Living Room n°64 ~ @glen_rey

q. pls introduce yourself
a. Hello hello, I’m Mitch, I make music under the name Bluetung.

q. is there a story behind the mix?
a. It was recorded at the Powerhouse Museum in Sydney coinciding with their ‘1001 Remarkable Objects’ exhibition, which was quite an unusual hodgepodge of archival pieces from their collection stripped of context and intention, curated for purely aesthetic appreciation… much like a godforsaken dj?
Considering the venue, I wanted to dig deep into Antipodean sound art and play some artists who belong in the hallowed halls of our history — which the first half showcases — then by the end I was just having some silly fun with it. Shoutouts to Del for the invite and Ry for recording on the night.



q. what’s the best way to enjoy your mix? 
a. On the speakers while you’re cooking, background as you read (don’t mind the spooky start), headphones on the train, it’s a weird journey.

q. describe a favorite object in your living room...
a. Record collection and cat :’)

q. are you working on any projects right now (music or not music)?
a. I haven’t really made any music for a year and planned to continue the break while I finish my electrical engineering degree… but after playing some really inspiring shows and copping a 12 string guitar the itch to make new music has well and truly returned. I’m just taking things slowly though, I’ve had a crazy year and I want to spend more time with friends and going hiking.

~~~

Tracklist:
Bill Fontana - Acoustical Views, Sydney 1988
Alan Lamb & Sarah Hopkins - The Winds of Heaven
Oren Ambarchi & Martin Ng - Simulacrum I
Phil Dadson - An Archaeology of Stones
Warren Burt - Still for Eva, Dawn II
Masakatsu Takagi - Wonderland
Other Joe - I Was That Book
Tarquin Manek - The Forbidden Rain
The Humble Bee - When Your Voice Disappears
J - petals (nico callaghan version)
Ros Bandt - Subterra
Shuta Yasukochi - Away
Bluetung - unreleased demo
Bochum Welt - La Nuit (Slumber Mix)
Tet et Hok - Gilligans Starship Loveboat
Tetsu Inoue & Jonah Sharp - L-shaped
The Boats - Veleta Two step
Terre Thaemlitz - Chng Yourlove
Yoshio Ojima - Days-Man
Headache - Truisms 4 Dummies

Living Room n°64 ~ Bluetung

"General Patterns" 2x12 out June 20th-
https://mammoworks.bandcamp.com/album/general-patterns

A double pack from Mammo, six tracks digging deep. General Patterns is the first time he’s released a record outside of his own constellation of labels and identities. Something new.

You can file this one under (dub) techno too if you like. Linked to the music he’s made as Puddlerunner last year in some ways, or the texture of tracks like Variable. It was compiled with Short Span following the completion of intense work on the ambient album Landmarks under his given name Fabiano, and quickly brought together an extended set of stripped back, patient, wonderfully rewarding sound. Really beautiful. Some mossy earthy texture, some starlit night skies.

Mastered by Miles.

Art by The Designers Republic.

Distributed by Rubadub.

Mammo - Traversing A Raincloud (Short 2)

Pacing the Platform 26 w/ upsammy on NTS (20.02.25)

Furtive brings you a broad range of rave-related material with ambient tangents and excursions.

Listen live - 3rd Mondays, 6-8PM ET on www.greatcircles.net

Ashen Vanity w/ Furtive - 17March2025

what we find episode fourteen featuring @_andriy_k___ - aka cusoon dj - Berlin based producer, live performer and dj. Andriy creates experimental club music and live listening performances, absorbing reflection of your reality with releases on labels like oscilla sound, related articles, and surf.

His latest release ‘Poetry of the Vanished Territories’ is an audiovisual exploration of central and southern Ukraine's landscapes, capturing memories of fading places that linger between what was and what remains. Using open source data and field recordings from locations, he blends fragments of reality, nature and memory.

For this feature, the mix drifts through the off-season of life, a time suspended between endings and awakenings. Melancholic, organic textures echo the hush of retreat, only to dissolve into the warm pulse of slow, luminous dub. To clean, to breathe.


what we find ep. 14 w/ musing & andriy k (29/04/25)

JAN LOUP 10.6.25

Beyond / Below 54 by @ghosttropics. Received July 2025.
Photo by Andrew Charles Edman

"Thank you so much to Lexciya for inviting and trusting me as someone who is neither a musician or DJ, but merely a giant music nerd, to put together my first ever mix for what is very likely my single favourite series! I feel incredibly honoured and humbled to be here, and to be honest can still hardly believe it!

"I’d never done anything like this before and it was a learning process to say the least, and while I know I’ve got a long way to go and a lot more to learn, I’m happy to say I’m quite pleased with what I was able to figure out as I went, and hope others will enjoy listening to this as much as I do. To be honest I never saw myself doing this, but now I feel like this has opened me up to a whole new world of creative expression that I haven’t tapped in to in many years, and I can’t wait to keep exploring this a bit more. Thanks again for the opportunity and to anyone that gives this a listen. "

track - artist:
dappled - goo
Afternoon Moon - Ruin Garden
Rock Collection - Hayden Moon
Blues for Uncle Gibb - Broken Social Scene
Reaching You - Theodore & Natalia
petals (with Emile Frankel) - J
Amelia - Burning Star Core
Untitled - Thela
Occ urs - Yosuke Tokunaga
