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TechHo - part 2

Paranoid London 'State Of That' out now on digital & Streaming services lnk.to/PDON011D

Taken From The EP 'Annihilate The World & Start All Over EP'
lnk.to/_PDON011   Released on vinyl & digital 28th May 2021

Paranoid London’s 303 broke in lockdown & they couldn’t find anybody that would repair it, so they got on & made the new EP without any trademark Acid tracks. The 4 EP tracks range from Liaisons Dangereuses inspired white noise percussion to banging sine wave techno, euphoric festival destroyers, to deep warped k-hole house, featuring a vocal contribution from Chicago’s Paris Brightledge.

PARANOID LONDON -THE STATE OF THAT

Preorder 'Maintain The Golden Ratio': https://Cybotron.lnk.to/MaintainTheGoldenRatio

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of "Meta". 
 
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan Atkins and Rik Davis were able to re-engineer Cybotron  &ndash;  a combination of the words "Cyborg" and "Cyclotron" (an atomic particle accelerator) &ndash; to be used as a home studio performance music that would change the course of independently produced and distributed electronic music.
 
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron's future forward funkadelic sound "techno" in reference to Alvin Toffler's concept of unlikely "techno rebels" against technocracy. Techno is music that sounds like technology, and its purpose was to help society survive our collision with a universally felt "future shock" by inserting an audio virus into the cultural matrix. 
 
Techno's blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into new sound technologies and create new 'sonic' spatialities where listeners can transport themselves out of the physical world into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized mid-stride, dissolving physical and virtual reality into sonic fiction.
 
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500 formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno music is self-aware.
Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision out of sync with our current rave new world. 

Cybotron's return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan Atkins' initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12" &ndash; uploaded directly into the alleys of your mind.

-	The Rhythmanalyst

BANDCAMP

Cybotron - Maintain

We Are The Acid Robots

INtreex 2.0

Bandcamp

ZC-ELEC016 - Acidulant - INtreex 2.0 - We Are The Acid Robots - Zodiak Commune Records

life, liberty, and the pursuit of happiness.

determination of immortality

Drexciya - Sea Snake

Junq -  From Below

Growl

Basement Business

Pieces Of Eight

Gnash - EP

Nothing At All (Christopher D Ashley Remix)

"Time Tunnel" by @brassica, featuring "Wryders", will be out on December 09 through @feelmybicep. More info: bit.ly/Brayder

FMB009

Time Tunnel

Brassica - Wryders

@hymnshymns

OUT NOW:
Juno: bit.ly/2peHbvn
Deejay: bit.ly/2plkLv4
PbVinyl: bit.ly/2pKynA7
Redeye: bit.ly/2oaJ52G 
Clone: bit.ly/2pK6xkv
Lobster Records: bit.ly/2pJZFDD

A1. Hymns - Water Acid

Radioactive Man

Uranium

Strong Booze (Transparent Sound Remix 1)

* Read more: https://boltingbits.com/james-shinra-at-the-end-of-the-world-craigie-knowes
* Watch on YouTube: https://youtu.be/P8YtZYMMJxU
* Pre-order: https://www.juno.co.uk/products/james-shinra-darkroom-ep/750842-01/

James Shinra's whirlwind year is rounded off with some final words via Craigie Knowes. Shinra's 'Darkroom EP' features his signature style of Techno and Electro across 4 varied cuts with a bit of a darker twist. Aphex-style chords, choppy breaks, emotional rises, gritty kicks and acid flowing throughout - it's got it all. A final chapter of a busy year for both artist and label, with a fairly sinister, wintery, feel.

Darkroom EP

PREMIERE: James Shinra - At The End Of The World

Malta-born Keith Farrugia aka Sound Synthesis has been highly productive through a great amount of quality releases during the last two years. 
This time he joins eudemonia for his next strike. 
The record consists of three masterly crafted tracks which evidence his talent to produce wonderful melodic electro music. 
Each of them tell their own unique story, rounded up with a remix by Motor City mastermind Shawescape Renegade.

Sound Synthesis
Soundcloud: https://soundcloud.com/sound-synthesis-official
Facebook: https://www.facebook.com/SoundSynthesisOfficial

Eudemonia
Soundcloud: https://soundcloud.com/eudemoniarecords
Facebook: https://www.facebook.com/eudemoniarecords
Instagram: https://www.instagram.com/eudemonia_music/

Uranium

RADIOACTIVE MAN

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