Goddaughter - Goddaughter C38. Available Summer MMXXII
Echoes of music smeared with urban field recordings from NY's Weston Czerkies (Magnetic Coroner / Prime Ruin). Simply GORGEOUS! Limited to 80 copies with screen printed artwork.

Goddaughter - Goddaughter C38 (Excerpts)

Tie Me Up Big Smile

a Less of me cover

``Brutality borders on the spur of the moment
From here to there I`ll toss you out
I`ve lost touch with so many dimensions
The price you pay for knowing what it`s all about

Sensitivity turns too hard
For the further you go, the deeper entwined
Medicine`s stocked short, bet around forward
Once in a while you need to rewind

Mediocrity is the trick of the business
Pushed and pulled and you`re all out of shape
I ended up just like the next guy
You better watch out, it`s too late

Sensitivity turns too hard
For the further you go, the deeper entwined
Medicine`s stocked short, bet around forward
Once in a while you need to rewind``

Just one single take from a jam session preparing for another live performance this Friday; Thus honestly no idea why I`m sharing this, just feeling a bit unhinged today uwu

PS No idea if these lyrics are correct btw

PPS The irony is that you can never be like an authentic person except for trying to be your authentic self..

the irony of being a Lydia Lunch wannabe

Premiera w Radio Kapitał!
Powraca duet OPLA tworzony przez perkusistę Huberta Zemlera / @hubert-zemler i gitarzystę Piotra Bukowskiego. Po debiutanckim albumie “Obertasy” z 2019 roku oraz wspólnego projektu z Mikołajem Trzaską i Andrzejem Stasiukiem muzycy przedstawiają nowy materiał zatytułowany “GTI”.
Duet kontynuuje eksplorację polskich tańców narodowych, przeprowadzając dekonstrukcję oraz dekompozycję chociażby oberka i innych potrójnych rytmów obecnych w rodzimej muzyce.
Album ukaże się na kasecie 1 lutego nakładem łódzkiej wytwórni Pointless Geometry / @pointless-geometry > https://pointless-geometry.bandcamp.com

Albumy tygodnia, nowości i przedpremierowe odsłuchy co wtorek o 12:00 w audycji Świeżynka > radiokapital.pl/shows/swiezynka

OPLA -  RAM (Pointless Geometry)

The first single form the forthcoming “Karadi” is out today. Available through Bandcamp and all the streaming platforms.

Album is ready for pre-orders. The release is scheduled for next week, 24th of February.

https://hurtbythesun.bandcamp.com/album/karadi

Ybalferran - Karadi [Hurt by the Sun]

Unity Through Diversity

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'A Seagull's Hymn'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass – KIM KHAN
Chains & vocals – Ican Harem

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - A Seagull's Hymn

Sound collage using overdubed and slowed cassete recordings 

First Released at https://unrealexpect.bandcamp.com/album/unrealistic-electronics-vol-1

From Nothing Was There. - 'Nothing Was There EP'

Nothing Was There - Other People Sounds [UNEX002]

