https://arnaudrebotini.bandcamp.com/track/chloroquine-raffaele-attanasio-southern-riot-remix

Etat Naturel

Arnaud Rebotini - Chloroquine (Raffaele Attanasio Southern Riot Remix)

It is polite for conciousness and life to have drawn deductive logic through Oumuamua and have descended the ornithological tactics under fire at rock bottom. Extraterrestrial has literally pooled micromanaging as its happenstance had curved new, general concreteness.

EN/PL

Here for: techno, tekno & acid. You've been warned.

EQUM got raised by heavy music and distortion early on and until now he's a guy addicted to showing people stuff that drives him. Later in his life  his distortion addiction reached a new level by experiencing his first raves.

Besides playing his first gigs he also started to study soundengineering and making his first steps to produce his own music.
aequum's clubsets are packed with a variety of nasty distorted synths and fast kicks to drive people to their limits.
But he's also heavily influenced by each electronic music that has a  hard sounding subgenre in it.

"My trajectory, I hope, will always be uphill, in continuous musical evolution... I’m always hungry for new sound experiences, and I’ll put all my soul into it." - Raffaele Attanasio

The confines of contemporary music often ensnare a musician in a particular sound. Wrapped up in a box that defines and sells the 'product', that it's easier to digest for the modern consumer. It operates on a plane where it is assimilated in tiny soundbites that are quickly digested and moved on. Sound can get lost amongst trying to 'make it' or get likes. Music is not lost though; it exists as it always has and the passion for composing transcendent and transportive tracks exists in an artist like Raffaele Attanasio.

Born to a musician father in his home city of Naples, Attanasio was only satiated when listening to virtuoso maestros like Il Guardiano del Faro and Keith Emerson. Developing his prodigious ear, he trained on drums and then piano and his auspicious ability become apparent early. In his late teens, he ventured into DJing and electronic music production and has garnered plaudits from Jeff Mills, Len Faki and Ben Sims; even performing with Mills in a B2B live set and also Octave One. He found a home within the electronic music community, heading his own label Letter From Jerusalem, and releasing on others, such as Third Wave Black and Non Series. His label even released music from Douglas McCarthy of the band Nitzer Ebb.

What has never been lost on Attanasio is his eclectic flair. His releases span from nefarious techno - even releasing under his X-501 alias - to riveting Detroit inspired dance music with soulful piano. That piano may encapsulate a sound not many may equate to the Italian, but he now threads down a course that garners influences from his native Naples and musicians like Keith Jarret Duke Ellington and even Hans Zimmer. His artistic mould is shaped from by his experiences, and these are laid bare in his jazz-tinged sound on his album Nuovo Futuro, which was released on Axis records. Kaleidoscopic in his quenching of musical thirst, Attanasio keeps music in its purest form. These melodic air vibrations evoke something opaque, yet wildly pulchritudinous, regardless of the audience.