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dMIT.RY's Archive

@idris-ght
@3phaz
Mémorial du Martyr (Alger) x Place tahrir (Cairo)

Tdt #19 - Idris

Profondeurs - Mohammed Vicente & Slim (Janvier 2022)

mcbn - future
anadol - gizli duygular
commodo - loan shark
celia hollander ft. ben babbitt - performance excerpt
fc kahuna ft. hafdis huld - hayling
flunk - blind my mind
phosphorus - in retrospect
the dust brothers - single serving jack
alpinestars - burning up
john morgan - ssx hub music
fluke - zion
kosheen - pride

Grinder 27 by motherpeace

Freakadelle #28 w/ Vantane

https://radiopunctum.cz/shows/specials

Supported by:
@dash-cz
@fh_1138
@aitcher-clark
@mikeh
@macronoise & @anna-ruth-474715407
@hitasya
@annacoranic
@ioboi
@dmit-ry 
@newmagicmedia
@sebastard

A wrench in the works - Ukraine Benefit w/ dMIT.RY

Radio Raheem

Expanded Radio Research Unit 13

There was a tear in poor Robbie’s eye when Chris mounted the steps of that bus for Valencia. Yet change means new opportunities and WE FORFEIT have been lucky enough to have play a handful of times at the wonderful Killing Time in Valencia. 
The last time the lads were there, a two hour set of caustic and raw electronics was the serving. Robbie was up first and sadly only his part of the mix survives. Nevertheless, the memories of a cracking night with las fallas at Happy Mondays will be cherished for years to come.
This episode starts off with some a favourite from Dark Entries, the klepto-electro new beat of Grey House opens before some mellow techno machinations care of John Beltran, DJN4 and Gerd. Chris takes over with some new Chicago house grit with some friendlier numbers sprinkled in with Paul Hardcastle and our favourite Hyboid.
Our mix goes from weirded wave into acid absolution and then dives headlong into some hedonism, even a bitta Kraftwerk in there.

Muchas gracias a todos de Happy Mondays, Killing Time y HC Records. Un abrazazo!

Grey House :: New Beats the House (@darkentriesrecords)
@john-beltran :: Brilliant Flood (@kassemmosse & @mmup Remix) (@delsinrecords)
DJN4 :: Bolognase (@emotional-rescue) @djnormal4
@gerd:: Planet F.D.M.X. (Mix 909) (Royal Oak)
Mutant beat dance :: vibrational nature (the spirit center) (Nation)
JTC feat. Rodger Devine :: The Monolith (Nation)
Paul Hardcastle :: 19-The Final Story (Chrysalis Records)
Pusscat :: Crack is Whack (@cremeorganization)
@hyboid :: Italians and Spacemen (@bordelloaparigi)
Kissing The Pink :: The Last Film (Medusa Edits)
An-i :: Gutz (Cititrax/@minimalwave) @lee-douglas
James T. Cotton :: The Boxx (@ghostly)
The Sun God (@somuchnoise2beheard) :: The Library Of Babel (@biorhythmrecords)
@vernonn :: Pfonk4dawgz (@night-gallery)
@qnete :: Grey City Anthem (@zckr)
@front242official :: Headhunter (Red Rhino)
@umwelt-music :: State of Matter (@shipwrec)
@gesloten-cirkel :: Zombiemaschine Acid (Murder Capital)
@philippgorbachev :: 5th New Century Feat. Polina (PG TUNE)
@hugomassien & DJ Haus :: Network Processor (@uttuclub)
Kraftwerk :: The Telephone Call (Kling Klang EMI)
@anbau :: Disco Z (@aspectohumano)

Emitió a través de Radio Relativa 06/05/22

Radio Relativa #28 - LIVE @ Happy Mondays (Valencia)

A new podcast and a new great artist and greater encounter. We are more than thrilled to welcome HBT who made so much for the French techno scene the last 15 years for a live act made specifically for TRÊVE.

Musician and producer of electronic and experimental music, founder of the collective and label DEMENT3D (@dement3d), HBT (hbtdement3d) has signed several releases and collaborations (HBTVSK, HBTFM) on the labels Dawn Records, Champ Libre, Les Éveillés, Tripalium, Submersive and DEMENT3D.
Live act enthusiast, he has played at the Grand Palais (closing of Monumenta in 2014), La Gaité Lyrique, Le New Morning (opening act for Moritz Von Oswald Trio), La Station Gare Des Mines, Le Sucre in Lyon, or Beijing Sonic, Le Godberd in Montreal, Ipse in Berlin.
He also cultivates performance-concert projects that he has developed in places like Le Générateur, Galerie Ygrec, Le Houloc or Meta Zone Libre in Marseille.
HBT develops a strange and hybrid aesthetic where noisy modular synthesizers and contemporary piano compositions collide, mechanical sequences with spontaneous improvisations, organic and shifted rhythms meet other rigid and resolutely techno elements. An urgent and often impulsive approach that dares collisions, dissonances and risk-taking, both musically and conceptually.
 After more than fifteen years of classical piano training, he was introduced to production techniques and began at a very young age a sustained practice of sound research and musical production, which also led him to be part of amateur free-jazz (GamJ Quartet) and synth-rock (Devadâsî) bands. It is finally the production of minimalist and experimental techno that will lead him in 2006 to found the collective DEMENT3D, which will become a label in 2011.
This recording journey is consolidated around the conduct of collective creation workshops, both on techno tracks and others more experimental. An initiative briefly documented by the video "Paris Real Scenes" of Resident Advisor in 2012, which places Julien Haguenauer in a central role in the (re)emerging electronic scene of that year. For more than ten years, he has accompanied the production and editing of records by projects such as Polar Inertia, Dscrd, In Aeternam Vale, Voiski, etc.
It is with the strength of these diverse and varied experiences that he develops his own musical work under the pseudonym HBT, a solo project marked by improvised and experimental music.

