https://t.me/mamorumusic0
@ayotarab1
https://t.me/kuzm1337

#всепонял (kuzm33)

Now the veil is torn
Light is turning to blood
Souls collide in this holy space
No path ahead but your face
I shall not wait back
I will never look round
I move when song begins
Rising above our sins

Right now
The crowd is drawn to the flame
Sweat like dew on the name
Hands raised high to the heavens
When the deep rhythm calls
I do not ask for a sign
Life is yours, life is mine

Move now
Lose yourself in my soul
Stay with me always
Yield to me

When I step into the light
Wildness wakes in the night
Time is stopping its motion
Drowned in this deep ocean
No pause in this devotion
The world turns to a prayer
Burning in the night air
Every breath is a snare
Strobe of lightning in the smoke
Bonds of the earth have been broke
Feet are dancing on the fire
Rising on wings of desire
No more control
Snapping the chain of soul
Surge of the heart
We shall never be apart

Right now
The crowd is drawn to the flame
Sweat like dew on the name
Hands raised high to the heavens
When the deep rhythm calls
I do not ask for a sign
Life is yours, life is mine

Move now
Lose yourself in my soul
Stay with me always
Yield to me

Smoke and the heat
Breaking the speed
No more second chances
Lost in holy dances
When the spirit surges
Every shadow merges
Everything snaps now
Sacred are the vows

Come on and fly with me
Come on and die with me
Go where the light is gold
Go where the heart is bold
Go to the truth untold
Go where the bells are tolled
Move with me
Move with me now
Move with me
Clear the way for the king

Yield to me (Arabic Tarab Orchestral reload)

وَداعاً سأَقتل هَذا الهَوى
وَأَدفنه في ضُلوع السِنين
أَردُّ رَسائلك الباكيات
فَرُدّي رَسائل قَلبي الحَزين
وَلَكن تَعالَي أَلم تغدري

وَداعاً سَأَسحق تِلكَ المُنى
وَأَنسفها بَدداً في الفَضا
سَأَهزَأ بِالعشق وَالعاشقين
وَأَذهب مُستهتراً بِالقَضا
وَلَكن تَعالَي أَلم تغدري

وَداعاً وَهَيهات أَن نَلتَقي
فَما أَنا بَعدُ المُحب الحَبيب
أَطيعي ذَويك بِما يَشتَهون
فَإِن لَهُم فَوقَ حَق الغَريب
وَلَكن تَعالَي أَلم تغدري

وَدَاعَاً سَأَقْتُلُ هَذَا الهَوَى | إبراهيم طوقان

Tarab — The First Awakening (Musical Lineages: Egypt | Track 1 of 4)

Tarab is not just a style of music — it is a shared emotional state, a deep musical feeling where performer and listener dissolve into one.
This opening chapter of the Egypt arc introduces Tarab as a living presence: born from poetry, breath, and silence, shaped by centuries of memory along the Nile.

Here, music is not rushed.
Each note stretches, bends, and lingers, inviting patience, reflection, and emotional surrender. Voices rise not to dominate, but to carry feeling, guided by tradition, poetry, and the quiet power of restraint.

This track sets the foundation for Egypt’s musical lineage — where sound becomes emotion, emotion becomes connection, and connection becomes culture.
It is the doorway into a world where music is not entertainment alone, but an experience shared between hearts.

Part of the “Musical Lineages” series — exploring how cultures around the world shaped music as living traditions, passed across generations.


If this piece moved you, please consider liking, sharing, or listening further.
Your support helps these musical histories continue to be heard.

Tarab - The First Breath (Pt 1 of 4) - EN 01

العنوان

الطرب — أول نداء

الوصف

دي بداية سلسلة السلالات الموسيقية – مصر،
والبوابة الأولى لعالم الطرب — الإحساس اللي بيجمع الصوت، اللحن، والمشاعر في لحظة واحدة.

الطرب مش نوع موسيقى وبس،
ده حالة… حالة صدق، وتواصل، وانسجام بين المؤدي والمستمع.

