Disquiet Junto Project 0657: Straight Edged
The Assignment: Held tones, sharp edges.

There is just one step this week:

Record a piece of music that consists of nothing but held tones of varying lengths that start and end suddenly and that overlap as the piece unfolds.

Deadline: Monday, August 5, 2024, 11:59pm (that is: just before midnight) wherever you are.

More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

Disquiet Junto Project 0657: Straight Edged

More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

It's fascinating that the halF unusuaL track released yesterday for Naviar Records - https://soundcloud.com/half-unusual/half-ahead-naviarhaiku552 - was not considered 'music' enough to warrant it being recommended to people who might want to hear it ... This track, however, the SoundCloud algorithm deems appropriate ... 

I would argue this one is LESS 'music', but there you go, lol! 😂 All part of this wonderful algorithmic world we inhabit 😜 Let me know what you think!

more halF unusuaL

halF straighT [disquiet0657]

https://disquiet.com/2024/08/01/disquiet-junto-project-0657-straight-edged/
Komposition1018 Streichquartett

Straight Edged [disquiet0657]

This is my submission to this week's Disquiet Junto assignment.

More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

20240801 [disquiet0657]

Recorded & mixed on 25 Apr 2020 & 01 Aug 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Process notes - 
I selected 14 seconds (in five sections) of a 10 min recording I made on 25 Apr 2020. I loaded these into my hardware tracker and recorded for about 36 minutes. I compiled a handful of pieces of this performance down to about 3:20 . 

Tools used - 
Yuri Turov's Xynthesizr, Phosphor by Audio Damage, Audiobus 3, some reverb, Ableton Live Suite, Polyend Tracker, Ableton Live native devices, Zoom H6.

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This original version of “The Old Woman Who Lived In A Fist” was submitted as part of **Disquiet Junto Project 0657: Straight Edged.** The Assignment: Held tones, sharp edges.

More on the Disquiet Junto at: [disquiet.com/junto/](http://disquiet.com/junto/)

Subscribe to project announcements here: [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)

More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

The Old Woman Who Lived In A Fist (disquiet0657)

sound art for disquiet0657.

The sound sculpture in the image is a sort of nail violin. The nails are bowed with a violin bow and make breathy, plaintive sounding notes. I also used the violin bow on two cymbals and a broken saw blade screwed to a block of wood. The saw blade is responsible for the bending tones later on in the track.

Recorded with contact mics and no effects.

More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

the same word in different mouths (disquiet0657)

Artist and non-musician making visionary sound art with found objects.

I collect litter and make small scale sonic sculptures and rudimentary instruments. When I play them I’m thinking of natural rhythms like the wind in the trees or animal movements.

the same word in different mouths (disquiet0657)

Raincat