TREVE Series 44 - HBT (DEMENT3D)

Operator is an online community radio station and cultural platform based in Rotterdam.

www.operator-radio.com
www.instagram.com/operator.radio
www.youtube.com/@Operator-radio

dMIT.RY - 7th May 2024

Shella Invites: dMIT.RY | Shella Radio 03.10.2024

A short closing set of Fractal Disco Club summer party.
The whole event was so nice. Glad I could be a part of it!

I am mainly publishing this one for two reasons:
1) Dont have a jungle set here on SC (except the one YT -https://www.youtube.com/watch?v=lrlw7eDZ48U)
2) On 24th Jan I am coming back to Ostrava for a closing night of Faraji Studio to play a jungle set too (as Im not doing that very often). So, if you are in the area, join in!

Jungle Closing Set @ Fractal Disco Club (Bratislava, Summer '24)

dMIT.RY - Vinyl Rewind 2024

Shella Invites: dMTR.Y | Shella Radio 29.06.2025

birthday EP guys, hope y'all enjoy it

intro by me
first track lab @prodbyneij
second track @urikasbedroom "circle games" flip by me
original track : https://soundcloud.com/urikasbedroom/circle-games

before the moon

IN PARIETEM MURATUS

@subsism

Drums Don’t Burn is a contemplative statement piece from Paris-based Subsism (Guillaume Arnaud) that remains acutely aware of the artist’s past production while embracing a more natural state of flow. This duality is repeatedly demonstrated in a hybrid of spell-casting, acoustic rock, dub, and metal. A coming of age for both the artist and the label, Drums Don’t Burn is both our first full-length EP and the first project to be released on both digital and analog formats (yes, we made a tape).

The EP grew out of a year of assembly across central, eastern, and southern France, translating various influences into six original tracks. A final climactic effort came together in a little studio lost in the hills of Morvan, where Guillaume and Arthur Kern wrangled a 3-day mix session, with results being described as nothing other than heavy. Simultaneously, Warzou (Aurélien Arnaud… although surprisingly not Guillaume’s brother) and Ronja Kappl were forming the remix and artwork, respectively.

The EP begins with a series of introductory statements. This varying ambience of opening textures and vocal effects is greeted by the first taste of drum patterns found further along the road. It goes without saying that the graphics pulled a lot of inspiration from both Susana and Radiant Recess, the lead-out tracks on the project.

Falling straight to track number three, Shawskank sits in Subsism’s ever-hybrid jungle aesthetic. With a pulsing heart flashing remnants of past trance productions, Shawskank continues to guide listeners into the universe of Drums Don’t Burn. Following up, Loom Vigi is a standalone dubstep track that commands the attention of the project’s mid-section. ‘Dubby Club’ that ebbs and weaves before ultimately making way for the ever-personal, ever-enrobing Velvet Ache.

When we first met with Guillaume, there was mention of vocals in the project. Having no past references to go by, I don’t think anyone expected that they would materialize as the most stirring/warming/powerful part of the album. Of course, this is just our opinion, and we always prefer that you come to your own, but Velvet Ache remains the centrepiece of our breaky-achy hearts.

And finally, Drums Don’t Burn is both the title track and the axis of the album. It was the first track sketched for the project, and ultimately the choice for the remix. This special positioning in the creative process means that it has informed almost every output in this little universe. Followed by the Warzou remix, both versions make up either side of an asymmetrical pairing, fielding a full circle of approaches.

www.instagram.com/markhamroadrec/

BANDCAMP

Subsism - Susana

DIY listener supported radio platform based in Prague.
If you enjoy what we do, please consider donating to us at buymeacoffee.com/radiopunctum

Guestmix/Show Requests -> program@radiopunctum.cz

Prague based music label releasing music from all over the world digitally & on vinyl.
No genre restrictions, although it might look differently. Simply anything good from house, techno, electro, acid, breakbeat & so on.
Founded by @dmit-ry.
Hit us up in case you are interested in a label showcase.
We also currently host a monthly radio show on local DIY @radiopunctum. Archive of shows can be found at https://www.mixcloud.com/NeoViolence.

A wrench in the works - Ukraine Benefit w/ dMIT.RY

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