Training

Three Days Grace Somebody That I Used to Know Live (2).mp3

House of Cards

This track is part of the concept album "Born of Noise."
We’d be happy if you took the time to listen to the whole album,
and if you like it, please give it a “like” or, even better, share it!
Thank you! 🙂

Synthetic Love

“Fragments of Time” is a philosophical and emotional concept album exploring the fragile relationship between memory, time, and identity.
It does not tell its story linearly — instead, it moves through shifting fragments of recollection, where each song captures a different facet of the self seen through distorted memory.
The album asks a central question:

Who am I, if my memories can no longer be trusted?

Across its tracks, Fragments of Time navigates the blurred boundaries between what was, what might have been, and what was never real at all.
Themes of lost childhood, missed chances, trauma, and false remembrance weave through a non-chronological soundscape of progressive and psychedelic rock — blending analog warmth, orchestral textures, and experimental atmospheres.

Musical motifs reappear in altered forms throughout the record, symbolizing the reconstruction of identity through imperfect recollection.
Each reprise is like déjà vu — familiar yet subtly changed, mirroring the way memory reshapes itself over time.

The sound is both melancholic and cinematic:
delicate acoustic passages dissolve into vast, orchestral swells; distorted guitars and reversed pianos evoke the collapse of linear time; ambient textures breathe between moments, like ghosts of songs already forgotten.

In the end, Fragments of Time reaches no definitive conclusion.
Instead, it finds resolution through ambiguity — accepting that the self is not a fixed truth, but a continuous act of remembering and letting go.
The closing track, “Unwritten Hours,” fades into reversed echoes that lead seamlessly back to the opening of “Echoes Before Dawn,” creating a circular loop — a sonic metaphor for time folding in on itself.

Fragments of Time

Lost childhood

Theme: Political corruption and greed.
Angular, rhythmically complex prog piece — guitars stabbing like accusations.
Lyrically addresses leaders who build empires of lies while the planet burns beneath their feet.
Emotion: Rage and betrayal.


BandCamp

The Architects of Nothing

Concrete Horizons by Tempest Veins is a haunting progressive rock concept album set against the divided landscape of Cold War Berlin. Through 13 interconnected tracks, it explores the psychological and emotional toll of walls — both political and internal. The album blends atmospheric soundscapes, experimental textures, and philosophical lyricism to portray the human struggle between control and freedom, memory and forgetting. From the whispered denial of “Prologue: Voices Before the Wall” to the reflective calm of “Concrete Horizons (Reprise),” each song forms a fragment of collective consciousness — a mosaic of hope, fear, rebellion, and rebirth. Layers of guitars, Mellotron, and cinematic effects evoke ghostly streets, secret dreams, and the slow crumbling of ideology. Ultimately, Concrete Horizons is not just about a city divided by concrete, but about the fragile walls we build within ourselves — and the sounds that remain when they fall.

The Line Through the Heart

Baby Blue is not just an album — it’s a descent, a confession, and a fragile return.
Across twelve interconnected songs, Tempest Veins trace the anatomy of addiction: the loneliness that leads to escape, the seduction of the first high, the betrayal of false friends, and the brutal clarity of collapse.

From the haunting atmosphere of “The Hollow Hours” to the desperate pulse of “Glass Streets” and the trembling redemption of “Clean Light,” the record moves through darkness and despair toward a flicker of fragile hope. Every track mirrors a stage of dependency — denial, loss, withdrawal, relapse — told through shifting rhythms, layered guitars, and cinematic sound design.

The final song, “Don’t Cry for Baby Blue,” closes the circle in bittersweet reflection. It’s unclear whether “Baby Blue” is the drug, a lost love, or the version of oneself that never returned. What remains is acceptance — quiet, exhausted, and real.

Musically, Baby Blue bridges the emotional depth of progressive and psychedelic rock with the raw vulnerability of modern art rock. Lyrically, it’s both personal and universal — a portrait of a world where escape is easier than healing, and where every fall still carries the faint possibility of redemption.

Tempest Veins deliver a record that burns, bleeds, and breathes — an unflinching journey through the beautiful, terrible truth of being human.

The Hollow Hours

Tomorrow Never Comes

Death's Bell | POWERFUL CINEMATIC SONG | Epic Metal Orchestral Vocal Music

Death's Bell

Loud, Proud and Out of Gas

Swipe Right for Disaster

You`re the Best

Three Days Grace Painkiller [ Rude Version ]

Time of Dying - Three Days Grace

Homepage www.rasoschroedermusic.de
Bandcamp https://rasoschroedermusic.bandcamp.com/

Swipe Right for Disaster

RASO Schroeder Music

Related tracks