London-based DJ and producer Hilit Kolet is at the bleeding edge of 2025's fiercest beats. 

A classically trained musician and long-time face of Soho's legendary Black Market Records, she's known for high-octane DJ sets and razor-sharp productions, her intense percussive blend of house and techno evokes chaos on any dancefloor. 

From Printworks to Amnesia, fabric to Warehouse Project, Koko to Watergate, Hilit commands the world’s most esteemed clubs and festivals, supporting the likes of Floorplan & Radio Slave and opening for Carl Cox. 

Her Defected debut hit #1 on Music Week’s Upfront Club Chart, while her releases on Rekids and Bush garnered massive support from Radio 1 as well as Chloe Caillet, Paul Woolford, Tsha, Carl Craig, Skream, Carlita, Radio Slave, Jamie Jones, Carl Cox, Eliza Rose, Saoirse, Maya Jane Coles, Haai, Syreeta, La La & Emerald, to name a few. 

Her innovative re-edits of Basement Jaxx and Laurent Garnier's anthems have turned into official releases, solidifying her status - Hilit Kolet is driving the future of house and techno.

Independent record label owned by Adam Beyer.

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

BLOND:ISH. 
Energy Lives Here
LFG to Happy Happy World
The Land of Freedom, Abundance & Happiness

MANAGEMENT: blondish@jet-mgmt.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

+ nts radio host since 2016
+ cicciolina paris resident 
+ panorama bar berlin 
+ berghain 13th birthday party 
+ koko w lee gamble, hellena hauf, batu, crystallmess
+ gaf with low jack,  jackson & r34ch
+ saule berghain with boychild total freedom lotic 
+ cosey club with einstürzende neubauten 
+ koko w lee gamble helena hauff batu crystalmess
+ co funder milagro london with arca clara 3000 
+ no symbols with ploy
+ htrk album 'venus in leo' release at fold with trevor jackson and ossia 
+ salon des amateurs with tolouse lowtrax düsseldorf 
+ pda london 
+ nts radio five year party at corsica studios with hieroglyphic being bill kouligas
+ mustache mondays l.a. 
+ dj set at tolouse lowtrax ep launch ln-cc london 
+ htrk europe tour  
+ htrk with helm and tropic of cancer at garage london 
+ silencio paris  
+ the broken hearts club berlin 
+ output with trevor jackson 
+ buffalo mozarella with howie b 
+ torture garden 
+ glastonbury festival 
+ embassy bar with dj food
+ girlcore 
+ lady luck 
+ come with matthew stone and trevor jackson 
+ cosey club with r.d.clouston andy weatherall veronica vasicka trevor jackson death in vegas 
+ mutant disco tallin 
+ matthew stone presents hard future at brighton festival curated by brian eno
+ the vault with oobe and rezzett 
+ filth new york 
+ acud gallery event berlin 
+ girlsclub with jonnine standish and laila sakini melbourne 
+ forbidden records zurich 
+ kaiku helsinki 
+ domino dance with tzusing and kasra 



+ acne studios
+ bottega veneta
+ courreges 
+ lanvin
+ willy vanderperre exhibition party with clara 3000 helena hauff erol alkan
+ raf simons for ck party nyc with veronica vasicka clara 3000 nina kraviz
+ gucci x dazed party milan 
+ rick owens butt muscle party paris with yves tumor and milan x ryoji ikeda
+ alexander mcqueen with arca and savages paris
+ prada x dazed party london 
+ dust magazine launch party london milan paris
+ agent provocateur  
+ 032c magazine berlin
+ theo adams for louis vuitton tokyo 
+ pierre hardy 15 years paris 
+ another magazine x dior homme london
+ christopher kane 
+ marieyat sound installation london
+ dumitrascu sound installation paris
+ thirty years of japanese fashion with cosey barbican 
+ fendi 
+ alexander mcqueen 
+ kenzo
+ vivienne westwood   
+ hba 
+ miu miu
+ prada 
+ loewe
+ chloe 
+ domus magazine milan 
+ yang li paris 
+ raf simons launch at ln-cc london
+ preen by thornton bregazzi 
+ bohinc studio
+ lotta skeletrix
+ gmbh x dykes out paris
+ hermes
+ cartier & saatchi gallery
+ document journal 

+ tate modern turbine hall with nts radio and blackest ever black 
+ köenig x  souvenir galerie venice and miami bienale 
+ ricardo bofill book launch
+ wu tsang event düsseldorf and basel 
+ kunstakademie x andreas gursky party düsseldorf 
+ stædel rundgang party frankfurt
+ art basel at basel venice miami
+ black swan premiere event at royal opera house london
+ ica london
+ serpentine gallery with hans ulrich
+ schinkel pavillion gallery berlin  
+ mona museum winter festival with  htrk sunno))) tasmania
+ green peace
+ coco capitan exhibition party paris

https://www.instagram.com/chrissymeraki

Following an epic Italian party mission and meeting some of the pioneers of the modern disco scene, Chrissy Meraki was inspired to get back to her musical routes and taught herself to DJ.  

Chrissy has played at many festivals including Glastonbury, Secret Garden Party, Nosiliy and Meadows in the Mountains festival, Bulgaria. In London she hit the underground scene playing at 'Half Baked' and Keep on Going' and The Cross. 

This summer she played for the Iconic Record Label 'Back to Mine' at Pikes, Ibiza and also started playing with Days of Disco at Wom, Wow and L'Amorigen, Ibiza.

Chrissy perfected the art of a good after party at events like Lo Kee, where she will take her listeners on a journey from deep, minimal grooves to disco edits, indie dance and more chilled out vibes. Chrissy has a deep love of funk and will always seek out the funk in any musical style.

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