Ginni Hogarth - South African singer/songwriter and performer is described as a female Paul Weller and likened to the quirkiness and vocal ability of Kate Bush combined with Skunk Anansi. Her songs are passionate and from the heart and mind. With three solo albums under her belt and an extensive catalogue of songs, Ginni is definitely a talent not to be ignored or taken lightly. She performs on both piano and guitar and is explosive on stage. Now living in the UK, Ginni continues to create music. ~Panartist 2001~

Follow SYC on Spotify:  https://open.spotify.com/user/seattleyachtclub 

Management:
carl@formidable-mgmt.com 

Seattle Yacht Club - Tom Dale Vox/keys & Denis Brice Guitar/Vox/Keys
An English duo making electro-guitar-pop  crafted songs 

From Southport UK, Tom & Denis the best of friends you would describe almost as brothers - having grown up next door to each other and having always shared a love of music; been in bands together and 
working their music together, this harmonious relationship now perfecting their sound into something they relish…producing timeless quality songs, of melody driven electronically 
engaged-art-pop immersed with catchy and memorable hooks & musical passages you cant shake off.
 

Huffington Post...SYC have perfected their sound into something they relish…their playfully creative fusion of synth-electro and cool pop & guitar holds high mainstream appeal as well as an effervescent energy made to light up a dancefloor… 

BBC 6 Music ... between them Tom Dale and Denis Brice possess a more outrageous amount of talent than any pair of individuals could reasonably expect in the normal run of things...their gleaming express train production, commercial appeal and leftfield quirky charm makes Seattle Yacht Club such a unique and appealing band. 

Tom Robinson BBC 6 Music, Introducing, MixTape  - ‘Feeling the Sunshine’ 
Ah well, it was one of those moments of pure synchronicity when this popped up in our inbox last week on the hottest day of the year so far. Tight, smooth harmonies, poppy scat vocal hooks, glistening electric piano chords, muted guitar picking reminiscent of steel pans – a light up tempo groove and Seattle Yacht Club‘s signature slick production values. Oh and a memorable chorus. Tom Dale and Denis Brice seem to be just going from strength to strength. I approved this track for the Listening Post less than 30 seconds into the song, and our readers voted it into the Fresh Faves here with the same alacrity….if the Men In Suits can help this duo achieve even half the recognition they deserve over the coming months, I predict we’ll see them on the Radio 1 playlist and playing major festival slots within a year.   

PRS M Magazine
Southport synth-poppers Seattle Yacht Club may be newcomers but their music carries a purpose and determination beyond their years. They sculpt their infectious sound from a blend of synths, guitar hooks and tight harmonies learned from their love of alt-pop and classic songwriting.


Videos (more on Youtube)  -   ‘Same old questions’  http://www.youtube.com/watch?v=SHyBtQ3pvKA   ‘Feeling the sunshine’ https://www.youtube.com/watch?v=aKYq0uni6_s   

MANAGEMENT: Carl Marcantonio  Formidable Management  - carl@formidable-mgmt.com

Paul Johnson is a British singer-songwriter and veteran of the UK music scene, with over 40 years’ experience across gospel, soul, and club music. Born in the UK but raised partly in 1970s New York, Johnson began his musical journey singing in school and church. A formative moment came in 1979, performing Andraé Crouch’s The Blood in his local church — never imagining it would lead to a career spanning international tours, major label releases, and collaborations with musical legends. He was heavily inspired by the soulful, contemporary gospel of Andraé Crouch & the Disciples and the Hawkins Family.

He first gained recognition singing with Paradise, one of the UK’s pioneering contemporary Black gospel bands. Influenced by artists like the Crusaders, Earth, Wind & Fire, and Herbie Hancock, Paradise fused jazz, funk, reggae and faith to groundbreaking effect. Their hit One Mind Two Hearts introduced Johnson’s smooth, expressive voice to a wider audience. He later sang with the London Community Gospel Choir (LCGC) and toured as a guest of Junior Giscombe on the influential Red Wedge tour, where he shared stages with Billy Bragg, Paul Weller, The Smiths, and The Communards.

Johnson’s talent as a vocalist and songwriter led to a deal with CBS Records in the late '80s, signed by Julian Palmer and Muff Winwood. His debut self-titled album, produced by Junior Giscombe, featured the single When Love Comes Calling. The follow-up, Personal, included Half a World Away, a favourite in Jamaica, his parents’ homeland.

Over the years, Johnson worked with Bryan Ferry, Stevie Wonder, Soul II Soul, Mica Paris, Juliet Roberts and many more. He toured extensively across the UK and Europe, performing at venues including Ronnie Scott’s and Sadler’s Wells, and appearing on various UK and European television programmes. He also featured on high-profile remixes with producer Danny D, including Salt-N-Pepa’s Shoop.

Introduced by Juliet Roberts, he joined M-People on tour, performing with Heather Small, Lynieve Austin, and Sarah Brown over a successful four-year period. Johnson also acted as a production coordinator, providing top-tier session singers for the UK and international markets.

With producer/DJ Roger Drakes (aka Dodge) and IG Culture, Johnson scored the underground club hit If We Lose Our Way. His track Better Than This was remixed by the late house music legend Frankie Knuckles, followed by a run of releases on Area Boy Music with Daz-I-Kue of Bugz In The Attic — bridging his gospel roots with polished UK soul and club culture. Though an album project with Dodge was never fully released, unreleased demos including Gotta Move On (featuring jazz trumpeter Byron Wallen) have found a second life online.

One of his proudest achievements was managing and signing soul vocalist Shaun Escoffery through his production company, to Oyster records, helping to launch a career now marked by standout tracks like Days Like These and Space Rider.

While Johnson has since stepped back from full-time performance, he reflects proudly on a dynamic and genre-spanning career: “All of my experiences in the music industry have made me who I am today.”

Followers of rafey