Warli Paintings – Ragunath Seth
Da Consumarsi Con Grazia – F:A.R.
Please Don't Keep Me Waiting – Madalyn Merkey
The Aqueducts of Channel Island – Monopoly Child Star Searchers
Space Face – Eric Vann
El Suplicio – Benedetto Ghiglia
Khandhar – Bhaskar Chandavarkar 
Meanwhile Back At The Tulip Boat, Stinky And Gus Make Warplanes/Your Living Constitution (Dies) – Le Forte Four
IV 18:54 – Rene Hell
Robert Nelson’s Bleu Shut – Blue Crumb Truck
Aladdin’s Magic Lamp – Father Sound
Pai Khlong - phunsi charoenphong & the saman kanchanaphalin band
I Passion You A Leap Of Love-Flame – Iasos
Kosmiskt intermezzo – Bjorn Vikhoff
Locomotion – Don Fraser & Steeleye Span
Anmari Fukasugite – Melting Glass Box
Equinox: A Journey into the Supernatural
Music of the Spheres – Steve Birchall
Gran Bolita (film leader)
River Movement – J.D. Emmanuel
Shulie (end titles) – Le Deuce
Fossilized Whispers – Spiderwebs
Derelictdolhouse - Sleep ∞ Over

http://futurecrayon.blogspot.co.uk/2013/09/trishs-toys-techniques-birthday-tape.html

Trish's Toys & Techniques Birthday Tape

Broadcast - Tears In The Typing Pool Demo [ 2004 ]

Broadcast - Goodbye Girls Demo [ 2004 ]

"Branches they bore of that enchanted stem,	
Laden with flower and fruit, whereof they gave	
To each, but whoso did receive of them	      
And taste, to him the gushing of the wave	
Far far away did seem to mourn and rave	
On alien shores; and if his fellow spake,	
His voice was thin, as voices from the grave;	
And deep-asleep he seem’d, yet all awake,
And music in his ears his beating heart did make."

ACID EAGLE - SHADOW WATCHER LEVIATHANS
JAMES FERRARO - ALT SNDTRCK TO SCREAM IN BLUE SURF
SCULPTURE - CRYSTAL COMPATIBILITY CHANGE
PLANETARY PEACE - I AM THAT I AM
LARAAJI - UNICORNS IN PARADISE
ORGANUM - UNTITLED 28-12-81
M.A.L. - LA CHANSON VALERIE
TRACEY TRANCE - ?
ARIEL KALMA - ENUEJ ELLEIV
DE FABRIEK - VL TONE
PALMBOMEN II - LEO DANZINGER
MARK MASYGA - SHOCK THE MONKEY
SNATCH TAPES 2 ORCHESTRAL INTRODUCTION
VOX POPULI - DE LA COHORTE MYSTIQUE
CYBE - NEW AGE SYNTHESIS
COOL PERSON - REAL PERSON
ISTVÁN MÁRTA - SZÍVEINK
LAFMS - STODGY OLD SAYINGS
TSEMBLA - ALEJANDRO

The Lotos-Eaters

7 tracks performed on the Buchla Music Easel.  Recorded in quick succession.

Part 1

Part 3

Robbie Basho - Land of Our Fathers (Hopi Hymn)
Stephen Mallinder - Length of Time
La Fondation - Holidays En España
Boredoms - 8
Julia Bloop - Like a Vanished Day
Jean-Marc Fauconnier - Brabanconne
The Space Lady - 20th Century Fox
Steve Thomsen - Emerald Pools
Mike Cooper - Complicated Sky
Lindsay Cooper - Savannah
Dany Marchetti - Antenna Share
Anode Productions - Trips North, Trips South, Not Intended for Consumption
Brad Laner - Black Hawaii Theme # 2
Doubling Riders - Chinese Rain
Steve Thomsen - Under the Sea
Lucky Dragons - Tune for Wind Dog
Stephen Dwoskin - Dyn Amo
Hélène Martin / Mireille Rivat - Dejé mis bienes terrenales
D.R. Hooker - Kamala
Eleanor Wallace - Touch & Go

Trish's Toys & Techniques Birthday Tape Part 2

Raglani - The Exploded View. From the Editions Mego LP+7 inch release Real Colors Of The Physical World.  
Mastered by Rahsad Becker at Dubplates, Berlin. 

It can be ordered here. http://editionsmego.com/release/eMEGO+159.

Real Colors of the Physical World is a title whose parameters of reference may at first seem obvious, but a moments consideration renders it strange. The physical world, as opposed to the phenomenal, is, as we are able to suppose through the insights of science, an invisible place, if it is even enough to count as a place. What, then, are the qualities being named here? By way of an answer, it is worth recalling that musique concrete has not only an historical but a conceptual priority over kosmiche musik. The concrete in the cosmic: electronic music concerned itself from the beginning with getting past the emotional, historical, and religious themes that had defined traditional composition in order to head straight into the very matter of sound. For the concrete composers, this meant literal experimentation, stretching, analyzing, and recombining the properties and limits of auditory material and its perception.
The kosmiche musicians conserved those approaches through metaphor as much as technique. The continuity between them involves a vocabulary of fundamental concerns: space, time, shapes, speed.... Electronic music arguably allowed for music to become actively self-reflexive, even ontological, for the first time. Its natural epic form has always been the cosmogony. The kosmiche focus on space travel and cybernetic futures has its roots in the earlier electro-acoustic renderings of a universe whose deepest origins are electrical and sonic. Two tacit, convergent metaphors structure the conceptual explorations of both approaches: that "electronic composition" accurately describes the activity of the human nervous system; and that cosmic evolution may be legitimately qualified as an act of modular synthesis. But much electronic music today has lost sight of the ambition to map that convergence, giving way instead to an emphasis on superficial prettiness, period nostalgia, the merely pleasant stupor of the New Age; or else to a vacuous static of technical fiddling.
Raglani has never abandoned the grand vision that distinguished his ancestors, and this is his most determinedly comprehensive piece of work. It revisits the promise in the electronic synthesis of sound, implicit from its beginning, to construct a plastic image of the imperceptible dynamics beneath the surface of the world. This is a drama realized at constantly telescoping scales, in all directions. If the disintegration of a divine voice into the skittering communications of machines, or the transformation of a densely alien jungle into the promise of personal redemption, can count as objects of experience, they can do so only here, through the condensation of sound. But this hectic, exotically diffuse rendering has more in common with the world as we know it than does the placid stability of actual things; inner life has its own geometry, its own physics. The cosmic in the concrete: real colors remain within.

Raglani has been making electronic music since he saw Otomo Yoshihide perform while under the influence of severe fever. This is his first full length album under his own name since 2006s Of Sirens Born.

Michael Ferrer

Lyrics:

The circuits light up her eye / Discoveries disguised / I see you in exploded views/ Spread out / In full / End Scan / From all angles this engine cradles / intentions divide / Fall away / Fall away / The things tethering and wild / Sharper Lenses / Common Senseless / Discoveries disguised / I see you in exploded views / Spread out / In Full / All angles / This engine cradles / Attentions divide.