a conversation on community and on how to sustain them between j.s.j. - elle - rikk and sophie m. s. - - adding to the pile of discourse surrounding care practices, social maintanance and communal responsibility

suszztainable communities

Letos mineva 70. let odkar je v Tarčmunu v Beneški Sloveniji umrl znameniti Slovenec, pesnik, duhovnik in narodni buditelj, mnsg. Ivan Trinko - Zamejski. Ob tej priložnosti smo se posvetili poezijam Ivana Trinka, ki jih je leta 1897 v Gorici objavil v svoji pesniški zbirki z naslovom "Poezije". Prebrali smo si nekaj izbranih pesmi iz te zbirke ter članek, ki ga je Ivan Trinko leta 1884 objavil v Ljubljanskem zvonu, in sicer o bajčnih bitjih iz Nediške doline, Krivopetah, divjih ženah z nazaj zasukanimi stopali, ki še danes zaposlujejo marsikaterega raziskovalca slovenske folklore v Benečiji.

Po tem pa smo o besedi, ki si jo je Ivan Trinko nadel kot psevdonim, torej besedi “Zamejski”, spregovorili s slovensko kulturno delavko Živo Gruden, ki je za Trinkov koledar 2024 napisala članek "Zamejski in zamejstvo (mala besedna detektivka)", v katerem je poskušala izslediti začetke uporabe besed zamejski in zamejstvo v današnjem pomenu teh besed.

Projekt Radio Drugega sofinancira javni zavod GO! 2025 - Evropska prestolnica kulture, Nova Gorica.

Prešernov dan: Ivan Trinko - Zamejski / Aljaž Škrlep / 08.02.2024

The third episode is a journey into Alberto di Lenardo Works: “An Attic Full of Trains” by Carlotta di Lenardo, published by Mack Books (2020). “One day during a family lunch he revealed to Carlotta di Lenardo, another of his not very secret passions – his enduring love for photography – and shared with her his archive of more than 8,000 photographs: a body of vernacular work capturing over half a century of life in vivid colour. ”Alberto’s work reminds us of the typical scenarios of Italian films: nuance, shades and sounds alternate between the most important soundtracks of our bel paese.

TRACKLIST
Enzo Carella, Mare Sopra e sotto – Sfinge (RCA) 1981 | Egisto Macchi, Città Notte I Parte – Citta Notte (SR Records) 1972 | Freddie Murphy & Chiara Lee, Terra d’Incanto (Courtesy of the Artists) | Piero Umiliani, Petra Tema Jazz – Studio Umiliani (Four Flies Records) 2017 | Nicola Piovani, Caro Diario – Musiche Per I Film di Nanni Moretti (Emergency Music) 1994 | Mario Molino, Operazione Beat (Beat Records Company) 1968 | Piero Umiliani – Lady Magnolia (Easy Tempo) 1998 | Nico Fidenco, Of Your Body – Black Emanuelle (Beat Records Company) 2009 | Piero Piccioni, Easy Lovers – Camille 2000 (Easy Tempo) 1998 | Nicola Piovani, La Voce della Luna (Philips) 1990 | Ennio Morricone, Ninna Nanna in Blu – Il Gatto a Nove Code (Points Records) 1994 | Wenn Ich Mir Was Wünschen Dürfte from The Night Porter (Philips) 1975 | Egisto Macchi, Tappeto Aerofoni – Sud e Magia (Soave) 2020 | Maria Monti, Aria, Terra, Acqua e Fuoco – Il Bestiario (Rifi) 1974 | Franco Battiato, Il Re del Mondo – L’Era del Cinghiale Bianco (EMI) 1979

CREDITS
Curated by Marta Oliva and Elena Braida | Voice Over by Loïc Vandam and Elena Braida | Production by Elena Braida | Poems Curated by Loïc Vandam | Graphic Design by MAY | Photographs by Alberto Di Lenardo | Photobook Edited and Designed by Carlotta di Lenardo | Published by Mack Books

EPISODE #3 AN ATTIC FULL OF TRAINS BY CARLOTTA DI LENARDO

In 2023 we moved from Mixcloud back here.
To explore the archive from 2022 check our mixcloud: https://www.mixcloud.com/robida_collective/

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How to imagine a radio station which is located in a super-remote place – Topolò/Topolove, with its 22 inhabitants – but will speak to a wide community, scattered in the whole Europe? How could the geographical marginality be interpreted to develop a radio program which is contextual but also speaks to the world?

Radio stations are many times place and community makers. Besides being aethereal – as the voice of the speakers – they many times happen to be physical spaces for people to gather. They are means to cultivate communities. The paradox of starting a radio station in an almost uninhabited village on the mountains opens many fertile questions about Robida’s community and its relation to this specific margin where Robida works and partly lives. How would it be possible to combine a hyper-specificity, which Robida is fond of, with the will of being relevant for those who are far away from us?

robidacollective.com
radio.garden/visit/topolo/uhdeu5Xa

Prešernov dan: Ivan Trinko - Zamejski / Aljaž Škrlep / 08.02.2024

Radio Robida

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