An die Redakteure der Panik, an die Profiteure der Angst: Schämt euch! 

Ein Kommentar von livaTexta alias Sabrina Khalil

An die Profiteure der Angst - ein Kommentar von livaTexta alias Sabrina Khalil

"Das Robert Koch-Institut hat die Gesundheit der Bevölkerung – die Public Health - im Blick und ist eine der ältesten Einrichtungen dieser Art weltweit. Wesentliche Grundlage seiner Arbeit ist die Forschung. Dadurch ist das RKI in der Lage, Gesundheitsrisiken verlässlich einordnen zu können und Empfehlungen zur Verbesserung der Gesundheit der Bevölkerung zu erarbeiten." So leitet das RKI selbst seine Historie seit 1891 ein. 

Heute spielt das Robert Koch Institut in Deutschland und weit darüber hinaus eine bestimmende Rolle - dank der von der WHO ausgerufenen Corona Pandemie. Die Geschichte dieses Instituts lässt allerdings daran zweifeln, ob es eine ausreichende moralische und ethische Autorität besitzt um der Aufgabe gerecht zu werden. Diese Geschichte des Instituts wird von der Autorin Anke Behrend in ihrem Artikel „Ansteckende Menschen möglichst früh aus dem Verkehr ziehen“ beleuchtet. Anke Behrend wurde geboren im Berlin vor dem Mauerfall, lebt seit 10 Jahren im Süden Deutschlands und veröffentlichte unter anderem im „Eulenspiegel“, im „Demokratischen Widerstand“ und auf Online-Portalen. 2007brachte sie den Roman: Fake off! heraus.

Der Text „Ansteckende Menschen möglichst früh aus dem Verkehr ziehen“ wurde zunächst auf TKP veröffentlicht, Science & Technology Blog von Peter F. Mayer. 

https://tkp.at/2021/04/04/ansteckende-menschen-moeglichst-frueh-aus-dem-verkehr-ziehen/

"Ansteckende Menschen möglichst früh aus dem Verkehr ziehen" - zur Geschichte des RKI

This Concertpiece for Cello and Orchestra over a theme by Antonio Carlos Jobim was written for my friend Vasja Legisa. I love the compositions of A.C. Jobim, especially the colourful harmonies and the "latin spirit". So I took his world hit "Wave" and used its chord progressions and melodic motives to create a "composing interpretation" that presents the substantial potential of this little song. 
I uploaded the demo recording we produced for Anna Jobim in order to get an agreement and the rights to use the song. In the last part there is a passage, where the soloist might improvise, but I also provide a notated "Improvisation"...

Konzertstück für Cello und Orchester über ein Thema von A.C. Jobim

Concertpiece for Cello & Orchestra (DEMO) on a theme by A.C. Jobim ("Wave")

This week on the Global Research News Hour, as the UN talks on Climate Change finally comes to an end, we will host a show discussing the agenda of the billionaire foxes wearing the clothing of planet saving sheep.

In our first half hour, we are joined once again by independent journalist and environmental activist Cory Morningstar to discuss what is coming out of this year’s Conference of the Parties to the United Nations Framework Convention on Climate Change. Then in our second half hour, we will hear from academic and author Claudia Von Werlhof about how secret military geoengineering in the United States and abroad is actually happening and how the agreements signed by the multiple climate meetings together with the COVID scare is helping the billionaire architects create a brave new economic and political world for all of us.

“What a Scam it Actually Is.” Assessing COP27 and Modern Climate Activism

Intro

Intro 2

Suspense

Untitled 1

Court métrage de Vanessa Aiffe avec Andréa Ferréol

Andrée (court-métrage - générique de fin)

Meditation for String Orchestra (1984) is my earliest acknowledged work. It marks my first successful use of the musical language which served me well in ensuing decades: the piece is tonally centred, with extensive use of Romantic-era “colour chords” (while simple triads are conspicuously avoided), and with highly chromatic melodic elements. Throughout, the tempo is in a constant state of flux, with a sense of repose achieved only at the end of the piece.

Performers: Composers' Orchestra, Toronto; Gary Kulesha conducting.

Meditation for String Orchestra (1984)

This is a song we have produced during lockdown in Germany, when everyone was doing home office, also us artists. Honestly hoping for the spring "that will be better than all the others". Celebrating the absurdity of pandemic realties.

Watch our music video here:
vimeo.com/494122241

lyrics: Lisa Friederich and Rike Huy
vocals: Lisa Friederich
music: Rike Huy

out of office

(for english description please scroll down further...)
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vielseitiger Komponist für Film / Fernsehen, Event, Theater, Konzert,
mehr als 100 Filmmusiken, Preisträger von mehreren nationalen und internationalen Kompositionswettbewerben (Rolf-Hans Müller Preis für Filmmusik 2010, Paradisi-Gloria-Kompositionswettbewerb des BR für Neue Sakrale Musik 2007, internationaler Kompositionswettbewerb für Feuerwerksmusik der Pyromusikale 2009, Kinder zum Olymp 2014, Bayerischer Filmpreis 2015,  Kinder zum Olymp 2017, Progressive Classical Music Award 2019)
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I'm writing music for films, TV, Theater, Classical Concerts and for Events and Shows; I was lucky to get a real good and very broad musical education (I studied french horn, high school teaching and composing for film and TV at the Hochschule für Musik in Munich, worked as professional french horn player in leading german orchestras, conducted more than 24 orchestral filmscores); so now I'm familiar with all kinds of music styles, regardless if they are historical or if they belong to foreign cultures. I even wrote the music for three indian bollywood style films and composed pop music for the iranian market ...

My music won several prices, one for the best film music in TV during 2009 and 2010, one from the Bavarian Broadasting Company (BR) for the best contemporary sacred music in 2007, and two awards, the Silver Edda and the Audience Award at the international composing contest for music for fireworks, and finally, two for outstanding music theater for small children and one at the progressive classical music award 2019.

I'm always interested in meeting and working together with people that have artistic or musical visions. My vision is to make the world a little bit more pleasant and richer with my music ....

Rainer

p.s. have a look at my other websites too!

Concertpiece for Cello & Orchestra (DEMO) on a theme by A.C. Jobim ("Wave")

Rainer Bartesch, Composer

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