من هنا بدأت الرحلة،
رحلة موسيقية عميقة شكلت وجدان أمة، ووصلت تأثيرها للعالم كله.

الأغنية جزء من سلسلة السلالات الموسيقية اللي بتوثق جذور الموسيقى وتأثيرها الإنساني.

لو استمتعت بالبداية دي، دعمك بلايك أو مشاركة بيساعد السلسلة تكمل.

الطرب — أول نداء (Pt 1 of 4) - AR_E  01

I'm pleased to announce my latest release "Sahra (سهرة)"!  Lately I've become passionate about creating music that blends the Arabic sounds of my heritage with Western electronic music, so expect more of this in the future :)

Artwork by Zayna Youssef
Mastered by Sam Shea
Out now on all streaming platforms

Sahra (سهرة)

Free Download

LEH YA TARAB ليه يا طرب

Olly Bahebbak قولي بحبك

WEST EL ZEHAM وسط الزحام

Enta Omri violin by Amir Trabulsi - انت عمري ام كلثوم كمان امير طرابلسي

KOL EL OYOUN كل العيون

GAT EL HAZINA جت الحزينة

Afro-house meets traditional sounds in this dance of desire and longing

Ya Habibti

TARAB 90

اللهم اجعلنا من المقبولين

شكراً لكل اللي سمعوا الأغنية.
من القاهرة لهانوي، ومن الرياض لكراشي — الطرب بيجمعنا.

رينفورست كاوبوي بيرحب بيكم يا حبايبي.

#مصر #طرب #موسيقى_صوفية #سلام



World fusion ambient with Egyptian tarab and gentle Sufi devotional mood. 70 BPM, slow 4/4, ~3:30–4:00. 

melodic phrasing inspired by traditional Egyptian tarab singing
ornamental maqam-style melodic movement

Tonal color Maqam Rast with light Bayati flavor. 

Lead: expressive Egyptian ney flute (breathy tone, microtonal slides, emotional phrasing). 

Secondary: African kalimba with bell-like raindrop plucks forming a repeating heart-center motif. 

Percussion: very soft daf/frame drum pulse with occasional riq taps, circular healing rhythm. Background: warm analog pad drone and soft bass foundation creating desert-night atmosphere. 

Vocal: intimate Masri Arabic delivery with tarab ornamentation and emotional pauses. 

Structure: ney intro → verse → chorus → ney response → verse → spoken bridge (“The Rainforest Cowboy welcomes you, my friends”) → chorus swell → ney outro fade. Mood: gratitude, unity, mystical warmth, listeners connected across cultures.


Transliteration

Shukran ya ḥabayebi
Sotkom wasal qalbi

Fil-leil lama ghannēt
La’eetkom ganbi

Min el-Qahira le-nour Hanoi
We min el-Riyadh le-Karachi

Sot waḥed beyegmaʿna
Wel-qalb mashi

Rainforest Cowboy
Beyraḥḥeb beekum ya aṣḥabi

El-nour bayna waḥed
Mahma el-bilad baʿeeda


English Meaning

Thank you my friends
Your voices reached my heart

When I sang in the night
I found you beside me

From Cairo to the light of Hanoi
From Riyadh to Karachi

One voice gathers us
And the heart continues on

The Rainforest Cowboy welcomes you, my friends
The light between us is one
No matter how far the lands are

1b2. شكراً يا حبايبي - Shukran Ya Ḥabayebi (Remix 01) (Masri) - ARA-E

1a2._شكراً_يا_حبايبي_– Shukran Ya Ḥabayebi (Masri) - ARA-E

natural teen blooming music mixxx

لَقَد أَطلتُم جَفاكُمْ
وفيَّ يَنمو هَواكُمْ
وما وصَلتم مُحِبّاً
يَودُّ يوماً لِقاكُمْ
والعَينُ في كلّ وقتٍ
مأمولُها أنْ تراكمْ
وقد قطَعتم كتاباً
عن عبدِكم وفتاكمْ
لعلّ شخصاً وشى بي
وعن وِصالي نَهاكمْ
والظنُّ فيكم جميلٌ
ولستُ أهوى سِواكُمْ

لَقَدْ أَطَلْتُمْ جَفَاكُمْ | عبداللطيف فتح الله

https://t.me/mamorumusic0
https://t.me/prodmamoru7

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

.د.ج
Techno/House/Downtempo producer and DJ from Beirut. I make فات بيتز

Rainforest Cowboy

So you want to know more about the mysterious (and yes, still handsome 😏) Rainforest Cowboy, eh?

