Class

French Suites 4, 5 & 6

French Suite No. 5 in G major, BWV 816: IV. Gavotte (Original Version)

Excerpt of music composed by Gustav Holst.
Synthestration produced by Filipe Leitão.
www.filipeleitao.com

Synthestration is the art of arranging music in MIDI for playback by computers triggering samplers, in order to emulate an orchestral recording.

[MIDI mockup] Gustav Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity

"A Midsummer Night's Dream - Overture MWV P 3 Op. 21" by Felix Mendelssohn Bartholdy

Alan STEVENS
Back to the piano after a long absence
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Robert Schumann - Kinderszenen op 15 - 1 - Von Fremden Ländern und Menschen

Schubert - Ständchen Serenade D. 957 IV. [Arr. For Piano Solo By Franz Liszt]

Prelude No. 1 In C Major, BWV 846, From The Well - Tempered Clavier By Johann Sebastian Bach.

I am happy with this mix, and this is my last rendering for now. I should go and play with different sounds and effects now. Every note in the score is reproduced here. 50 polyphonic voices. Over 25,000 notes counting trills, tremolos and other ornaments.

"Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32, Movement 1 of 7

Stanley Myers -  Cavatina

Part of 'Master of Instrumental' radio collection.

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Edvard Grieg - Peer Gynt - Suite No. 1, Op. 46 - III. Anitra S Dance

Embrace Love

Final mix (for now). Every note in the score is reproduced here. Over 30 polyphonic voices. Over 4,800 notes (less than 10% of the complexity of the Mars movement). The slower tempo makes this piece 50% longer than the Mars movement.

"Venus, the Bringer of Peace," Gustav Holst, The Planets, Op. 32, Movement 2 of 7

Finally I picked up the courage to try this piece! This is a legendary piece that almost everyone knows. I think this is the only classical piece that the entire universe knows thanks to cars reversing and water dispensers everywhere :P .

Für Elise or (For Elise) was composed by Ludwig van Beethoven. Of course everyone knows Beethoven since he is the genius who composed and played even after he lost his hearing! This is only possible when the great could visualize the piece completely in his mind and is such a perfect virtuoso pianist, that he can mimic the sounds in the mind in reality without needing a feedback! What I feel is the biggest plus for Beethoven is that his pieces are very easily reachable by common folk. Compared to other classical giants like Bach, Choppin whos pieces arent easily appreciated, Beethoven’s style and elegance is easy appreciated by musicians and others alike.

The piece itself is a testimony for what I’ve mentioned above. Its based on A minor, with simple arpeggios on the left hand while the right plays the melody. Its such a simple piece that most people feel that its not even worth playing in a recital! But the piece has such an amazing level of expressiveness. This is a piece that can be played beautifully by one person while the other person can make it feel bland while playing the same notes. The piece also has three distinct stages, one is the recurring theme, that everyone is familiar. In between the recurring theme are two stanzas, that have very different moods. The first stanza is a very curious and very mischievous one. The second one is a stanza that emphasizes anger, and the cools down back to the recurring soft theme.

For me, this piece is one of the best compositions ever. I have to thank Valentina Lisitsa for her version of the piece which is what inspired me to try this in the first place. I hope I’ve done a reasonable amount of justice to this masterpiece and I hope you guys like it.

[Update] Made a better version on 23rd June after a lot of feedback that my tempo was waaaaay off. So I’ve slowed the piece down a little more and increased the pace of the faster sections! I’ll make a overall faster version a little later after more practice :)

Ludwig Van Beethoven - Bagatelle in A minor (Fur Elise)

Gustav Mahler-Symphony No 5 in C-Sharp Minor - Adagietto

Johannes Brahms - III. Poco allegretto from Symphony No. 3 in F major, Op. 90
The Miami Symphony Orchestra
Eduardo Marturet - Conductor

This Limited Edition MISO Recording is a small token of gratitude for you. This year we are extremely proud to present a double CD, with a very special collection of your favorite pieces to celebrate our 30th years anniversary Season and pays a well deserved tribute to the talent and dedication of our devoted musicians, composers and solo artists. It offers highlights from the pasts 30th seasons with some of your old favorites, but also includes recordings from our conceptually new concerts at the Miami Design District and our last concert at the Adrienne Arsht Center. With your continued support we have consolidated a unique symphony orchestra which has become a major force in the musical world reflecting the character and personality of the South Florida community.

© 2022 Miami Symphony Orchestra. All rights reserved.

Johannes Brahms - III. Poco allegretto from Symphony No. 3 in F major, Op. 90

Video: https://www.youtube.com/watch?v=v1SEBIvLOIY

Piano Recital: Chopin, Haydn, Grieg

Frederic Chopin: Waltz in F minor, Op. 70, No. 2

My very own interpretation of this wonderful Piece.

Prelude No. 1 In C Major, BWV 846, From The Well - Tempered Clavier By Johann Sebastian Bach.

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