lol 2020 first time editing a track. be nice.

Writhe In Solitutde-  Ben Bondy +Pontiac Streator (Ophelia's Deep Reversed Edit)

Total Annihilation Beach is the latest collection from Caveman LSD, one of the handful of monikers of Special Guest DJ / uon / sometimes just shy. Their releases under this name have always had the character of sonic transmissions – crushed sine-waves hurtling out of a wormhole, remote pirate radio bandwidths, whale-song picked up on radar, and so on. Here, the signal seems to come from a place whose remoteness is not defined by distance, but adjacency: these are alternate reality bops.

Pre Order 12"
https://rubadub.co.uk/products/total-annihilation-1
Pre Order digital
https://isla.bandcamp.com/album/total-annihilation-beach

ISLA29 - Caveman LSD - Total Annihilation Beach (Previews)

Track from forthcoming cassette/digital "Spiritual World" out 10/2/23 on Lillerne

Alien D - Seeing Thru

info + tracklist: https://radio.syg.ma/episodes/peripherie-05-igor-dyachenko
https://igordyachenko.bandcamp.com
https://soundcloud.com/igordyachenko

Peripherie

Peripherie 05 – Igor Dyachenko

Mix from @adamsalamon & @sap-as-tears

originally aired October 22nd 2024 on Ola Radio
www.olaradio.fr/en/residencies/inner-most

Tag Voice: Hellène Héctor

𝓪𝓭𝓪𝓶 𝓼𝓪𝓵𝓪𝓶ø𝓷
adam salamøn - intro unreleased
adam salamøn - untitled sequence
adam salamøn - unreleased 2024 (live mix)
adam salamøn - piano improvisation
adam salamøn - Elegy for the Clouds (drone live mix)
Martyna Basta - Fragile
adam salamøn - unnamed live improvisation 2023
adam salamøn - unnamed live improvisation 2022

𝓢𝓪𝓹 𝓐𝓼 𝓣𝓮𝓪𝓻𝓼
Sap As Tears - Unreleased
Sap As Tears - Unreleased

Steeping leaves 🍂 with adam salamøn & Sap As Tears

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.

➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide


Still On Hold - Akimat & Dance____98  - 12 Feb 2025

Boom, Boom, Boom, Boom.
Lavage mécanisé des cerveaux, surproduction clinique, mort du cadavre exquis.
L'hygiénisme répand sa propagande comme un Sound system dans une morgue.
Pourtant les tailleurs de diamants électroniques ont des paysages intimes foisonnants de monolithes métalliques, de bois folk hantés, de cavités baroques, de plages dub et reggae, de ciment punk

Partenaire du crime sur les bancs de l'école, organe vital de Mourir Bête, lover invétéré, teenager immortel aujourd'hui Hate Techno invite Supreme Salaud pour une dernière valse de Saint Valentin un soir de Samain, un baiser empoisonné sous des lèvres fanées.

Boom, Boom, Boom, Boom.
Mechanized brainwashing, clinical overproduction, death of the exquisite corpse.
Hygienism spreads its propaganda like a sound system in a morgue.
Yet the electronic diamond cutters have intimate landscapes teeming with metallic monoliths, haunted folk woods, baroque cavities, dub and reggae beaches, punk cement

Partner in crime on school benches, vital organ of Mourir Bête, inveterate lover, immortal teenager today Hate Techno invites Supreme Salaud for one last Valentine's Day waltz one Samhain evening, a poisonous kiss under faded lips. 

Enjoy   

1  :  Bad Woman - Céline Gillain
2  :  Horus Calling - The Green Man
3  :  I want To Be The President - Electrelane
4  :  Perfectly Blue (feat. Winter) - RIP Swirl
5  :  I Need You - FaltyDL
6  :  Stampede - Sounds From The Ground
7  :  Tundrak -  Hysteria Temple Foundation 
8  :  That Morning Killa Shit (ft. DJ Killa C Slowed) - DJ Sacred
9  :  Saturnine Night - Deradoorian
10 :  Ballad - Milan W.
11 :  In the Era of Kaleidoscopic Talent - Professor Head
12 :  Goodbye To Wendy - Robin Guthrie & Harold Budd
13 :  The Seventh Wave: Sailing Away - Suzanne Ciani

Suprême Salaud - Podcast 030

Camille O Real Live Set - The Grace Darling 2025

MALENTENDU w/ Wavey Cuts (04/03/25)

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission I

requiem

radio.syg.ma is a community platform for mixes, podcasts, live recordings and releases by independent musicians, sound artists and collectives.