What is that track with the crazy growl 🫢🫢🫢

Available on Audio Cassette and digital download directly from the label’s Bandcamp @ https://djbeige.bandcamp.com/album/amen-vol-1

T4T LUV NRG is proud to present “Amen! Vol. 1”, a breathtaking DJ mix tape conceived and blended by Detroit’s DeeJay Beige. “Amen! Vol. 1” is a singular presentation of a sound developed by Beige that is very personal and deeply connected to their history. Beige’s mix is an amalgam of ecclesiastical breaks and gospel house delivered with intensity and soul power like only they can do. Prepare to be enthralled with one of the most exciting DJs currently burning their way through the American underground. From the Holy Ghost TO YOU, this is Beige! Be not afraid…

ARTIST STATEMENT:
In the strictest sense, Amen! Vol. 1 is the result of more than a year’s worth of obsessive brainstorming, digging, planning, arranging, re-arranging, and countless discarded takes. And in another sense, this mixtape has been in the works for the six years since I started DJing, the ten years since my baptism as a teenage club rat, and for my entire life, which for better or for worse has been shaped by The Church and church music since birth. 

My mother was a promiscuously Christian divinity school dropout who pushed my family through a run of increasingly conservative churches: Unitarian, Episcopal, Baptist, Presbytarian, Charismatic-Evangelical, and probably a few others I forget. My fathers family on the other hand were career scientists and committed atheists who also all happened to sing in church choirs for fun. I cannot remember a time when Beethoven, Bach, folk hymns, old negro spirituals and gospel were not playing in my house, day in and day out. 

Cutting ties with both family and organized religion in my early teens left a void of community and belonging that wouldn’t start to be filled until my first experiences with clubbing (sometimes with drugs, sometimes without) years later. And when I started collecting records years after that, I gravitated heavily towards any music incorporating the familiar imagery, themes, musical motifs and language of church (especially Liberation Theology) which remained kind of bittersweetly comforting long after I stopped trying to believe. This might sound heretical, but over the last several years “gospel” has become much more of a feeling to me than a genre or even a sound. As far as I’m concerned, the rave, the club, the congregation, the choir, are only different ways to experience a many-sided mystery. 

For this project, I wanted to challenge myself to imagine going beyond just using a little soulful house to end the night or the mix on an uplifting note, and instead program a fantasy “gospel rave” for a thousand of my closest friends dancing in a field on a moonless night. How would I do my best to deliver a powerful, meaningful, salvatory collective experience from midnight until sunrise? Amen Vol. 1 is a snapshot of that imaginary night. 

The need to use contrasting peaks and troughs to create a sense of narrative for your audience includes emotional or spiritual contrast just as much as it does changes in BPM or a kick pattern.  So, it was important for me to try exceeding simply the emotions associated with “praise” music (like joy) because encountering the truly divine should also inspire fear and awe. Disregarding genre as much as possible, each piece of music was chosen for the sensation or sentimental meaning it inspires for me personally: you probably wouldn’t call most of them “rave tracks”, and plenty aren’t explicitly religious at all. Finally, of course I had to make sure that Detroit and Chicago were properly (but not exclusively, that’s for another mix) represented in the tracklist. Where I’ve ended up, grounded by a repeating classic “anchor track” for each side, is an attempt to simulate Genesis and Revelation, the Good News and the Flood, the dark night of the soul and the moment of salvation–whatever those might mean for you. Can I get a witness?

Beige - AMEN! Vol. 1

A total honour to close this year's Bad Bonn Festival in the Swiss countryside; playing to really punk crowd got me spinning fast and loose. Here's the set starting from about an hour in when I really got going ~~~

Out to everyone making that room shake! Time of our lives 🐚

Bad Bonn Kilbi Closing Set 2023

@ccl-url blasted us all into space in their closing set atThe Grove on Saturday night.

Campout Mix Series: CCL

Live recording of my 7 til 10am set for the almighty and fabulous Faggots Are Women party in NYC! 

PAURRO LIVE @FAW NYC

@Huey-mnemonic kicks off our series with a peak-time Detroit Techno set for your listening pleasure!

Huey Mnemonic is a Flint raised, Detroit based Music Producer, DJ, and Sound Artist with an insatiable knack for electronic music. His work is driven by a passion for Detroit Techno, Afrofuturism, world-building, and synthesized sounds.

Flushback 001 | Huey Mnemonic

Relentless rhythms and Latin dance history, courtesy of the TraTraTrax innovator.

Percussion is, at the root, a conversation. It's about different instruments meeting each other, and interacting to form something bigger than the sum of its parts. 

Few engage in this dialogue as boldly as Pablo De Vargas, AKA Uruguayan experimentalist Lechuga Zafiro, who draws from tradition, to make sounds like candombe and clave feel, well, completely new.

De Vargas' music reaches outward, building bridges between Montevideo and Bogotá, Tijuana, Berlin and beyond. He's a key figure in the hybridisation of Latin American club music, with releases on labels like NAAFI and an album on TraTraTrax.

His RA Podcast plays like a manifesto in motion. RA.985 opens with a recording of Jorginho Gularte, a Uruguayan composer, playing a jazz rhythm, from there, it expands: cuban guaguancó, Venezuelan drums, batida, tribal, techno—it's all here, stitched together with precision and intention.

De Vargas is also, crucially, reckoning with these roots. His 2018 EP Testigo confronted the colonial violence embedded in the history of the Río de la Plata. His sets are similarly alive with memory—asking, without nostalgia: what does it mean to inherit rhythm? Who gets to carry it forward?

He's also just a killer DJ, one of those rare artists who uses CDJs like an instrument. His sets are full of hot cues, delay FX and left turns. It's technical, but never cold. It’s, in a word, funky.

@lechugazafiro
Find the interview and tracklist at ra.co/podcast/985

RA.985 Lechuga Zafiro

Monthly missives from a London club selector par excellence - expect anything from finger-on-the-pulse UK rap, to deep house and techno records, to jungle & UK funky.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/ok-williams/episodes/ok-williams-24th-april-2025

OK Williams 240425

@mani_cure's saucy & percussive closing set at PUCKER UP!'s Standard Time debut on April 26, 2025 with Ciel and the 💋💋💋 crew <3

Pucker Up! | manicure @ Standard Time | 04.26.2025

FLIPSILV3R- GOOD WORK

InfraTouch-Strobe [Mutant Rebels]

dZb 1006 - Ekin Music, Panick - Xmas (Original Mix).

Club & Radio DJ / Voice-Over Artist

Bookings: yodebonair@gmail.com

Promos: 0800DEBONAIR@gmail.com
Twitter / FB / IG @radiodebonair

Bad Bonn Kilbi Closing Set 2023

DEBONAIR

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