I come from a classical and technical background that somehow found its way back into music — but not in the usual way.

In school, I studied music for four years, playing in both orchestra and band. My main instrument was the tuba — the low foundation that carries rhythm and weight — under a traditional German composer and conductor. I also played early keyboards and organs, experimenting with MIDI back when an Atari ST was cutting-edge. Around that time, I fell in love with orchestral works, early New Age and experimental music, and the idea that languages themselves are musical instruments. That curiosity never left me.

Life pulled me away from music for many years. I worked, took care of my father through illness, and eventually built a career far from the arts. But creativity has a way of waiting patiently.

A few weeks ago, through volunteering — including helping pick up food for elderly women — I saw how hard people work quietly, without recognition. I wrote a song simply to say thank you. Friends encouraged me to share it publicly. I barely knew what SoundCloud was at the time.

And then something unexpected happened.

What I’m Doing Here

This project isn’t just about individual songs. It’s about stories, worlds, and connections.

I work in arcs:

- musical storylines that unfold across multiple tracks
- recurring characters (sometimes human, sometimes instruments with personalities)
- themes that evolve rather than repeat

I blend:

- East–West instrument fusions (Erhu, Koto, Taiko, Shakuhachi, Cello, Bass-Cello, Electric Guitar, Toy Drum, and more)
- multiple languages as emotional textures, not novelties
- sound-design and cinematic SFX (intros, outros, environmental layers) to place the listener inside the story

Some tracks are song-only.
Some include SFX.
Some have extended, almost audio-novel openings — like short documentaries or film scenes — while still remaining music.

This scale and continuity is rare on SoundCloud, and I’m intentionally exploring it.

Process (Short Version)

Research first — sometimes days or weeks, especially for cultural or historical pieces

Story before sound — lyrics are poetry; the song dresses the story, not the other way around

Tech as craft — I treat music creation almost like programming: key, tempo, instrumentation, language, emotional arc

AI as collaborator — not a tool, not a shortcut, but a specialist partner

Final polish — custom 4K–8K cover art, organization, HD/lossless upgrades, and SFX where it serves the story

I’ve worked with computers since the Apple ][ in 1977, later leading large-scale tech systems as a CIO. Merging narrative, music theory, and AI feels natural — like coming home.

Why I’m Here

I’m not chasing trends or numbers in a commercial sense — this is a hobby driven by curiosity, craft, and storytelling.

That said, I’m deeply grateful for every like, share, comment, and follow.

Those signals matter to me, not as validation, but as conversation. They tell me what resonates, what moved you, and what you’d like to hear more of. Many of the SFX and extended versions exist because listeners showed love for the original tracks — your engagement quietly guides where the stories go next.

So while this isn’t about profit or algorithms, your feedback genuinely helps shape the journey. Thank you for listening closely and responding — it means more than you know.

This is a hobby fueled by curiosity, respect for culture, and love of storytelling. The response so far has been humbling, and I take it seriously.

If you have:

- a story
- a place
- a culture
- a memory
- a charity
- a love, a loss, or a hope

…reach out.

If it resonates, the Rainforest Cowboy just might turn it into a song.

Violinist 🎻
Song covers & original music
Composer & arranger

Tracks are created using a mix of digital audio samples, virtual instruments (VSTs), and AI. No real instruments or recorded vocals are used. This is mainly a fully digital sound experience, not a traditional performance.

Musician, producer, author and celebrated poet.

Nomad lyricist and techologist. Very obsessed with reviving classic poetry and using music as a time machine where distant epochs intertwine.

New tracks tagged #tarab