportunity ever came one day. 
So when I got invited to play the opening of Floresta on Sunday, it first came as a bit of a surprise, but the surprise turned into excitement and it was time to prepare a special set where I could dig into my dub techno collection. 
So, I am very happy to share with you the recording of my set, where I finally had the chance to play slow, deep, dubby and sunny techno in such a setting. 
Thank you @wakinglifeportugal for the opportunity. 
I hope you enjoy !

Altinbas at Waking Life 2025, Sunday Floresta Opening

The haze of Paral·lel festival has barely lifted, but we’re rewinding to another moment worth lingering on, February in Granada, at the Moonback club. There, under the warm glow of the Extramostra banner, Mostra linked up with the Klub Collective for a night that balanced local soul with an international touch. The lineup reads like a heads-only dream: Timnah, Antonio Vázquez, Refracted, and a solid core of Klub Collective residents including Fran Acosta, Kaizen, and Utopian. The kind of night that reminded us why the first slot matters more than most people admit. It’s the architectural role: shaping the night’s flow from zero.

Utopian did just that. His set unfolds like a slow exhale, dub-laced ambient that creeps, swells, and gradually transforms into chugging, low-slung techno hypnosis. It’s a patient climb: syncopated, restrained, precise. Not a single cheap move, just deep focus and floor logic, the kind that sets the table without stealing the meal. But make no mistake, this was a statement. A warm-up that didn’t just support the night, but elevated it.

@utopian_dj
www.instagram.com/isidrobolivar_utopian

Write up by: @gilleswasserman

Follow us on social media:

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Delayed with... Utopian

Programa especial centrado en el universo de Jan Jelinek, productor alemán que lleva años experimentando con el sonido, siempre en los márgenes, siempre buscando texturas nuevas.

Lo interesante de Jelinek es que trabaja con varios pseudónimos, cada uno con su propia identidad. Como Farben, explora un microhouse lleno de clicks, loops y detalles microscópicos. Con Gramm, se acerca a una electrónica más dub, más cálida, casi flotante. Y bajo su propio nombre, se suelta del ritmo y construye paisajes sonoros entre el ambient, el collage y el minimalismo.

En esta selección vamos a pasear por sus diferentes facetas, escuchando cómo un mismo artista puede hablar varios idiomas musicales sin perder su esencia.

Bruits Sonores: Especial Jan Jelinek - 15/07/2025

For our twenty sixth installment we’ve invited Minù Jr, a DJ and producer based in France. He describes himself a as multifaceted project in constant evolution, always in search of new influences.

His music stands out with a hypnotic universe that blends deep techno pulses with sound experiments, creating an immersive atmosphere during his sets.

Last year, he joined the roster of the Lyon-based collective/label Monochrome, releasing an EP titled Qabam — four tracks of synthetic drum’n’bass tinged with dub.

Lately, he has been exploring live performance alongside another producer in the same genre, Tampo.

Some words about this mix:
“In this mix, I've embraced a slower tempo, which has been captivating me lately. Tracks with lower BPMs have become increasingly appealing, and I've been producing quite a few of them recently. They play a key role in my live set with my friend Tampo.

This podcast maintains a steady pace at 120 BPM, featuring tracks from artists I've been listening to for a while, along with some new discoveries.
I hope you enjoy this humble journey.”


Follow:
https://soundcloud.com/minujr
https://soundcloud.com/monochromeasso
https://www.instagram.com/minujr_/

HYPNOSIS 026 MINÙ JR

On this month's episode, GiGi FM invites Belgian artist Robin, known as Phara, to share his luminous alias In Glass ~ a live studio analog jam of slow burning, dub infused journey for summer heat and golden hours.

Artwork by http://mete.fyi/

NTS GiGi FM PRESENTS IN GLASS (Studio Live Jam Recording)

For her debut mix, @abovebelowfestival Co-Founder @annieg18 dives headfirst into the sounds of dub-inspired house, techno, and minimal. This one will take you on a smooth journey through the blissful days of late summer.

