Soundtrack of the 1993 film The Piano, composed by Michael Nyman.

Live video: https://www.youtube.com/watch?ny8-EtKWiKE

This theme is reprised several times, called The Heart Asks Pleasure First/The Promise/The Sacrifice. It is based on a traditional Scottish tune titled "Gloomy Winter's Noo Awa".

The instrument is a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and one single note of sampled strings.

Note: replaced with a better take on June 3, 2014

Video

Michael Nyman - Theme from The Piano

Painting : Niyadbakyr by Kentaro Kanamoto

The Cinematic Orchestra - Arrival Of The Birds & Transformation (Edited)

Hot Coffee - Winter Session 2 - Op.7 No.4

Ramin Djawadi - Light Of The Seven

W. E. Soundtrack- Abel Korzeniowski

Piano cover of Primavera + Fly (BO Intouchables) by Ludovico Einaudi. Performed by sebastien ride (srmusic).

Primavera + Fly (Ludovico Einaudi) - Variations by srmusic

Capriccio for Violin, no. 2

Continent

Ten directions is a Eastern cosmogony’s term that means "in all directions throughout the space." These directions are the eight of the compass: east, south-east, south, southwest, west, north-west, north, north-east, plus the Nadir – to the down - and Zenit - at the top.  These "Ten directions" are often matched to past, present and future to describe the set of all places – Ten Directions - and times - Three Times.
 At any time and in any place existed a sound that awakens and resonates at a specific emotional state. A call that is heard and collected by those who were looking for it for a long time and in any direction.
 
While playing or composing, I take refuge into myself, directing the sound through the ten directions of space. Then, I let my thoughts meander both in the internal direction, the innerself, and in the outer, the discovery and the meeting. The union of these two states arouses emotion, subtle matter that can be felt by those who are listening and are on the same frequency and in tune.

 The launch of the thought starts from the silence, and then, one key after another, starts moving and traveling through the air like an arrow into space. The sound is without obstacles, in the ten directions, and resonates through the invisible world of vibrations. Announces itself and enters the inner space. It comes to ears, the hearing organ, and shakes all the other senses. It kidnaps, touch the nerve centre and pervades us. It meets and joins up with something that is already there, and is welcomed as it was expected all along.

 The sound is clear, it radiates and spreads everywhere, and comes back, in a two-way process, creating contact points and unexplained bridges. Is a dimension that affects and charms because we recognize it, surprised and excited at the same time. As a light, it illuminates hidden areas through the mind and the heart, and reaches the deepest part of our inner. The listener and the player finds themselves alive in a sensitive state, and this sharing creates the communion, the union of sound and spirit, music and noise away from fiction, which dwells always and everywhere in the ten directions.

Capriccio for Violin, no. 2

Rafael Krux