https://bruit-direct.org/product/nusidm-the-last-temptation-of-thrill/
This record needs ,or is pleading to have a FAC/tory catalogue number, but for an “actual”? factory state-of -mind ;-documentation for the disenfranchised and exiled snot !;-the love herein is turned fumescent and gluey NUSIDM (THE Australian Glen Schenau) has “de” and “re”-constructed a cell dwelling paradigm to his desire, or for it? Where whatever’s “ugly”? And squalid is honorable or not at all .
The artist, hard to believe, means to communicate through his incarceration, self -imposed but needing people “still” and needling away from people. Society .Community. Ptoooey,,
So, here is the sore kneed agitation audio. The cranky, sullen ,broken telescopic perception.,(for your delight). Here’s a record out of it !
Here’s a record because of it !!
,,the tap ,tap,tapping Throbbing Gristle as his Sam Cooke,coughing up hearts into his pillow, Cabaret Voltaire in times like these of strike anxiety,power outs,schematic curfews,
Can you hear !?-Through his wall
Dead c -on -45-faking Otis unplugged and dismissive of prescriptive sleep and food regimes , The most elegant ornamentation in the place is Chinese take out containers for drums ,leaving food half -eaten and ideals colder still,
Factory pharma #16
In isolation (quarantine ),the artist is many Itchy ,scrapey,picky,fidgety a neurasthenic rhythm orchestra hitting shit to establish his “voice”, corrupted and begging for translation,through crust caked sonic layers Ooze and stuck poster foliage ,
By the time he’s “understood”?
He’s enraged
Beyond “rescue “?Wronged again and flattening bugs not fast enough to scurry for cover with shoe heel percussion,
There’s anxiety in the hint taint of incoming Mass production, this after all is a small project, uncommodified Rodent protest to Romance Enjoying a bit too much the taste and texture of its own chewed up tail,
But Wait!! On occasion there’s light!!
Accessible toy flutes and whistles ,
Flare and scratch colors across the drain stained sound fields
Subliminal swathes from out of cut up ventilator shafts ,
Herald Interzone !! rooftop epiphanic -cacophonies of promise !1!
,as if Royal trux are scoring a requiem for a hasty wedding for quicker money ,
The only kindness ,..He may be gone already !?
He’s crossed out !
Abandoned himself to rumor
Of course he’s left , This before he “clocked out” as a big FACt#0 Gotta love NUSIDM ,,
- Chris Rowley (Adulkt Life, Huggy Bear)

Nusidm - Melody Moody - The Re - Incision

Playlist and other information available at: https://www.freeformfreakout.com/fffoxy-podcast-222/

FFFoxy Podcast #222

MM PREMIERES are meant to transcend the ordinary and immerse themselves in the sacred realm of music, beholding the unseen and embracing the new melodic tapestry even before it unveils itself to the world.

Today's premiere features a small record label based in Strasbourg, known as Carpaccio Cathedrale. On November 23, they are set to launch the debut album by an artist named Trrrnctrn, hailing from the regions of Orléans and Strasbourg. This album will be available in both tape and digital formats. The album consists of 13 tracks, which take the listener on a journey through the artist's life and creative output spanning a decade in Orléans and Strasbourg. 

Trrrnctrn's musical evolution is traced from his earliest performances alongside Abbrumer at Le 108 in Orléans to his more recent appearances at Le Diamant d'OR in Strasbourg. The album showcases his live recordings from the comfort of his own bedroom. Trrrnctrn's debut release seamlessly shifts between ambient and heavily saturated breaks, offering a 100% industrial music experience. This album is the perfect accompaniment for those driving their Polo 3 93.

CREDITS:
Artist: Trrrnctrn (@trrrnctrn)
IG: https://www.instagram.com/trrrnctrn/

Label: Carpaccio Cathedrale (@carpacciocathedrale)
IG: https://www.instagram.com/carpaccio.cathedrale/
FB: https://www.facebook.com/carpaccio.cathedrale/

Mastering by Paul Souviron
Design by Peran André
Format: Tape / Digital
Release Date: 23/Nov/2023
Pre-Order: https://carpacciocathedrale.bandcamp.com/album/orl-ans-strasbourg

Pre-Order

MM PREMIERE 022 | Trrrnctrn - Unname Titre [𝑪𝒂𝒓𝒑𝒂𝒄𝒄𝒊𝒐 𝑪𝒂𝒕𝒉𝒆𝒅𝒓𝒂𝒍𝒆]

Listen to the first Polish community radio! 
On air 24/7!
https://radiokapital.pl
contact us: kontakt@radiokapital.pl

Radio Kapitał emerged from the need to create an independent space of expression, a grassroots action - not for profit, but for personal satisfaction and social benefit. It is jointly created by various collectives operating at the junction of music, culture and activism, cultural initiatives, clubs and publishers, but also individuals, radio enthusiasts, sound engineers, artists and DJs. By sharing skills and experience from various spheres, we are making a collective radio - together!

OPLA - RAM (Pointless Geometry)

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