اکورد با عوده؟یا گبتار؟؟؟؟؟؟؟؟؟

Here I try to have a collection of Iranian traditional Radif singing, improvisation and solo.

my root

آواز شجریان برای فیلم دلشدگان--
هرچند این آواز در آلبوم رسمی منتشر نشد
غزل از حافظ



(مثنوی)
گر ز حال دل خبر داری بگو

ور نشانی مختصر داری بگو
(مثنوی)
مرگ را دانم؛ ولی تا کوی دوست

راه اگر نزدیکتر داری بگو
(مخالف)
ارغنون ساز فلک رهزن اهل هنر است
ارغنون ساز فلک؛ رهزن اهل هنر است

چون از این غصه ننالیم
چون از این غصه ننالیم چرا نخروشیم
(مخالف)
گل به جوش آمد و از می‌نزدیمش؛ آب‍‍ی

لاجرم؛ زآتش حرمان و هوس میجوشیم
(مخالف)
حاف‍‍ظ؛ این حال عجب با که توان گ‍‍فت

با که توان گفت؛ که ما
بلبلانیم
بلبلانیم؛ که در موسم گل خاموشیم

Delshodegan(Film) - Doholchi.com

مرگ را دانم، ولی تا کویِ دوست راه اگر نزدیک‌تر داری بگو

Shajarian شجریان - رندان مست - مستان سلامت میکنند - مولوی

My name is Dmitri, i create ASMR video to help you relax, feel good and sleep.  Suscribe to me on https://www.youtube.com/user/MassageASMR 
My recommendation is to watch the video for the complete relaxation experience.
Link to Video: https://www.youtube.com/watch?v=NtQ2TVM0mTg
Equipment: 2 x Rode NTG3 + H4N Zoom
My audio files take you on a little journey of relaxation, our end goal is for you to feel good and drift of to sleep.  Almost like a massage to your brain or body.
I create many different types of video on youtube, Role Plays, Soft Spoken, Whispering, Ear to Ear, Crinkle Sounds, Tapping Sounds, Scratching Sounds + Many More.

From Youtube
Tibetan Singing Bowl Studio Session 2 - Deep Sleep & Meditation.  I had a feeling a need to record just pure sounds from the bowl, feeling, turned to action, action lead to creation, creation leads to awakening and the sound of the singing bowls leads to sleep.  

IF you would like to help support me you can do by so donating through paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=2GLQ475T9F8GU
You can also patreon me: http://www.patreon.com/massageasmr

The bowls come from MadamKali http://www.madamkali.com.au/



As with all my video, my intentions is always to provide you a little home away from home, where you can kick back relax and always find a new and unique experience as i guide you with sights & sound to a relaxing location where my objective is to let you feel gentle waves of relaxation & ASMR until you close your eye to fall into a peaceful sleep.

Website: http://www.massageasmr.com
Youtube: https://www.youtube.com/user/MassageASMR
Patreon: http://www.patreon.com/massageasmr
Google Profile:https://plus.google.com/+DmitriASMR
Google Page: https://plus.google.com/+MassageASMR
Facebook: https://www.facebook.com/dmitri.asmr
Twitter: https://twitter.com/MassageASMR
Sound Cloud: https://soundcloud.com/dmitri-asmr



ASMR stands for Autonomous Sensory Meridian Response it is described as a pleasurable tingling sensation that can be felt most commonly in the back of the scalp and down the spine but not limited to these area's.  
I try to describe ASMR experience to people using something common like visiting a hairdresser, do you find the experience of someone focusing on you, the gentle touching of your hair, the sound of the scissors moving around you relaxing?
That would be a relaxing experience, watching ASMR video is like recreating that type of experience.
I believe most people can experience ASMR, to experience ASMR you need to find your trigger, common triggers:
Whispering
Watching Someone Focus on a task
Personal Attention - like a hair cut
Watching Role Play
Tapping Sounds
Crinkle Sounds

Video Panasonic HMC-152
Audio Recorded with normal Rode NTG-3 Mics in stereo

Tibetan Singing Bowl Studio Session 2 - Deep Sleep & Meditation

سه نوازی سه تار و عود و کوزه
آهنگ : امیرحسین و امیرفرهنگ اسکندری

امیرحسین اسکندری : سه تار
امیرفرهنگ اسکندری : عود
پیام فرشاد : کوزه

کنسرت دلشدگان مشهد
مهرماه 1393
www.instagram.com/delshodegan.ensemble

Oud & Setar & Udo -  سه نوازی سه تار و عود و کوزه

1 Hour Tibetan Singing Bowl Meditation Chakra Healing Tone G Throat Chakra - Mp3

گرم بازآمدی محبوب سیم اندام سنگین دل
گل از خارم برآوردی و خار از پا و پا از گل

ایا باد سحرگاهی گر این شب روز می‌خواهی
از آن خورشید خرگاهی برافکن دامن محمل

گروهی همنشین من خلاف عقل و دین من
بگیرند آستین من که دست از دامنش بگسل

ملامتگوی عاشق را چه گوید مردم دانا
که حال غرقه در دریا نداند خفته بر ساحل

ز عقل اندیشه‌ها زاید که مردم را بفرساید
گرت آسودگی باید برو عاشق شو ای عاقل

ز عقل اندیشه‌ها زاید که مردم را بفرساید - شجریان - سعدی

Flamenco Passion

Whispers of Flamenco

This project takes you on a journey across all categories and dimensions. It spans a wide range of musical styles, from classical to modern, from melodic to atonal, from soft to hard. Every moment brings a new surprise, keeping you on your toes from start to finish. I wrote this song to give you a powerful opening of your consciousness and a truly mind-altering experience. Enjoy the ride!

