یک دقیقه می تونه روایت رنج پنج سال باشه.
خلاصه ای که از خودت میگیری، تا در افق رویداد خودت به کنجی بگُنجی، نجنگی، و نه جنگی... سراسر بودن، بوییدن، رُفتن و روییدن و رویاندن، سراسر دم، هر دم، یک فراز 

است، به گریز از دامنه ی معنا، در یای رو«یا».ء
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دم - theme
فراز - phrase
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برداشت نخست
00:00 دعوت - Invite 
02:13 حضور -  Presence
03:14 نگاه کن - Look
03:52 سخن - Ment
04:53 ساد - Sâd
05:31 تو بگو - Say
06:39 گذاره - Phrase
08:20 مي‌رُ - Miró
09:36 سین - sîn
10:50 گریز (رُستن) - Grows
12:09 آب - Âb
13:50 دِگَرِش - Digression
16:30 تلخند - Bitter Lough
18:07 فرا - Para (Phara)
20:51 دَگِش - Dagesh
22:00 لبخند - Lough'end (Lip-bend)
24:00 پایا(ن) - Lasten

Mo-ments (Piano Solo)

Tracklist: 
Ramesh -Zeyarat
Najat Al Saghira - Ana Bashak El Bahr
Mona Abdel Ghany - Law Lailah
Lale Belkis - Umut
Betti - Bi Kassi
Googoosh - Mojezehgar
Ramesh - Roudkhoneha
Penahi - Dance music
Ramesh - Aroose Noghrepoosh
Leila Forouhar - Kalaghaye Khabarchin
Warda - Haramt Ahebak
Hayedeh - Gol Vajeh
Elaheh - Boose Baran

#iran #egypt #turkey #world #funk #ramesh #warda #lalebelkis #betti #googoosh #hayedeh #femalevocalists #archives #femalevocalists

Female Vocalists from Iran and Beyond. 'Miracle Maker' (09.08.2022)

Broadcasted live at Radio Tempo Não Pára (06.01.2024)

Artist: @discourse-katayoun

Female Vocalists from Iran and Beyond, ‘prayers and lullabies’ w/ discourse @ Radio TNP 06.01.2024

Jo Cafe - Winter 24 Compilation(Mixed)

Walnut tree 2 | ۲ درختِ گردو

Engeneering

Ici-bas et ailleurs (Christian Devienne)

عزیزم فانک! | اول

عزیزم فانک! | دوم

London Watermans Centre 2019
Harmonica,Vocal:Abdi Behravanfar
Drums: Filippo Giangrande
Bass: Luigi Casanova
Guitar, vocal:Julian Burdock
Mixing and Mastering:Sina Momtahan

Hoochie Coochie Man,Joreh Baaz/ Concert London /2019

Jazz has played a marginal and yet significant role in Iran’s music history. The perception of the genre, however, has been in flux since it first arrived in the country: It's commonly believed that the history of Jazz in Iran began during the 1960s with the likes of Duke Ellington visiting and performing in the country. But earlier compositional principles of jazz and big band music were increasingly traced in the music of the 1950s. As Iran's oil industry was ‘booming’, Iranian musicians’ relationship with jazz music moreover further intensified through the presence of American expat clubs in oil-rich areas where jazz was played throughout the 1960s. Jazz is undeniably linked to the country's relations with the United States, intersected by a colonial dynamic and notions of 'modernization', but also with visions of freedom, sociability through collaboration, and the identification of oppressed people internationally. The primetime TV show on (improv) Jazz 'Kourosh Ali Khan va Dustan' (available on youtube) on Iranian national television in the 1970s, was an initiative of the American musician and ethnomusicologist Lloyd Miller - also known as Kourosh Ali Khan. Miller's show contributed to the confluence of Iranian music culture and jazz as he worked in Tehran for seven consecutive years, studying classical Persian music. By the early 1970s, the principles of jazz music were commonly integrated in pop music of the time, popularized through the repertoire of iconic and master female vocalists such as Elaheh, Googoosh and Giti. The musical confluence of jazz (and related music) with popular and traditional Persian music, its modal systems and its rhythms, alongside its long historical relationship with Persian poetry, at the time, gave birth to a genre of Iranian ‘Jazz fusion’* that didn’t necessarily mix the two distinct musical genealogies but placed them alongside each other. 

The tracks selected for this show include big bands, Mexican bolero influences, and an occasional twist like a Cuban-style Cha cha cha track. 

*Also referred to as 'Oriental Jazz'

Female Vocalists from Iran. 'Big Band / Jazz' (02.12.2020 Operator Radio)

"Sounds & Stories For All Ears"
Live Fri-Sunday

www.radio-tnp.com