The robot gets… distracted.
Running on low impulse control and questionable motives, he starts looking for the wrong kind of “connection” at the rave. Outdated firmware + human pheromones = a dangerously horny robot wandering the dancefloor.

A bright, chaotic fusion of Happy Hardcore, Hardstyle, and Dubstep, with a neuro-leaning edge under the surface.

BPM: 181

From the EP ROBOT WEEKEND

- LAB 210

USB PORT NEEDS ATTENTION (Demo)

“Handle It Myself” is Track 1 of the Years Without Help concept album—about what happens when trauma goes untreated for years and survival turns into silence.
Alt-R&B meets lo-fi trap and spoken-word confession, capturing the first stage of the spiral: smiling through it, minimizing it, and trying to carry everything alone.

Content note: explicit language + heavy themes (mental health, isolation, trauma).

More context/source: https://nchstats.com/unmet-mental-health-treatment

Handle It Myself

“Doors Don’t Open” is Track 2 of the Years Without Help concept album.
It captures the second stage of the spiral: reaching out for help, getting waitlisted, ignored, redirected, and slowly learning that silence feels safer than rejection.
Alt-R&B with lo-fi trap drums and spoken-word confessional delivery — the moment trust starts breaking.

Content note: explicit language + heavy themes (mental health, isolation, crisis, systemic neglect).

More context: https://calmatters.org/health/mental-health/2025/04/mental-health-crisis-california-police-response/

Doors Don't Open

Concept soundtrack for a make belief videogame for masters portfolio

Unreedemable Evil

Sale! Sale! Sale!

Battle theme

The road is full of opportunities

Victory is sweet when sunny

Moment of peace

Defeat stings when it rains

It would be very cool to see a Dark Deception character in the game, especially Joy Kill. They would be a perfect skin for Guest 666!

ABOMINATION - Joy Kill Guest 666 Skin Concept Chase Theme | Forsaken UST

Cloud Zone

Second chapter of the Toxic Lust arc. 
Her side of the story.

Where Pinned at the Top was him flexing over one contact that stayed glued to his screen, Pinned in Private is the opposite: a woman drowning in calls, DMs and fake love, trying to keep one real connection off the timeline and away from the wolves.

Dark Trap R&B, late-night tempo, soft vocals, heavy 808s. It lives in that space between “everybody looking at me” and “you’re the only one I’m scared to lose.”

Play this after Bad Reception / Signal Flooded if you want the full Phone Games + Toxic Lust storyline in order.

Pinned in Private

Cracked Reflection – Night Life (A.I.)

Night Life (A.I.) is the fourth full-length album from Cracked Reflection, written during one of the most intense creative runs of my life. What started as a few late-night ideas turned into thirteen songs—each one built from raw emotion, real experiences, and the strange, beautiful chaos that comes from creating with both instinct and imagination.

This album blends dark rock, alternative pop, cinematic storytelling, gritty funk, modern country-leaning ballads, and acoustic confessionals. Every track carries a different heartbeat: explosive attitude in “Narcissistic,” carnival-haunted tension in “Homicidal Suicide,” playful danger in “Unless You’re Gonna Mean It,” and quiet, honest vulnerability in songs like “You and Me, Me and You” and “My Inspiration.”

Even though the styles shift, the theme stays the same:
the world is loud, life gets weird, love gets complicated, and somehow we still keep going.

All lyrics were written by me.
Some production elements used A.I. assistance, but the ideas, the stories, the emotion—that’s all human.

Thank you for helping push Cracked Reflection past 21.6K plays so far.
This album exists because people kept listening.

Enjoy the songs, in whatever order speaks to you… and welcome to the Night Life.

You and Me, Me and You

Versions of You takes a single track and fractures it into fourteen alternate Quantum me worlds — each one revealing a different shape the story could take if the moment, the mood, or the narrator were just a degree to the left.

From glitch-folk confessions to neon-lit electro-soul, from whispered ASMR heartbreak to full-throttle trap, each version is its own universe: new chord colours, new emotional physics, new versions of the same truth. Some tracks feel intimate enough to touch; others feel like they’re broadcast from a future where your memories have been remixed without permission.

What stays the same is the centre of gravity, the ache and loss at the centre of the song about the love wearing out.

Whether you start at Version 1 or jump into the deep end at Version 14, each track refracts the same lyric through a different lens — digital, human, nostalgic, brutal, ecstatic, quiet, cinematic. Over the full album, the song becomes a prism: turn it once, you hear longing; turn it again, you hear defiance; turn it again, you hear relief.

This is not a remix album.
It’s a mirror maze.
And every reflection is a version of you.

Versions of you v4

Versions of you v2

Versions of you

Versions of you v3

Versions of you v3.1

25 II Musician, Beatmaker, Ethereal Transgender II FREE GAZA

Venmo: timepilgrim
Cashapp: $timepilgrim

🎙️ Independent storyteller | 🇺🇸🇲🇽 | Voice through survival
I use AI-assisted tools to co-create some of my music, but every lyric, edit, and emotional heartbeat is mine.

All songs are legally licensed for commercial release. I rewrite, restructure, and remix every line until it reflects real life — mine, and maybe yours too.

If it helps even one person feel less alone in their frustration, grief, or journey… then it was worth creating.

🧠 Music built from survival.
🫀 Songs crafted with truth.
🤖 Powered by technology. Driven by heart.

Space Track Records is the label name that the still independent artist known as Lab 210 distributes their work from. 

**STOP SAYING YOU LIKE OUR MUSIC IF YOU'RE JUST TRYING TO SELL US SHIT!**

All tracks written and produced by Lab 210. 

• Lab 210:

https://open.spotify.com/artist/561CpDRVJK6XbasdScUm1W?si=W-l9sdUyRs-0AwBt6iBy6A

https://music.apple.com/us/artist/lab-210/618432138

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

Ever feel like you've been playing quantum leap in your own life?

New tracks tagged #Concept