Half Sleep - Erik M
Cain - Ike Zwanikken
The Rabbit Hole - Strategy
Foot of the Bed - Corey Gordon and Nathan Young
Year Ending - Movietone
Mexican Bells (for Jorge Reyes) - Suso Saiz
Airport City - Zaumne
Thresholds - Francis Harris
Nodding Wasp - TKB
Rainboots Dub - Poison Damage
fuckin milwaukee’s been hesher forever - the fun years
Balance (Trembling) - Windy & Carl

54. ghosttropics

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

🎧 Epica – A Cinematic Odyssey by Keith Richie

"Music is a potent mood regulator. Simply by listening, our frame of mind changes. It can open a portal to another dimension where all sense of normality vanishes. "

Epica is a sweeping, cinematic journey through sound — a richly layered, emotionally expansive album that fuses ambient electronica, Berlin-school sequencing, and science fiction themes into a single immersive experience.

Crafted by Texas-based composer Keith Richie, Epica builds upon the legacy of his prior work (Ambient Highways, Skylines, For the Willow Wept...) and draws clear inspiration from ambient and electronic greats such as Tangerine Dream, Vangelis, Carbon Based Lifeforms, and John Carpenter. But what sets Epica apart is its deeply narrative structure — an album that plays like the score to an epic sci-fi or fantasy film that exists only in the listener’s imagination.

Each track serves as a chapter in a larger story: from the ethereal swell of “Remote Isolation” and the meditative pulse of “Rebirth,” to the childlike wonder of “Tiny Creatures” and the twilight tension of “Dusk.” The album peaks with the soaring title track “Epica,” where layered synths, cinematic drums, and Mimi Page’s haunting vocals conjure visions of interstellar heroism. The closing track, “There Are Other Worlds Than These,” named after Richie’s own publishing label and referencing Stephen King’s The Dark Tower, delivers a powerful finale — triumphant, textured, and emotionally resonant.

Like a great novel, Epica is filled with both wonder and tension, beauty and darkness. It’s music built not just for listening, but for feeling — perfect for dreaming, writing, reading, or escaping into other worlds. It invites replay after replay, each listen revealing deeper textures and hidden details.

Fans of sci-fi film scores, ambient storytelling, and imaginative soundscapes will find much to explore here. Epica is not just music — it’s a sonic universe waiting to unfold.

Digital Release: 10/15/2021

Find It on Your Favorite Platform:
links.krichie.com/epicaalbum

🌟 What Others Are Saying About Epica
A cinematic and emotionally expansive experience, Epica continues to captivate ambient and electronic music enthusiasts. Here’s what the critics have to say:

Journeyscapes Radio – "A cinematic-ambient opus that’s richly layered and deeply immersive."
👉 Read the review: www.journeyscapesradio.com/2022/07/album-review-epica-by-keith-richie.html

New Age Music Guide (Album Feature) – "Epica presents a powerful blend of ambient textures and soundtrack-like storytelling."
👉 Read the feature: newagemusic.guide/new-releases/keith-richie-epica/

New Age Music Guide (Single Feature) – "The title track captures the sweeping vision of the full album beautifully."
👉 Read the article: newagemusic.guide/newagemusic/keith-richie-epica-single/

“There Are Other Worlds Than These” is an original ambient composition by Keith Richie that explores the concept of alternate realities and unseen paths—emotional and cinematic in tone, with layered textures that pull listeners across invisible thresholds.

The title pays subtle homage to a well-known phrase from Stephen King’s The Dark Tower series, but the piece itself exists as a personal meditation on change, choice, and the universes we build within ourselves.

🔊 A journey beyond the veil, through soundscapes shaped by wonder, loss, and imagination.

Not affiliated with or endorsed by Stephen King or The Dark Tower series. 

Remote Isolation

Indefinite Pitch PREMIERES. Edition 824

Aiôn Lazura - Mangrove

Blue Carbon
[PITCH51 | Indefinite Pitch]

Production | Aiôn Lazura
Mastering | Brice Deloose at Incidence Studio
Artwork | Mark Wagner

Released by Indefinite Pitch from Yantai, China
Release Date: October 8, 2025

Aiôn Lazura

https://soundcloud.com/aionlazura
https://www.instagram.com/aion_lazura

Indefinite Pitch

https://www.indefinitepitch.com

Indefinite Pitch. Yantai

Blue Carbon

Mangrove

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Indefinite Pitch PREMIERES. Aiôn Lazura - Mangrove [Indefinite Pitch]

Saunter

Radio 80000 is a non-commercial online radio from Munich and was founded in April 2015. It functions as a platform, promoting collaboration and cultural expression through music, dialogue and events throughout Germany. Currently more than 160 contributors regularly broadcast shows from Munich, Berlin, Cologne, Frankfurt, Leipzig, Hamburg and Vienna.

At Radio 80000, established and emerging musicians, DJs and artists as well as music enthusiasts without any professional ambitions engage in what has become an intensive exchange – offering a unique selection of timeless and contemporary music, with quality always being the top priority.

Since its foundation, the radio has grown into a network that unites individuals, leading to new collaborations between artists, labels and institutions inter/nationally.

Since March 2022 our studio is located at the Zirka.Space in Munich.

For inquiries, please contact us via E-Mail: mail@radio80k.de
Programme inquiries: programme@radio80k.de