This Mix never gets Old Still master class x

Good times good vibes at a legendary club getting flashbacks to some steaming nights there

Quality B2B set I can see the Truck with the trailer now (floor 2) basement dark and smokey techno

what an era to be apart of... loved the club, ... wicked memories..🔊👊👊👊🏴󠁧󠁢󠁥󠁮󠁧󠁿

http://www.ralphlawson.co.uk/ril/2011/11/16/themusicfactory-mix-part-one-sleevenotes.html

dance

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***THANK YOU FRANKIE, YOU CREATED A WAY OF LIFE FOR ALL OF US. YOU WILL LIVE ON FOREVER***

About the CD:
An absolutely epic house CD released in 1996 by the fine folks at MOS. This one was actually a swap with a certain ginger friend for something else (hope he doesn't ask for it back) although it was swapped for something good so maybe it's not a bad thing. This Frankie Knuckles mix features some incredible tracks including all time favourites Ken Lou - The Bounce, Lil Mo Yin Yang - Reach, X Press 2 - The Sound and many many more. It is indeed, a banger.

Buy on Discogs

091 - Frankie Knuckles -  Ministry Of Sound  Sessions Vol. 6 - Disc Two (1996)

DJ and producer, Terry Farley heads back to the 'second summer of love' and celebrates some of the biggest Acid House tracks, 25 years on.

Along with Andrew Weatherall, the duo started the now notorious Boy's Own fanzine in 1986, which commented on the slang, the parties, the tunes and the humour of the acid house days, and which also lead to the creation of the label Junior Boys Own. This imprint specialised in dance music and put out records by Orbital and Dig Your Own Hole by The Chemical Brothers, which celebrates 15 years this year.

Terry began making productions with Andy Weatherall, Hugo Nicholson and Pete Heller under the name Bocca Juniors. He later teamed up with Pete Heller and has gone on to re-mix many of the world's leading artists and singers: everyone from U2 to New Order; to the Happy Mondays and Primal Scream at the height of Balearica. He has also produced Kylie Minogue, The Farm and M People.



Terry Farley 25 years of acid house - 6 music BBC

SOUL FOOD – THE BROAD CHURCH OF NORTHERN SOUL
This podcast accompanies a blog piece ‘Northern Renaissance’, which simultaneously went online. Below is an excerpt; you can read the full piece here: 
https://blog.gregwilson.co.uk/2013/11/northern-renaissance/

As I hope this piece will illustrate, Northern Soul back in the 70’s was a much broader church than many might imagine. Whilst the stompers were central to the scene, especially when Wigan Casino was at its peak, not everything ran at breakneck pace as is often suggested, the movement encompassed a whole spectrum of styles and tempos. The scene was notoriously very snobbish about its music, dropping a previously loved record like a hot potato because it had subsequently achieved commercial success, although it was this fervent elitism that played a major part in its success and longevity. It’s also the reason why a track many might consider to be as Northern as they come, like Jackie Wilson’s ‘(Your Love Keeps Lifting Me) Higher And Higher’ (a Detroit artist doing an uptempo dance track with Funk Brothers backing) isn’t Northern Soul according to those at the cutting-edge of the scene, despite the fact it was a big favourite in the Soul clubs following its 1967 release. It’s sin was that it became a UK hit in 1969, just before the Northern scene got into its stride, so, along with a whole heap of Tamla Motown tunes that are Northern in everything bar their success in connecting with the masses, it was banished to the realm of pop. This is why another famous Jackie Wilson track, ‘I Get The Sweetest Feeling’, this time a 1968 recording, which, on the surface, given it’s much mellower vibe, is far less stereotypically Northern than ‘Higher And Higher’, is, in contrast, considered a bone fide Northern classic – the reason being that ‘I Get The Sweetest Feeling’ didn’t become a hit until 1972, having broken out of the Northern scene, then in full swing.

So, with the various aspects considered, I’ve put together an epic 3 hour 20 minute podcast selection of records that I hope will reflect Northern Soul in its wider context, from the nailed on classics to those with more nominal status. What can’t be disputed is that each and every track included has been played, at least somewhere at one point or another, under the Northern Soul banner. There are 70 tracks in all, with just 2 artists with more than 1 inclusion, the aforementioned Jackie Wilson and the great, but tragic songstress Linda Jones (3, if you count Frankie Valli, here both solo and with the Four Seasons). The idea to put this together grew out of a CD compilation I made for myself back in the 00’s to listen to whilst I was driving, which I called ‘Soul Food’, and the intention is for it to act as solid introduction for those wanting to hear what Northern Soul was all about, in all its diverse glory, whilst I’d like to think it will also evoke fond memories for those who were there at the time. The fact I wasn’t a part of the scene has hopefully allowed me to approach this selection in a more objective way than someone embroiled within it, who may not be able to resist the inclination to pack it with tracks nobody else, apart from other ultra-obsessives may know, or who might want to brush a few of the inclusions under the ‘you had to be there at the time’, carpet. Consider this, if you will, a beginners guide, of which I love all of the selections, each in its own way - just wonderful wonderful uplifting music.

