This track is part of the concept album "Born of Noise."
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Synthetic Love

Theme: Political corruption and greed.
Angular, rhythmically complex prog piece — guitars stabbing like accusations.
Lyrically addresses leaders who build empires of lies while the planet burns beneath their feet.
Emotion: Rage and betrayal.


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The Architects of Nothing

Concrete Horizons by Tempest Veins is a haunting progressive rock concept album set against the divided landscape of Cold War Berlin. Through 13 interconnected tracks, it explores the psychological and emotional toll of walls — both political and internal. The album blends atmospheric soundscapes, experimental textures, and philosophical lyricism to portray the human struggle between control and freedom, memory and forgetting. From the whispered denial of “Prologue: Voices Before the Wall” to the reflective calm of “Concrete Horizons (Reprise),” each song forms a fragment of collective consciousness — a mosaic of hope, fear, rebellion, and rebirth. Layers of guitars, Mellotron, and cinematic effects evoke ghostly streets, secret dreams, and the slow crumbling of ideology. Ultimately, Concrete Horizons is not just about a city divided by concrete, but about the fragile walls we build within ourselves — and the sounds that remain when they fall.

The Line Through the Heart

Baby Blue is not just an album — it’s a descent, a confession, and a fragile return.
Across twelve interconnected songs, Tempest Veins trace the anatomy of addiction: the loneliness that leads to escape, the seduction of the first high, the betrayal of false friends, and the brutal clarity of collapse.

From the haunting atmosphere of “The Hollow Hours” to the desperate pulse of “Glass Streets” and the trembling redemption of “Clean Light,” the record moves through darkness and despair toward a flicker of fragile hope. Every track mirrors a stage of dependency — denial, loss, withdrawal, relapse — told through shifting rhythms, layered guitars, and cinematic sound design.

The final song, “Don’t Cry for Baby Blue,” closes the circle in bittersweet reflection. It’s unclear whether “Baby Blue” is the drug, a lost love, or the version of oneself that never returned. What remains is acceptance — quiet, exhausted, and real.

Musically, Baby Blue bridges the emotional depth of progressive and psychedelic rock with the raw vulnerability of modern art rock. Lyrically, it’s both personal and universal — a portrait of a world where escape is easier than healing, and where every fall still carries the faint possibility of redemption.

Tempest Veins deliver a record that burns, bleeds, and breathes — an unflinching journey through the beautiful, terrible truth of being human.

The Hollow Hours

Tomorrow Never Comes

Loud, Proud and Out of Gas

You`re the Best

Remember me

In the End the Shit Hits the Fan

Uns geht es zu gut

Das war doch erst gestern

Homepage www.rasoschroedermusic.de
Bandcamp https://rasoschroedermusic.bandcamp.com/

In the End the Shit Hits the Fan

RASO Schroeder Music

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