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Im Spiegel der Zeit

Nicht ohne dich

House of Cards

This track is part of the concept album "Born of Noise."
We’d be happy if you took the time to listen to the whole album,
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Synthetic Love

“Fragments of Time” is a philosophical and emotional concept album exploring the fragile relationship between memory, time, and identity.
It does not tell its story linearly — instead, it moves through shifting fragments of recollection, where each song captures a different facet of the self seen through distorted memory.
The album asks a central question:

Who am I, if my memories can no longer be trusted?

Across its tracks, Fragments of Time navigates the blurred boundaries between what was, what might have been, and what was never real at all.
Themes of lost childhood, missed chances, trauma, and false remembrance weave through a non-chronological soundscape of progressive and psychedelic rock — blending analog warmth, orchestral textures, and experimental atmospheres.

Musical motifs reappear in altered forms throughout the record, symbolizing the reconstruction of identity through imperfect recollection.
Each reprise is like déjà vu — familiar yet subtly changed, mirroring the way memory reshapes itself over time.

The sound is both melancholic and cinematic:
delicate acoustic passages dissolve into vast, orchestral swells; distorted guitars and reversed pianos evoke the collapse of linear time; ambient textures breathe between moments, like ghosts of songs already forgotten.

In the end, Fragments of Time reaches no definitive conclusion.
Instead, it finds resolution through ambiguity — accepting that the self is not a fixed truth, but a continuous act of remembering and letting go.
The closing track, “Unwritten Hours,” fades into reversed echoes that lead seamlessly back to the opening of “Echoes Before Dawn,” creating a circular loop — a sonic metaphor for time folding in on itself.

Fragments of Time

Lost childhood

Theme: Political corruption and greed.
Angular, rhythmically complex prog piece — guitars stabbing like accusations.
Lyrically addresses leaders who build empires of lies while the planet burns beneath their feet.
Emotion: Rage and betrayal.


The Architects of Nothing

Concrete Horizons by Tempest Veins is a haunting progressive rock concept album set against the divided landscape of Cold War Berlin. Through 13 interconnected tracks, it explores the psychological and emotional toll of walls — both political and internal. The album blends atmospheric soundscapes, experimental textures, and philosophical lyricism to portray the human struggle between control and freedom, memory and forgetting. From the whispered denial of “Prologue: Voices Before the Wall” to the reflective calm of “Concrete Horizons (Reprise),” each song forms a fragment of collective consciousness — a mosaic of hope, fear, rebellion, and rebirth. Layers of guitars, Mellotron, and cinematic effects evoke ghostly streets, secret dreams, and the slow crumbling of ideology. Ultimately, Concrete Horizons is not just about a city divided by concrete, but about the fragile walls we build within ourselves — and the sounds that remain when they fall.

The Line Through the Heart

Baby Blue is not just an album — it’s a descent, a confession, and a fragile return.
Across twelve interconnected songs, Tempest Veins trace the anatomy of addiction: the loneliness that leads to escape, the seduction of the first high, the betrayal of false friends, and the brutal clarity of collapse.

From the haunting atmosphere of “The Hollow Hours” to the desperate pulse of “Glass Streets” and the trembling redemption of “Clean Light,” the record moves through darkness and despair toward a flicker of fragile hope. Every track mirrors a stage of dependency — denial, loss, withdrawal, relapse — told through shifting rhythms, layered guitars, and cinematic sound design.

The final song, “Don’t Cry for Baby Blue,” closes the circle in bittersweet reflection. It’s unclear whether “Baby Blue” is the drug, a lost love, or the version of oneself that never returned. What remains is acceptance — quiet, exhausted, and real.

Musically, Baby Blue bridges the emotional depth of progressive and psychedelic rock with the raw vulnerability of modern art rock. Lyrically, it’s both personal and universal — a portrait of a world where escape is easier than healing, and where every fall still carries the faint possibility of redemption.

Tempest Veins deliver a record that burns, bleeds, and breathes — an unflinching journey through the beautiful, terrible truth of being human.

The Hollow Hours

Tomorrow Never Comes

Crown of Creation

Introduction

The Day the Clocks Went Silent is a progressive concept album that explores humanity’s fragile relationship with time — and what remains when that relationship collapses.
Across twelve interconnected songs, the album follows an emotional, philosophical, and sonic journey through silence, chaos, awakening, and acceptance.

It begins with a single moment: the instant the world’s clocks stop ticking.
From that frozen second, the story unfolds through dreamlike reflections, surreal landscapes, and the inner echoes of a civilization learning to live without measurement — discovering the pulse of life beneath the tyranny of time.

Each track represents a stage of this collective awakening, blending field recordings, ambient soundscapes, orchestral textures, and expressive guitar work reminiscent of Pink Floyd, King Crimson, and Steven Wilson.
The album moves from tension to release, from disorientation to catharsis — ending in peaceful infinity, where time and sound merge into one.

The Concept & Narrative Arc

The album is divided into three conceptual movements — Collapse, Awakening, and Transcendence:

I. Collapse (Tracks 1–4)

Time stops.
The opening tracks (“Prelude,” “Fractured Hours,” “The Weight of Seconds,” “Ghosts of Routine”) depict a world unraveling.
Mechanical ticking fades into silence as people struggle to live without rhythm — haunted by routines that no longer have meaning.
The music is tense, surreal, filled with field recordings and experimental time signatures, symbolizing a fractured world.

II. Awakening (Tracks 5–8)

The silence deepens into introspection.
Songs like “A Silent Parade,” “The Sun Forgot to Rise,” “Chronos Sleeps,” and “Voices Through the Static” explore the psychological and metaphysical collapse of human order.
Time’s god, Chronos, dreams — and in his sleep, reality bends.
These pieces blend psychedelia and ambient textures with philosophical lyrics and cinematic spoken-word passages, evoking a trance-like descent into the subconscious.

III. Transcendence (Tracks 9–12)

From silence, understanding emerges.
“Beyond the Ticking Sky,” “The Return of Sound,” “The Clockless Dream,” and their motifs reveal a rebirth — humanity realizes that time is not a prison, but a pulse of existence.
The ticking returns, but now as the heartbeat of life, not as a chain.
The final track dissolves into complete stillness, suggesting enlightenment — or perhaps the final moment before the dream ends.

Philosophical Core

At its heart, The Day the Clocks Went Silent asks:

“If time stopped — would we finally begin to live?”

It questions our dependence on structure, measurement, and routine — suggesting that true consciousness may emerge only when the illusion of time collapses.
The silence between seconds becomes a metaphor for awareness, presence, and the rediscovery of meaning beyond linear existence.

Sound & Aesthetic

Musically, the album fuses:

Progressive Rock’s narrative ambition and shifting time signatures.

Psychedelic textures — reversed sounds, ambient drones, field recordings.

Art Rock’s cinematic scope, with orchestral and electronic arrangements.

Classic Rock emotion, featuring expressive guitar solos in the tradition of David Gilmour and Steve Hackett.

Experimental and cinematic production, blending organic and synthetic soundscapes into one continuous experience.

The album is designed to be listened to in full — a single arc that transforms sound into silence and back again.

Closing Statement

The Day the Clocks Went Silent is not just an album — it’s an existential reflection disguised as sound.
It captures the collapse of order, the beauty of uncertainty, and the rebirth that follows.
By its end, the listener stands where the journey began — but changed, hearing the world anew.

“In the silence, we finally heard ourselves.”

The Return of Sound

Homepage www.rasoschroedermusic.de
Bandcamp https://rasoschroedermusic.bandcamp.com/

The Return of Sound

RASO Schroeder Music

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Sarina Hwang

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