ابداع  اللحن والتوزيع والصوت ... غيداء فن راقي

Very nice !!!! I love folk music, you sing very nice, if you accept i want to make music  with you, if you interest please send me a short vocal....

حازم شاهين - عود
هاني بدير - إيقاع
نوار عباسي - بيانو 
مايلز دجاي - كونترباص

مسار - رحلة

Le Trio Joubran feat Dhafer Youssef - Asfar

Sugar Dissolvent

Jazz improvisation, syncopated beats and counter-culture attitudes have been swinging in the Arab world since the early twentieth century. This Rough Guide explores today’s thriving scene, revealing how blending jazz and Arabic music has created the most beautiful of musical concoctions.

For more information, visit www.worldmusic.net/arabicjazz

The Rough Guide To Arabic Jazz
This Rough Guide travels the Arab world exploring the depth and range of jazz interpretations heard across the region’s many nations and cultures. 

Lebanon’s rich musical melting pot is to thank for many of the tracks on this album. Haunting track ‘Harrama el-Nawma’ is by Rima Khcheich, a singer from Khiam in the south of the country. Lebanese trumpeter and composer Ibrahim Malouf’s ‘Nomade Slang’ is anchored by an undulating double-time drum pattern with sharp stinging horn lines and inquisitive rising bass figures. Another Beirut-born musician, Rabi Abou-Khalil, contributes the track ‘A Better Tomorrow’ with his masterful oud bringing out a slinky, seductive flavour with brushed drums and a languorous wind solo. ‘Masâr’ by Le Trio Jourban also spotlights the iridescent delicacy of the stringed oud. 

Ahmad Kaabour is also from Lebanon and a prominent cultural figure in the Middle East: his 1975 hit ‘Oundaikom’ became the anthem of the Palestinian struggle. ‘Abou Afif’ was released in 2012 and is a peppy, almost saccharine number that encapsulates the feel of modernist 1970s jazz. 

Daramad count in the proceedings with the track ‘Tigris Eye’. The band’s line-up features a mix of Persian and Australian musicians allowing them to create a delicate musical dialogue. 

Karim Ziad is an Algerian jazz percussionist, guitarist and gumbri (Moroccan bass lute) player. Omar Faruk Tekbilek was born of Turkish and Egyptian parents and currently resides in America. ‘Dark Eyes’ is inspired by Sufi devotional music and ambient electronica. Maurice El Medioni stirs a potent punch with Cuban percussionist Roberto Rodriguez on closing track ‘Ana Ouna’.

Jazz is still pulsing through the veins of Arabic homelands and this Rough Guide offers up an insight in to the scene. 


Hijaz: Chemsi (taken from the album The Rough Guide To Arabic Jazz)

إذا كان ذنبي أن حبك سيدي
فكل ليالي العاشقين ذنوب
أتوب إلى ربي وإني لمرة
يسامحني ربي إليك أتوب

Azam Ali & Naser Musa - إذا كان ذنبي أن حبك سيدي

Dhafer Youssef 39th Gülay (To Istanbul)
composed and arranged by Dhafer Youssef
Live @ Carthage International festival, Tunisia 2012

Dhafer Youssef 39th Gülay (To Istanbul)

Dhafer Youssef -  Dance of the invisible dervishes

Almaya is a Syrian folk love song from Gaida's debut album Levantine Indulgence, New York, 2010  originaly this song was sung by the syrian legend Diab Mashour

ALMAYA (علمايا) by Gaida (Syrian folk/pop)

Uploaded by Amor Ben Rhouma

Samir Joubran 
Album : SOU'FAHM 2001
Track : Asturias

Samir Joubran | Album : SOU'FAHM | Track 4. Asturias

Instrumental Doulab with improvisations by Trumpet and Saxophone.

Brian Prunka, oud, composer
Kenny Warren, trumpet
Nathan Herrera, alto sax
Apostolos Sideris, bass
Vin Scialla, riq
George Mel, frame drum, cajon, cymbal

Doulab Suzidil

Maryam - Armand Amar - Hamza Shakur / مريم - أرماند عمار - حمزة الشكور

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Gaida is a Syrian vocalist and songwriter based in New York. She performs innovative interpretations of classical Levantine music and folk songs from Syria as well as her “breathtaking”  originals and freestyle improvisations over Arabic grooves. Gaida is usually accompanied by world-class musicians – oud and derbakeh player Zafer Tawil, pianist George Dulin, santoor player and trumpeter Amir Elsaffar, and bassist Jennifer Vincent. 
 
Gaida performed throughout the United States including Carnegie Hall, The Kennedy Center, Lincoln Center, and numerous World Music Festivals.  She also recorded and appeared in major films such as Jonathan Demme’s, "Rachel Getting Married". 

Her first Album “Levantine Indulgence”, was described by Peter Canby, from The New Yorker Magazine,
“Beyond Perfect“ 

Her live performances have received rave reviews:
 
“Entrancing and luscious”
~ Time Out New York
 
“Gaida stirs up magic on stage”
~ The Detroit News
 
“Very few singers in the New York or world-music scene are as effusive or charming as Syrian songstress, Gaida” 
~ Timeout New York

ALMAYA (علمايا) by Gaida (Syrian folk/pop)

Gaida (غيداء)

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