Greg Wilson – November 2013

SOUL FOOD - THE BROAD CHURCH OF NORTHERN SOUL (greg wilson selection)

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048 - Ministry of Sound 'The Sessions' vol. 1 mixed by Tony Humphries (1993)

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051 - MOS presents 'Sessions Nine' mixed by Eric Morillo - Disc 1 (1998)

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***THANK YOU FRANKIE, YOU CREATED A WAY OF LIFE FOR ALL OF US. YOU WILL LIVE ON FOREVER***

About the CD:
So happy to finally get to hear disc one of this brilliant cd. When I originally swapped the disc way back in 1998 it only had disc 2... and I'm delighted to discover this one is just as good. It's an absolutely epic house double CD, released in 1996 by the fine folks at Ministry Of Sound. And one which is another great reason to celebrate and remember the man himself, thank you Frankie. Remember to buy the CD (if it's still available) from the link above or other good sellers online. Turn it up and enjoy the mix!

Special shout out to the ever helpful Nick Sneddon for sorting our disc 1!

090 - Frankie Knuckles - Ministry Of Sound Sessions Vol. 6 - Disc One (1996)

MUSIC IS BETTER RE-EDITED HIGHLIGHTS 20.12.03
Related blog post here:
http://www.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights 

When I upgraded my SoundCloud account it was with the intention of adding selected mixes from the period 2003-2009, bringing everything under one roof by placing them alongside the ongoing additions that have been continually made available since I uploaded the first of my SoundCloud mixes, recorded at Café Mambo in Ibiza exactly 2 years ago today (27.09.09). So it’s fitting that Music Is Better Re-Edited Highlights, the mix that marked my return to the DJ world, should kick off this process, with further uploads to be added periodically.

The following piece was written in 2004, some months after the Music Is Better mix had been made available as a limited CD via Manchester's Piccadilly Records.

MUSIC IS BETTER RE-EDITED HIGHLIGHTS:
Last December, twenty years on from when I stopped deejaying professionally, I came out of retirement, so to speak, and made what seemed like, as I described it at the time, a ‘second debut’ (my first being way back in 1975). In the two decades that have passed since I decided to call it a day, I’ve made the odd guest appearance here and there, but had no inclination to seriously start up again.

That all changed during 2003, with the launch of the electrofunkroots.co.uk  website, which I’d set up to document the crucial early 80’s period, when dance music (or black music as it was still referred to) was going through some radical changes that would have a huge bearing on the subsequent course of club culture. It was at this point in time that I was fortunate enough to find myself behind the decks in two of the greatest British clubs of the era, Wigan Pier and Legend in Manchester, where I’d bring a new flavour of music to the table, along with a fresh (from a UK perspective) approach to the way I worked, as one of just a handful of British DJ’s back then who had made the decision to switch the emphasis of their presentation style from microphone to mixing. 

I had no idea that, all these years on, an ever-increasing amount of clubbers were now beginning to look back to exactly this time and rediscover the great underground music, mainly from New York, that preceded House, and which was originally played here in the UK on the specialist black scene. Having decided to become pro-active in drawing people’s attention to this hugely important, but largely overlooked period, it was a pleasant surprise to realise that this process was already underway. Before I knew it, I began to receive enquiries about possible DJ bookings and it soon became obvious that the logical next step for me to take was back into the clubs, so I could actually play these records to an audience who’ve finally come to appreciate their significance in inspiring the music that inspired them.

Had this been all about playing some tunes for old times sake to the people who were there at the time, there’s no way I’d have been into it as anything more than an occasional one-off. However, the fact that there’s a whole new generation who are looking for a return to underground values, as well as an older audience who (having maybe got into dance stuff at a later stage) missed much of this music first time around, prevents it from becoming a purely nostalgic exercise and, instead, presents a whole new dynamic. For this is something relevant to now, which is rooted in the past, yet forward looking.