Release date: 13th August 2025

WHOMP16 : Annie G

Introducing: Deep Barrels, a new online mix series by Studio Aurora  🌐🍷🔊

It's finally time to bring to light a project that has been stuck as a work in progress for almost 5 years. Before I even had an idea for Alimentari Aurora, my desire to connect the dots between all my friends was to create a party that merged eclectic sounds, wine, and the vibe of a Sunday day party. Then the pandemic hit, and that early enthusiasm was shelved. But the vision never disappeared—it just waited for the right outlet.

Now, with Alimentari Aurora nearing its 5-year anniversary, and after countless beautiful Aurora sessions with Fault Radio (who now shares a roof with us at Studio Aurora), it feels like the perfect moment to bring that vision to life.

Deep Barrels is an online mix series featuring old and new friends from around the world who can’t physically play at Studio Aurora, whose sound, spirit, and sensibility fit right in. To launch the series, I reached out to someone I first connected with years ago via Instagram, only to find out we shared a constellation of mutual friends. One of those rare friendships that feels instantly real.

Meet Enrica Borsatto aka Sandra Mason: 

Venetian-born digger now based in Rome, Enrica's sets weave deep psychedelia and offbeat melodies into rich, transportive experiences. I first came across her selections through friends Ani Phoebe and the duo Frinda di Lanco/Henna Stein. Enrica runs the “Cocktail Naïf” YouTube channel, a hidden gem of obscure and forgotten music, and she’s also the mind behind "Horny Music for Ambient People" (with Marco Caizzi) and contributor to the trippy “Yoga & Droga” series with LKSMN (Pietro Rianna)—both on the ever-eclectic Radio Raheem (Milan). She is also half of the ambient duo Fondazione, formed together with author Francesco Pacifico. Her selections move fluidly between clubs and independent spaces, with regular appearances at Fanfulla, Magick Bar, and across Rome’s underground circuit.

I asked Enrica to open the Deep Barrels series, and she sent a 3-hour live B2B with Marco Ragni—recorded in Italy last January.

Marco Ragni is an Italian DJ and producer with deep roots in the scene: a longtime resident at Serendipity Club, for several years part of the duo Plants Army Revolver and now active as one half of the Absira project with Spanish artist ABSIS. His sound blends ambient, downtempo, tribal, bass, and techno through a lens of psychedelic rhythms and hypnotic textures. His path has also included running the now-closed record store Mondo Musique in Foligno, contributing to Berlin’s Melantónia Collective, and being one of the minds behind Sintesi Festival.

This is the most brainiac and soulful mix I could have hoped for—an ideal opening statement for the Deep Barrels spirit.

Tune in.
It’s a viaggione. A deep trip.
Keep it locked.

Deep Barrels 001: Sandra Mason & Marco Ragni

♥‿♥
Recorded at @noname_community • June 2025

thank you @aspetuck

e25.orbit07 • aspetuck

Honoured to welcome one of the finest ambient selectors on the planet...

'A certain recluse monk once remarked, "I have relinquished all that ties me to the world, but the one thing that still haunts me is the beauty of the sky." I can quite see why he would feel this.' - Yoshida Kenkō

"Mostly new music, brought together in the moment - at home, one afternoon in Tokyo, summer 2025." - Chris SSG

https://soundcloud.com/mnml-ssgs

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Chris SSG

Sarah Wreath | Recording
The Art Of Listening x Experiment Intrinsic
08–09 June 2025 • OSD Events Berlin

Berlin-based sound artist Sarah Wreath is dedicated to harnessing the transformative power of music. Through frequencies, sound research, and music production, she explores the alchemical properties of sound and its profound effect on the body and mind.

For Sarah, there is no hierarchy between producer and DJ, nor between the club's dancefloor, the acoustic hall, or the meditative sound bath. Each space and role offers a unique opportunity to engage with the intricacies of human perception, delivering deeply immersive and resonant acoustic experiences.

Versatility is at the heart of her style, as she seamlessly navigates a wide range of genres. Her sets take listeners on immersive journeys through space and texture, creating an energy that feels both transcendent and grounded. Tribal rhythms, modular synths, and a touch of experimentation define her unique sonic signature.

