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Powerfully primed for the bass-favoring ranks of electronic music, South Central has proven to be one of the genre’s most unconventional kingpins. A live dance outfit driven to spit in the face of 21st century dance music’s comfort zones, their tremendous sound has mustered incredible landmarks across the globe. Now taking the industry by storm on their own unique terms, these Brighton, UK-based trailblazers really are the unapologetic face of eclectic bass culture that modern dance music has been praying for. 

Emerging with the ability to unite versatile productions and a stubborn track record for live dance redemption, their collaborative efforts have benefitted from a double-edged approach to dance floor dominance. Drawing influences as broad as metal, house and classical music, that fusion of big band energy and coherent dance values remains untouchable. Forget the cookie cutter ranks of dub step and its various offshoots – when South Central strike up, their impact is always felt. 
Armed with three genre-defiant EPs for Dim Mak and successive offerings for Ultra and Big Fish Recordings, their ability to bring new noise to prolific imprints has had the bass-savvy masses gasping for air from day one. Treating their productions as a relentless yet intimate science that opts for innovation over repetition, their middle-finger stance has earned them some serious industry credentials along the way. With a nod of approval as dignified as The Prodigy behind them, this antidote to electronic dance saturation looks to be turning all the right heads.  

Such a versatile sound was always going to wreck havoc on the club floor. Connecting crowds with a focus on upfront energy over meaningless pyrotechnics, South Central remains the center of every one of their adrenaline-fuelled performances. Count tour duties alongside The Prodigy, pendulum, DJ Fresh and Jaguar Skills, plus supporting slots for the likes of Rage Against The Machine and Vitalic and their live capability remains a vital modern dance crossbreed to the industry’s ever-expanding floodgates.

These remorseless antics are showing no signs of slowing on the approach to 2014. Between a remix package for their infamous Hollywood EP, a welcome return to Dim Mak with the Run Hide Survive EP and a peak in attention towards their own Mad Music imprint, the next twelve months look to remain as loud, proud and provocative as we have come to expect from this cutting edge duo set to defile dance music’s safe zones beyond repair. 

Welcome to Juicy House
WANT YOU is OUT NOW: https://lnk.to/WantYou_

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

Daft Punk is an electronic music duo consisting of French musicians Guy-Manuel de Homem-Christo (born February 8, 1974) and Thomas Bangalter (born January 3, 1975).[1][2][3] Daft Punk reached significant popularity in the late 1990s house movement in France and met with continued success in the years following, combining elements of house with synthpop.[1][2][4] The duo is also credited with producing songs that were considered essential in the French house scene. They were managed from 1996 to 2008 by Pedro Winter (Busy P), the head of Ed Banger Records.[5]
Early in the group's career, the band members were strongly influenced by groups such as The Beach Boys and The Rolling Stones. Bangalter and de Homem-Christo were originally in an indie rock trio called Darlin', which disbanded after a short period of time, leaving the two to experiment musically on their own. The duo became Daft Punk, and released their critically acclaimed debut album Homework in 1997. The 2001 release Discovery was even more successful, driven by the club singles "One More Time", "Digital Love" and "Harder, Better, Faster, Stronger". In March 2005, the duo released the album Human After All to mixed reviews. However, the singles "Robot Rock" and "Technologic" achieved success in the United Kingdom. Daft Punk toured throughout 2006 and 2007 and released the live album Alive 2007, which won a Grammy award for Best Electronic/Dance Album. The duo composed the score of the film Tron: Legacy and in 2010 released the soundtrack album of the film.
Daft Punk is noted for its elaborate live shows, in which visual elements and effects are incorporated with the music. The group is also known for its emphasis on visual and story components associated with their musical productions, as well as for wearing ornate robot costumes in public and while performing.

Ramon Ayerbe is following