To further emphasise this link, the equipment I decided to use was a Revox B77 reel-to-reel (past), vinyl (present) and laptop (future). It was also important that I didn’t just stick to the records that I used to play, but included a few more recent releases, from artists with a clear respect for what’s gone before, like Chicken Lips, Metro Area and Diplomat. The laptop would also allow me to feature my own re-edits and the Revox to add live sounds and effects. Having been regarded as progressive in my approach to deejaying back then, I figured it was only right that I should continue to work by the same principles, trying new ideas alongside the old ones in an effort to highlight the ongoing links between then and now.

The night I chose for my ‘comeback’ appearance was called ‘Music Is Better’. It was held at The Attic in Manchester. It obviously had to be Manchester as this, although not my actual home, is certainly my ‘spiritual home’, the place where I found my ultimate DJ highs – so it was important to make that vital connection with the past immediately. ‘Music Is Better’ was the perfect type of night for me, suitably low-key, whilst attracting the kind of people who understand that four-to-the-floor isn’t the be all and end all.

I’d planned to use the night as a tester, so I could identify what worked and what didn’t, before I started accepting the bookings I’d been offered in other parts of the country. I’d anticipated a gradual acclimatization for myself, estimating that once I’d got 3 or 4 appearances under my belt I’d be able to gauge things better. In no way did I expect this first night to go so well for me, without any of the teething problems I’d envisaged. 

The night wasn’t recorded, but it was decided that, to mark the occasion, I’d re-create it track for track for a limited edition CD (edited down from the two and a quarter hours I played to single disc length). 

So this is how ‘Music Is Better – The Re-Edited Highlights’ came to be. The 500 copies that were made have now all gone, the response to the CD echoing the positive reaction on the night. I’ve since taken bookings (and often re-bookings) in Birmingham, Bristol, Dublin, Glasgow, London, Leeds, Limerick, Liverpool, Newcastle, Nottingham, Plymouth, Sheffield and Wrexham, along with further dates in Manchester. 2004 has been a year I’ll never forget and I can’t thank everyone enough for their support, their warmth and their energy. Having been totally detached from the club scene for so many years, it’s all been a bit of a Rip Van Winkle re-awakening for me! 

I never thought I’d say it, but it’s great to be a DJ once again. 

Hope you enjoy this mix,

Greg Wilson
http://www.electrofunkroots.co.uk
 
WRITTEN FOR SIX MILLION STEPS WEBSITE IN 2004

UPLOADED ONTO SOUNDCLOUD 27.09.11


MUSIC IS BETTER RE-EDITED HIGHLIGHTS 20.12.03 (by greg wilson for ltd cd 2004)

The first in a series of mixes celebrating my 20 years as resident at back to basics club in Leeds, UK.

visit www.ralphlawson.co.uk for track listing and sleevenotes for the mix and stories from the club.



back to basics // the>music:factory years part one // 1991-94

Next Soak presents FAC51 The Hacienda w/ Derrick Carter, DJ Sneak, Graeme Park, Ralph Lawson and Marshall @ The Warehouse, Leeds 10/04/20

Tickets from Skiddle - http://bit.ly/HaciendaSoakTickets 

FB Event page - http://bit.ly/HaciendaSoakEventPage
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Francois K - Soak Presents FAC51 The Hacienda @ Church - Leeds - 14.04.2017

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Ministry Of Sound Sessions Volume 4

546 - Ministry Of Sound Sessions Vol. 4 mixed by CJ Mackintosh - Disc 1 (1995)

Simply one of the best mixed house sets you'll ever here.  This was always pumping in the V Dub!  Originally it started with the hip hop section I've put it at the end.

CJ Mackintosh Radio 1 Essential Mix 19.02.1994

Running from 1986-1992, the Boy’s Own fanzine became known as ‘the village newspaper of acid house’: celebrating, documenting, and at times mercilessly lampooning the scene as it transformed everyone from the football terrace casual to the suburban soulboy. Three decades on, Terry Farley, Pete Heller and Andrew Weatherall are among the key Boy’s Own alumni still shaping dance music today.

Listen to the exclusive, incredible, Farley & Heller ‘Boys Own Summer Of Love’ mix now.

The Cover Mix: Farley & Heller (Boy's Own Summer Of Love)

ASHLEY BEEDLE JUNIOR DJ MIX

Jean Bruce Rave Gener8tor (Altern 8 live remix by Mark Archer) NOCTU 003

20/20 Vision 
OpenLab
Exit Planet Earth 
Escape Pods

Bookings - jp@special-force.com

back to basics // the>music:factory years part one // 1991-94

ralphlawson

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