Her debut LP, Integration, released on the renowned label The Bunker New York, underscores her commitment to immersive rhythms and sonic exploration - a path that led to her latest collaboration on Sandwell District's album End Beginnings, solidifying her place at the forefront of experimental techno.

But Sarah's vision extends far beyond. Through curated events and gatherings, she creates immersive spaces where sound fosters community, connection, and shared exploration.

@sarahwreath

TSO Berlin 2025 • Sarah Wreath

Title:
DayZi Suite
 Switch On
 Explore
 Alarm
 Cycle

Dates:
06-Sep-2025 (inception), 11-Sep-2025 (finalised), 12-Sep-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/xxx -- watch this space

Description:
A four track album, DayZi Suite

Track 1: Switch On (4:10)
Track 2: Explore (1:59)
Track 3: Alarm (1:03)
Track 4: Cycle (7:38)

Inspired from the modular synthesiser works of Sarah Belle Reid and Walker Farrell and hardware sequencing of the Soma Ornament from Vlad Kreimer; my own digital modular synthesiser, the DayZi; plus the eight track recorder of DayZi to capture the Soma Enner and Soma COSMOS magic.

This is a suite of four separate recordings of live improvisations using my digital modular synthesiser, the DayZi (Release 05), which I programmed in Max (Cycling 74). The synthesiser at it's core is a generative music performance instrument using linked timers to trigger other timers and the FM oscillators, some parts are planned ahead of the performance, others are conjured up during the performance. Key parameters liker timers, initiators (bangs, pings etc.) and frequencies are controlled through a patch bay, that can be altered during the performance. Not all synthesiser parameters are hard wired into the generative process, leaving room for the performer (me) to improvise twiddling the parameters live during the recording. All parameters can be saved to preset banks ready to recall later or saved/read from a text file. No midi interface was used for this performance, nor was this included in Rel 05 of DayZi, future releases will consider addition of midi for launching and parameter control via rotary encoders.

Some times the DayZi synthesiser provided the inspiration for the Soma Enner playing, other times vis versa.

No digital audio workstation (DAW) was used. Only minor editing of the recorded wave files using Audacity, to trim off the silent portions at the beginning and end was employed.

Development of the DayZi began on the 3-Sep-2025 as a proof of concept, happy with the initial prototype, I continued further, now at Release 05 on the 10-Sep-2025.

The tuning is largely just intonation (JI) based on the DayZi side, whereas on the Soma Enner is freely improvised tuning based upon the emotional drive created by the DayZi recordings and that of the performer, the crucial human element. There was no specific plan of a tuning scheme, largely at the whim of my imagination at the time of inception.

The suite is based on four performances, all related by the instruments used to play them and similar theme, though the timbral sounds produced very much changed from one performance to the next, but yet enough in common to function as a suite.

The first piece in the suite, DayZi Switch On (4:10), is turning on the sound machine. Typical tuning was 100,150, 300, 600, 700, 324 Hz.

The second piece in the suite, DayZi Explore (1:59), is rummaging around exploring the scene. The tuning here is rather bizarre, purely improvised tuning and experimenting with recursive generative tuning.

The third piece in the suite, DayZi Alarm (1:03), the exploration has triggered an alarm -- oops.

The fourth and final piece in the suite, DayZi Cycle (7:38), the alarms give way to an exploration of two linked sequences, each a daisy chain of events in their own right but with a common trigger in time. The Enner performance interprets the daisy chain of events. The starting point for the tuning, for the first daisy chain was: 
100 Hz, 200 Hz, 100*(2/3) Hz (#1), 100*(4/3) Hz;
whereas for the second daisy chain: 400 Hz, 400*4/3 Hz, 400*3/2 Hz,  100*(2/3) Hz (#1).

The common node of the two chains is marked as (#1).

See my BandCamp page for the full description.

Bruits Sonores: Especial Jan Jelinek - 15/07/2025

Radio Relativa

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