rechtschreibung - orthography.
In the contemporary world the problem of disinformation and totality of people masses’ control are told to be received as a new normality. the acousmatic piece works with extended reality.

Alisa Kobzar (*1989), composer, multimedia artist, teacher, graduated from Kyiv National Music Academy (Ukraine) in 2014 (department of composition,instrumentation and musical informational technologies, prof. A.Roschenko and A.Zagaikevych). Since 2018 lives in Graz (Austria) and studies Computer music in Graz University of Arts (with prof. G.Eckel) and works as SMA in IEM (KUG) in the project “Interagency”. She took part in different international composers' masterclasses on instrumental and electronic music; In 2016 she was the resident of SME (Studio of Electronic Music) Musical Academy in Krakow (Poland) (Gaude Polonia residence programme). Her compositions include instrumental, chamber, symphonic, electronic (fixed and live), concrete music, mixed electroacoustic music, multidisciplinary projects, interactive projects with gesture sound control (using Leap-Motion, Myo, Kinect, Arduino-based custom controllers), Unity based theatre-performance interactive compositions, sonification generative multimedia projects, interactive compositions with dancer’s movement control. The main vector of her creative work is interdisciplinarity towards connecting the different art-forms into undisassemblable multimedia, where none of the arts is illustrative. Co- founder of duo rotkäppchen.

2 Alisa Kobzar  "Rechtschreibung" (Prix Russolo 2020/21)

Natalia Pschenitschnikova 
08.03.2022 
Lullabay für Menschenleben ( Nach Chlebnikova Zangezi)
Aus "Zangezi-Fragmente"
Text V.Chlebnikov, deuscte Übersetzung Peter Urban.

Lullabay für Menschenleben.

Premiered by the vocal ensemble Cantando Admont in Bruseum, Graz, 8th April 2022.

“Innermost Games” is a name of the vocal cycle in progress to be composed in next years.
The whole cycle will be based on a sonic representation of human emotions. I consider each vocalist as an instrument for “musicalisation” of emotions as well as “emotionalisation” of music. There are no verbal elements in the vocal parts, because each emotion can say something without any words.
This is the first part of the cycle named “Giggling Shimmer”. The main point of it is the diversity of many colours of laugh, giggle, chuckle, snicker, gurgling, guffaw etc. We know, laughter can not represent only positive things, and you always must read it between the lines. “Giggling shimmer” is the work of mine, which musically represents us laughter, and each listener can still make his own choice about what sense of laugh he prefers to hear right now.

INNERMOST GAMES for 5 singers - I. Giggling Shimmer

Adrian Mokanu / le moire (2021) UA for string trio

Juan Matías Cuartas, accordion

recorded at Fundación Cerezales Antonino y Cinia (Castile and León, Spain)
11.11.2023

work commissioned by Juventudes Musicales de España

espejismos del alba (2023) for accordion

Y do I - Destruction

Performed by the vocal ensemble Cantando Admont at the Wiener Hofburgkapelle, Vienna, on April 30th, 2024.

“Innermost Games” is the name of a vocal cycle in progress, to be composed in the coming years. The entire cycle will be based on a sonic representation of human emotions. I consider each vocalist an instrument for the “musicalization” of emotions as well as the “emotionalization” of music. There are no verbal elements in the vocal parts because each emotion can express itself without words.

The second part is for 3 singers (soprano, tenor and bass), named "Tangled Dew" is a scene dedicated to the feeling of frustration in moments when several people suffer due to a lack of proper communication between them.

INNERMOST GAMES for 5 singers - II. Tangled Dew

Ana Arias (soprano)
Ensemble Contemporani de l'ESMUC, conducted by Jordi Francés

I. una sola multitud
II. como yo uso los fósforos
III. hacia el silencio de cien mares

22è Premi Internacional Joan Guinjoan
Sala 2 Oriol Martorell, L'Auditori, Barcelona, Spain
June 11th, 2024

Image: detail of a painting by CLAUDE MONET

https://youtu.be/Eek16OJAyn4?feature=shared&t=1422

deberían tener alas, III. - for female voice and ensemble



antecommeDia (2006-2012)
played LIVE by SMASH ensemble.

antecommeDia

contrapasso einer gesperrten K.457 (Balletto d'Incerto)
- for accordion (2006-07)
des Lallens) que plor e vau cantan (die Blüte
- for soprano and contrabass flute (2011-12)
doppio lume s'addua (figure of grammar)
- for cello, guitar and electronics (2007)

SMASH ensemble soloists:
Nenad Ivanovic - accordion
Carola Schlüter - soprano
Richard Craig - contrabass flute
Jan-Filip Tupa - cello
Bertrand Chavarría-Aldrete - guitar

LIVE in Palma de Mallorca - 11/11/2014


des Lallens) que plor e vau cantan (die Blüte

Création au Festival MUSICA 2018
5 octobre 2018
Église réformiste du Bouclier

Johanna Zimmer, soprano 
Susanne Leitz-Lorey, soprano
Truike van der Poel, mezzo-soprano
Martin Nagy, tenor
Guillermo Anzorena, baritone
Andreas Fischer, basse

La décadence des jardins (2018)- Neue Vocalsolisten Stuttgart

Beat Furrer - A Sei Voci

Adrian Mocanu is a composer working in the field of contemporary classical music. He studied at the National Music Academy of Ukraine and at Centro Superior de Enseñanza Musical Katarina Gurska in Madrid. He has been awarded at such competitions as the 38th Frederic Mompou International Award (Barcelona, 2017), 5th Mauricio Kagel Composition Competition (Vienna, 2022) or XXXIII Young Composers Prize by the SGAE Foundation (Madrid, 2022).
He was the composer-in-residence of JM Spain for the 23/24 season and was granted the Weltoffenes Berlin Fellowship from the Senate of Berlin. Among the residencies he carried out were scholarships of Casa de Velázquez - the Academy of France in Madrid, The Green Room for Performing Artist (Cologne), otte1 (Eckernförde),“Odyssée” program from the Ministry of Culture of France, “Gaude Polonia” from the Ministry of Culture of Poland and “Postcolonial Recherche” from Goethe-Institut.
His works, spanning chamber, vocal, orchestral and electroacoustic music, have been premiered across Europe and North America in collaborations with Ensemble Musikfabrik, Ensemble Recherche, Maulwerker, IEMA-Ensemble, Ensemble Mosaik, PinkNoise Ensemble, Bilbao Sinfonietta, Würzburg Philharmonic Orchestra and Armonia Ludus.

espejismos del alba (2023) for accordion

Adrian Mocanu

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