Naga hitam
by rahayu jigyasu

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1.
calling the inner child 06:10
2.
letting go 04:44
3.
betrayel 04:50
4.
love 03:49
5.
spirit of black dragon 06:50
about
This album is an exploration of my darkness. I was honoured to know myself through a process of isolation and expressing through kacapi and voice. Last year i decide to record my deepest fears and sorrows. This album has been recorded in my room in Indonesia, where i had the opportunity to experience my shadows. I am greatful to the entities, humans and most importantly the Sundanese nature for guiding me through this process and keeping me safe from myself.

Calling The Inner Child

An original composition by Trippy Sama, lyrics by Amir Khusrau, performed by 
Voice - Arman (Damru)
Bansuri - Kartikeya Vashisht
Drums - Jayant Parashar
Dholak - Makrand Sanon 
Trumpet -Master Zafar
Morchang - Hemant Chakraborty
Guitar - Saksham Gupta
Harmonium - Parag Jain
Bass - Juliyo Vaida
Brass Section - Dilli Ka Mushhoor CHAWLA BAND

Recording Engineer - Brin Desai
Mixing Engineer - Hemant Chakraborty

ZIHAAL E MISKEEN By Trippy Sama & Chawla Band

First peice we recorded . Kartikeya vashist on flutes Bintang and Rahul sharama on throat singing .produced by arman ali.

Meditation

Limaa' / Talimaa' merupakan salah satu kesenian lisan  khas dari suku Kayaan Mendalaam, Kapuas Hulu - Kalbar. 
Di rekam di Desa Tj. Kuda, Mendalaam,16 Maret 2015

Limaa' Ame Jaang, Tj. Kuda - Mendalaam (Excerpt)

Less a piece of music and more a natural phenomena, the In Transit EP from Corridors proffers both lava and light. In its current environment, the former metal drummer’s oceanic embrace of synthetic, machine music feels at times like a balm soothing over a darkening reality, and other times, a slowly-fermenting chemical charge that deflagrates your delicate middle-ear membrane.
But it’s miles apart from some druggy, casual, DAW-chaperoned, late night fling between haptics and rhythm. This is studied stuff - the kind of wised-up beat programming and Machiavellian use of vocals and ambience that’ll satiate fans either side of the traditional and experimental music divide.
Like all premium highs, it's short, intense and well-justified. Swallow the sin before it's sanitised.

Corridors is the New Delhi-based Rijul Victor.

Artwork by Sijya Gupta
Mastered by Ten Eight Seven

In Transit

Listen/Buy

Corridors - 700 Rupees

A person And A Bench

Track 1 - The portal

The beginning, a purpose, an intent, to be content, to be enlightened, to be free of burdens, to be free of ego, this is every living organisms destiny, an ever evolving journey begins here.....

The Portal - Ethnica

shape of the infinity . Think about in a big circle way there are many little circle stories in circle ways .. fractal matter of life .. we never see what is behind us .You are in somewhere on the circle. it will happens again.getting distract what you experience with what you expect...

Chakra

Swara Suci

Mrichakatikam

Eclipse

Bamboo Mystics - Eclipse

Artist: Bamboo Mystics
Album: Swara Suci
Format: Digital / Tape
Cat.No: CHI027
Master: Justin randel
Artwork: Saphy Vong
Release Date: 12th February 2021

Languid psychedelia and meditative earth tones dominate on Swara Suci, the new album from Indian artist Bamboo Mystics. Using gamelan instruments, bamboo flutes, Jal tarang (Indian Water bowls), Kacapi (Indonesian Harp) and his voice, the New Dehli-based artist explores the linked musical traditions of India and Java, adding field recordings and African rhythms to make a warm, glowing ambient soundscape. Swara Suci is an intelligent addition to the recent revival of New Age sounds for the digital era, recalling the measured, spiritual experimentations of Jozef Van Wissem or Laraaji.

Holding a post-graduate degree specialising in the tabla, the pair of twin hand drums from the Indian subcontinent, Bamboo Mystics utilises his love of traditional instrumentation on Swara Suci. On the lush, dreamlike opening track, Pelog baru, he plays the kacapi, an Indonesian harp, in a composition inspired by classical Indonesian gamelan music.

Driven by the African djembe drum, the hypnotic Rainbow Mother uses percussive instruments from the Indonesian gamelan – the kendang sunda and bonang. On Air Suci, he uses jal tarang, Indian ceramic melodic water cups, finely tuned to connect with the rhythm of water. He maintains a meditative but generous textural atmosphere throughout the record, with vocals and field recordings anchoring the complex instrumentation into lived reality.

Bamboo Mystics, whose birth name is Rahul Jigyasu, is deeply inspired by the natural world across the Asian continent. “Swara Suci means pure notes in Bahasa Indonesia,” says Jigyasu. “The album is called Swara Suci because it is a pure acoustic and vibrant sound, reflecting the sound of nature.”

All the tracks are solo works except ‘Lucid Hunter’ (duo as Musica Medicina) and ‘Rainbow Mother’ (duo as Irama sounds)

About Bamboo Mystics:

Hailing from New Delhi, India, Rahul Jigyasu holds a post-graduate degree in music from Khairagarh University in Chhattisgarh. A student of the Western Indian Nathdwara tradition, he has an ear for melody and complex rhythms. The connection between the ancient and contemporary gave him in-depth knowledge of world rhythms.
In 2015, he finished a yearlong music fellowship in Java, Indonesia, learning classical gamelan. During this time, he also learned to make instruments with bamboo, and he now conducts bamboo music and crafting workshops, as well as teaching tabla and other instruments. This is his first release with Chinabot.