One man. One guitar. Infinite riffs. No gigs, no hype—just pure warfare.

Riftborn forges sound from fracture — a heavy, cinematic blend of emotion and elemental force.
With riffs that feel carved from stone and atmospheres that burn like horizon fire, the project balances raw weight with dreamlike depth.
Each track channels tension, transformation, and the beauty of collapse — where destruction becomes creation.

"Born through fracture, breathing through fire."

Heavy enough to shake the dust off your speakers, honest enough to keep it real.

DM for sale/promote/play
https://checkout.soundcloud.com/artist?ref=t353

est. 11/11/2011

yerri.bandcamp.com

Gothic Metal Baritone Vocalist




London-based electronic music mix series.

Alternative Rock from Scotland!
Dave Birrell on guitars, vocals, bass and programmed drums.
All tracks now available for free download!

Some of my old band’s recordings are here 2008-2015
Featuring Matt Hardy on Guitar, Lee Greenhorn on Bass and Dean Mackie on Drums

CountessM had, originally, began as a spoken word artist and lyricist, of whom, worked with European Dark Ambient/Dark Media artists in reciting original narrative prose for their instrumental work, until, she had gained the stamina and confidence for doing vocal singing, once again, after several years of being dormant from the world of music. CountessM wasn’t always a narrator. She was deemed, at one time, “Diva” material, in light opera, however, due to smoking, in her latter years, she had lost her falsetto and much of her vibrato ability and had adapted to a monotonous style of singing so she had gotten into R&B. Then years later, she had sang in a very low alto voice which had brought her, much notably,  a decent following. She had reached age 65 before long and had lost her ability again so she’d picked up working with pads and samples of sounds and, soon thereof, she had discovered that she possessed a knack for creating music for loops and samples, with the use of various music apps and software. Her genre change was drastic. She had gone from the elements that had come from a very dark place in the Underground Dark Electronic Music Scene in Europe. Having no spiritual connection and much hatred toward God, CountessM had made it her mission to apostatize against His name in her lyrical content and message to the world. She is going through a process of repentance in her life and has turned her life around to the best of her ability and she grows each day. Her genres today range from Acid Jazz/Acid House to Acid Techno and Cyber Techno/Trance. Most of her works that she has uploaded here, on this site, are impromptu and spur of the moment. Some of her works will sound sparse and incomplete due to this fact. So, sit back and appreciate the ride!￼

Three men who like rocking garage heavy metal (80s and 90s thrash metal, oldschool death, punk, grind rock and stuff), drinking beer and texting funny, amazing and bloodthirsty lyrics (Highschool problematics, German historical problematics, frogs, panters/lepards/tigers etc., cold war, Punic Wars, Sioux wars, murderer, true crime etc). And drinking beer.

Outrageously expressive vocalist and dancer, regrettably trapped in the tone-deaf body of a cage fighter - hence eternally death-embracing Goth
Deeply religious, yet extremely critical of a clearly unfinished project - Lord, what were thee thinking?
According to many, blasphemous, as I do not oppose a certain fallen angel. It just seems so obvious to me that this creature ('creation, see what I did there?), is just as necessary as the dear Lord himself - and is still trying to clean up some of the mess left behind. I think...
There are times when I've been known to express political thoughts, but only ever to desperately call for revolution and/or declare violence as acceptable as long as it is directed at fascists (and only as long as the good lord does not himself deal with these dickheads by bestowing upon them erectile disfunction and reserving them special rooms in hell). 
Strictly for freedom, opportunity, love, food, shelter, education, health, empathy and dreams. For a true, science based and supported, social democracy. Absolutely not in favour of any form of dictatorship, be that fascist or socialist. However, and to be clear - I am not somewhere in the middle, nor on a fence ;)

Musically, I like to think that I am influenced by classical music, as well as death and doom metal, gospel, blues, country, 80's pop, east-german 80's punk, gothic rock, Enya and, of course, Abba, however, when I listen to the stuff I churn out when I'm experiencing just the right level of depression, I can't help but be reminded of classics like 'Da Da Da' by Trio or 'I'm too sexy for my shirt' by Right Said Fred.
I'd love to liken my voice to heroes like David Bowie, Nick Cave, Blixa Bargeld, Peter Murphy, Andrew Eldritch, Dave Gahan, Marc Almond, Peter Steele and so many other real singers out there, but have to honestly say that, by carefully resisting the need to actually hit notes befitting the underlying musical arrangements, harmonies and ambience, I've managed to create a perfectly detuned and emotionally confused, yet consistently dislikeable style of my own. I wish I could say it grows on you ...

As all my remaining friends despair of my tyrannical tendencies (proudly displayed by diva-like tantrums) when participating in collaborative attempts to achieve somewhat melodious and/or rhythmic proclamations, I tend to squeeze these out all by my lone self. Should anyone out there feel capable (and inspired) to deal with an eternally intoxicated (by his own ego) and therefore very very angry individual, that (who?) is yet confusingly happy to sensually scream along any old tune (that does not glorify fascism), then please get in touch. 

Also happy if you get in touch if none of the above makes any sense to you, but you do like one or two of my songs - there must be someone out there ...

Thank you kindly for stopping by...

'Being humble dictates that I tell you not to take my music and words too seriously - but I don't mean it!' (Rausch, Psalm 384 (or thereabouts), 2021)

raging rausch is following