Jody Watley is a Grammy-winning, multi-platinum artist, songwriter, producer, and style icon. With 6 Billboard Top 10 Hot 100 hits, 13 No. 1 Dance singles, and a genre-spanning catalog—from R&B, Pop, and Hip Hop to Jazz, Electronic, and House—Watley is listed among Billboard’s Top 60 Female Artists of All Time.

A visionary and trailblazer, she set the blueprint for the independent artist movement by launching her own label, Avitone, in 1995—decades before it became a trend. Her solo career continues to thrive with critically acclaimed and chart-topping releases.

In celebration of 30 years of Avitone, Watley released “LET’S DANCE Vol. 1 (Hit Them Beats)”—a sizzling mix of new indie dance gems, remastered club classics, and Avitone fan favorites. The album hit #1 on the iTunes U.S. Top Dance Albums and #1 on Amazon UK’s Hot Dance/Electronic chart.

A Legacy of Sound. A Vibe That Endures.


http://www.facebook.com/JodyWatleyOfficial  http://www.jodywatley.net Grammy Award Winning Artist. Songwriter. Producer. Founder of Avitone Recordings.

French Record label.
#NWDS
Releases: 
Grand Soleil - Horizon
Blanka - Flares
Jeff The Fool - Russian Dolls
Jumo - Et le vent?
Fakear - Talisman
Grand Soleil - Human Error
Club Nowadays Vol.1 (various artists)
La Fine Equipe - Re-Cycles
NOWADAYS V (Birthday Comp)
Unno - Amaai Orchestra
Jumo - FORMS
La Fine Equipe - La boulangerie (Back Burners)
Leska - Circles II
Clément Bazin - Everything Matters
UNNO - Amaai (Album)
Jumo - Derive EP 
Leska - Circles 
Douchka - Infantile EP
Nowadays vol.7 Montreal Tape 
Unno - Silence 
Clement Bazin new EP 
Hugo LX - Akegata
Le Vasco - La Trance Des Oiseaux 
Kultur - Midnight Whispers 
Awir Leon - Giants 
Nowadays, Vol.6 (Fall Tape) 
Sekuoia - Brace 
Everydayz & Phazz - Almeria 2.0 
Clément Bazin - Return To Forever 
LeMarquis - Mindtrick 
Fakear - Animal
Jumo - Nomade 
Le Vasco - We're Not Natural Anymore 
BRNFKD - EP
Douchka - Together 
Nowadays vol.5 (Winter Tape)
Skence - Home
UNNO - As We Land 
Nowadays vol.4 (Jayfly Tape)
Christopher Dixit - LBBM
Douchka - Joyful
Fakear - Asakusa
Julian Earle - Nvragain
Phazz & Everydayz - Almeria
NWDS #3 Spring Tape (Compilation)
La Fine Equipe & Friends - La Boulangerie 3
Yann Kesz - Reflexxions Series EP 
NWDS #2 Summer Tape (Compilation)
Fakear - Sauvage 
La Fine Equipe - Love For Eva 
Blanka - Kasablanka 
Fakear - Dark Lands 
Mr Hone & Geteye - Just a Lil' Beat vol2 
Hoosky - #Flush
La Fine Equipe - Gremlins 
Fakear - Morning In Japan
Hoosky - Cul-De-Sac (re-edit)
HOOSKY - Night Town EP
CLST - Sunset Hunter single
CM Jones - Our World
Hoosky - Just a Lil' Beat vol1
La Fine Equipe & Friends - La Boulangerie 2
La Fine Equipe & Mattic - Fantastic Planet
Mattic & Jneiro jarel - Fantastic JJ Project (Mixtape)
La Fine Equipe - La Boulangerie

Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

Awards winning musicians & developers. BEATSURFING, RANDOM, PLAYGROUND, BEATFADER...
Founded in 2003, Herrmutt Lobby have released music on various labels – DUB, Studio !K7, Vlek, Eat Concrete, Thin Consolation, Catune, Detroit Underground – and across genres.
Alongside music, they’ve also devised and built various softwares, controllers, and apps that help musicians perform live with the freedom to express at the moment’s inspiration/instinct.

Dj / Music Producer

RELEASE COMPLETO  E PRINCIPAIS TRABALHOS ACESSE :  
W W W . DJROBSONVIDAL . C O M . B R

RESUMO:

Aos 13 anos começou fazendo festinhas em playgrounds de amigos até ser convidado por Paulo Lima ( proprietário da equipe turbo disco club ), para preencher uma vaga de carregador de caixa de som e iluminador. Vendo em mim o despertar e o encanto que eu tinha pela figura do Dj nas pistas de dança e pelo interesse que eu havia demonstrado, foi o primeiro a me proporcionar uma oportunidade como Dj em uma equipe tão famosa e respeitada até hoje, TURBO DISCO CLUB ( clubes Atlas e Mackenzie no Méier ). Pouco tempo depois,o mesmo também me proporcionou a oportunidade de começar a trabalhar em rádio com o convite para comandar um programa noturno de radio na TROPICAL FM 104,5 chamado "Sábado Festa". Daí em diante as portas foram se abrindo e foi convidado para trabalhar na Manhattan Disco ( uma das danceterias mais conceituadas do RJ na época ). Sempre de boné na cabeça, DJ Robson Vidal é apontado como um dos maiores nomes da noite carioca e fez fama depois de ter sido o primeiro DJ de programa de dance music no horário da tarde, com o Adrenalina na rádio Transamérica-RJ (líder de audiência na época). Trabalhou também nas rádios Tropical FM, Manchete FM, e Jovem Pan FM RJ.  Destacou-se como produtor musical e compositor de temas de sucesso como a famosa abertura do Planeta Xuxa chamada GIRO DO PLANETA ( a unica abertura do programa que virou sucesso em todas pistas de dança do Brasil ). tendo a parceria de Daniel Figueiredo e Abdullah na composição. Produziu vários remixes de sucesso, destacando-se o da musica Milk, Toast and Honey - Roxette), único remix Brasileiro aprovado pela própria banda. Além disso, no seu estúdio, produz diversos estilos musicais. Vidal fez parte como DJ durante 4 anos de um dos programas de maior audiência  da Rede Globo (Planeta XUXA), ao lado da rainha Xuxa. É responsável pela criação do estilo musical único denominado “TEKNOBEAT”, ritmo que explodiu no Brasil e também no exterior através da Teknobeat Radio Hit (rádio na internet especializada no estilo criada por ele). Seus sets são recheados de sucessos, novidades e versões exclusivas seja no Electro House ou no Teknobeat, se apresentando em diversas festas, shows e casas noturnas dentro e fora do país.

9 piece electronic band out of Cape Town. Hit mixnblend.com/#connect if you want music from us and want to be part of our crew.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Rahat Naeem is following