In the "cube-body-space- Performance:CUBE synesthesia1", Rainer Dunkel tries to approximate the content of the group"ZOR-WED"and its frounder Michail Matjuschin of the Russian Avantgardearound 1912 with his theory of painterly space, in the interactions of the visible and audible explore the plastic system of psycho-sensory sensation. The performance is a spontaneous improvisation, which spatially transports sensual reactions to the audiovisual cube sequences with body and movement.

Scene1 - Precious And Passing Life

This is Owa Mesa, vibrating your earwax and rubbing against your body 👅

SOUND ART  experimental music:
sensor musics of authentic granite- and sandstone
experimental electronic sounds by rainerdunkel /©2017 sub.tone
sensor musics of the sculpture Symposium: "Steine Ohne Grenzen 2017"
auditorial contribution of the sculpture symposium 2017 in Berlin Mahrzahn
"Steintönungen" - archives of time : part1, part2, part3, part4, part5,part6, part7, part8, part9, part10, part11

ⓉoneⒸrash is a pseudonym of my experimental, non-profit activities. 
I made my first tonal and musical experiments in the 80s with a Schneider (Amstrad) CPC6128 (Z80 CPU/128 kB RAM). The sound generator in the CPC was an AY-3-8912 (originally from General Instrument), a chip that produced stereo sound and had built-in envelope and noise generators.
(^_~)
Experimental electronic music and sound collages. 
Generative Music and Sound animation. 
Field recordings and Sample manipluation.

Sound design and "Art for the ears"

Scene1 - Precious And Passing Life

sub.tone/ sensor musics- - -experimental sound art