Fuerte

in this album, I have performed seven pieces of Ahmad Ebâdi’s best improvisations which were notated by me in a book entitled ‘Shahnavâz : Ahmad Ebâdi’s Improvisations’, published by Mahoor Institute of Culture and Arts in 2000. It has always been believed that the Persian Dastgâhi music cannot be precisely notated and it is hard and even impossible to be performed based on notation. The pieces here have been played exactly as notated in the aforementioned book and the writer believes that Persian music, just like any other music from all over the world, can be notated although there may be some weaknesses and deficiencies in its note-playing and performance principles. In this album, I have attempted to perform all the details and subtleties just as they were notated in the book.

Hossein Mehrâni
January, 2016

Shahnavaz

Bayat Esfahan/Ahmad Ebadi/Hossein Mehrani

24 minuets of improvised themes on Esfehan and Dashti modes in Persian Classical music, with the magical touch of Master Reza Soufi.

تک نوازی سنتور- رضا صوفی- All of Me - (Reza Soufi- Santour Solo- All of Me)

جان و جهان! دوش کجا بوده ای !

جان و جهان! دوش کجا بوده ای / نی غلطم، در دل ما بوده ای

دوش ز هجر تو جفا دیده ام / ای که تو سلطان وفا بوده ای

آه که من دوش چه سان بوده ام/ آه که تو دوش کرا بوده ای!

رشک برم کاش قبا بودمی/ چونک در آغوش قبا بوده ای

زهره ندارم که بگویم ترا / بی من بیچاره چرا بوده ای؟

یار سبک روح! به وقت گریز/ ! تیزتر از باد صبا بوده ای

بیتو مرا رنج و بلا بند کرد/ باش که تو بنده بلا بوده ای

رنگ رخ خوب تو آخر گواست / در حرم لطف خدا بوده ای

رنگ تو داری، که زرنگ جهان / پاکی، و همرنگ بقا بوده ای

آینهی رنگ تو عکس کسیست / تو ز همه رنگ جدا بوده ای


جان جهان دوش کجا بوده ای...محمدرضاشجریان

آهنگ به قربان خم زلف سیاهت محمدرضا شجریان آلبوم یاد ایام
خواننده: محمدرضا شجریان |
به قربون خم زلف سیاهت
فدای عارض مانند ماهت
ببردی دین فائز را به غارت
تو ماهی، خیل مژگانها سپاهت
خودم اینجا دلم در پیش دلبر
خدایا این سفر کی می‌رسد سر
خدایا کن سفر آسون به فائز
که بیند بار دیگر روی دلبر 
تو دوری از برم، دل در برم نیست
هوای دیگری اندر سرم نیست
به جان دلبرم از هر دو عالم
تمنای دگر جز دلبرم نیست


آی بقربون خم زلف سیاهت - تصنیفی از استاد محمد رضا شجریان

بازخوانی لالایی کُردی  استاد مظهر خالقی

خواننده حسام ناصری

برای دانلود می‌تونین عضو کانال تگلرام
https://t.me/songinmyhead
بشید.

Single

Lay Laya (Kurdish Lullaby)

پاییز شده است و برگریزان درخت است و در این میانه برگی از درخت می‌افتد، اما همزمان بادی سخت می‌وزد و برگ را به هوا می‌برد، اما باز این برگ است که قصد فرود آمدن دارد و بادی دیگر وی را به آنسو‌تر می‌برد.

این بازی، وزش باد و رقص برگ الهام بخش قطعه خزان استاد مشکاتیان است‌، قطعه‌ای که با نگاهی به یکی از ملودی‌های محلی خراسانی (مقام الله) در دستگاه شور و آواز دشتی ساخته شده است و از معدود قطعات نسبتا بلند موسیقی ایرانی است (بیش از ۸ دقیقه) که با ساختاری متفاوت از نگاه متفاوت‌تر مشکاتیان به خزان حکایت می‌کند

Khazan,  خزان - پرویز مشکاتیان

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Airborne Ashes (PAN 112)

M.R. Shajarian & Seventh Soul - Jaanan

آهنگساز، نوازنده و مدرس ساز سنتور و سرپرست گروه موسیقی دلشدگان

A person who's been lost in her way، and it's been a while that she feels like she found out what interests her. She's also decided to dive deep into her self to discover the hidden corners.

Oud & Setar & Udo - سه نوازی سه تار و عود و کوزه

Ramin Milani

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