Repost Exchange link
repostexchange.com/users/doug-stoothoff

DistroKid Slaps forum page
slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

Youtube subscribe:
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag?sub_confirmation=1
https://www.youtube.com/channel/UCL0BaYj4gcMibSa0gVS8WeQ?sub_confirmation=1

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB
https://open.spotify.com/artist/4aN8I7Zl7HuhQQC0txGPYC

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

Good Classical I Found 3

Awesome Music #12

Ladat’s Support May’24 vol.2

Harvey Twyman

Artist _ Karl Heinz - Heimgartner 

My workstation with: Presonus Studio One 5 Professional and LANDR Studio Montreal Canada.

Mix and Mastering: Karl Heimgartner 

Dat_24_04_2021_Karl Heinz _ Heimgartner


An unforgettable time in Switzerland with lots of jams, funk, chill-out & blues etc.
I dedicate this album to my life partner and the many musicians where I got to know from in Switzerland, and the many jam session locations. This is the first track from album Zwei: Funk- Chillout & Blues.

http://karlheinzheimgartner.com

https://karl-heinz-heimgartner56.my.canva.site/

https://open.spotify.com/intl-de/track/5HaeEQM8RYAjcqxJV4bxUx?si=f1bca68632534386

Chill Session Switzerland

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - II. Sunbeams And Waterfalls

Seq00l  WWW  Love Is That Condition In Which The Happiness Of Another Is  Essential To Your Own.

The main theme is another one from my distant teenage years, written on a small keyboard as a flute tune. 
My friend like it, so we fooled around with it and even recorded a song called ''Field of Dew'', as a satine of folkish/radio friendly love songs popular in Dalmatia, that alone probably influenced me to use the theme for a romance-like composition.
Sentiment and content wise, it is very personal, filled with melodies reminiscing all of turmoil one can experience in love, from happy moments like the first glance in the shared with one another in a crowd during a Metallica cover band concert, strolling through the sun bathed forest of Gorski Kotar, and many more, both happy and unhappy. 
This piece is dedicated to Vanja Kalemba, the mother of my son and also the author of many paintings I use as a art cover of my compositions.

Romance For Piano, B-flat Lydian

HASEROT

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Available on streaming platforms: https://linktr.ee/bartlomiej_s91

Oracle

Green Room (houseplants) - Fleursonseaux
All rights reserved - © Copyright

Green Room (houseplants)

This tune was released by John Legend in 2013 and performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #545 by John Legend

Sophie Tripp'd! - Mr Mamatoto - Live in the Sham... (Mark-9ten's A.I. Spruce-up)

In the heart of a world where music genres blend and transform, I stand as an artist who treasures the essence of post-rock. My journey through the realms of electronic and rock music has been an initiation of the world of the music industry. This new track follow my deep to comeback to the profound and personal style of post-rock that truly defines me.

Draw In Breath

Written By: Michael Conover

“Yeah”
Top down feelin’ fly
Summer love got me high, under the moonlight sky 
We connected like Wi-Fi
Heartbeat racing fast, ain’t no need to be shy
We lied, you cried, let’s forget about those times

Been through the ups and downs, but we still standin'
Your love got me feeling like I'm commandin'
Every moment with you, I'm straight up jammin’
No fake love, no fake hugs
This is the right moment
So just uh -

Love me
Love me just a little more baby
Summer love, burning bright, feeling oh so right

Passion (Prod. pekarot)

109 - Floating (Part 1)

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

Samples "Intrada 5 in D Major" (Anonymous, 1786)
Samples "One Last Time" (Ariana Grande, 2014)

Exchange

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

***
Title: Dance of the Fire Spirit
Music by Michael Herter
Genre: Classical, Neoclassical, Baroque
Video: 

"Dance of the Fire Spirit" is a captivating orchestral piece that transports listeners to the heart of the Baroque era. This composition weaves together intricate melodies and dynamic rhythms, evoking the elegance and grandeur of 17th-century music. Inspired by the mythical and ethereal, the piece tells a story of a mystical fire spirit, dancing gracefully amidst flickering flames. Each movement is imbued with passion and energy, showcasing the harmonious interplay of strings, woodwinds, and harpsichord.

Whether you're a lover of classical music or a newcomer to the Baroque style, "Dance of the Fire Spirit" promises an enchanting auditory experience, full of drama, beauty, and timeless artistry. Let the music ignite your imagination and take you on a journey through a world where magic and reality intertwine.

d-moll; 4/4; varies bpm

► Support my Creativity: https://bnd.link/sibviolin

___
Your support means the world to me and helps me continue creating music.
Every like, share, and subscription is greatly appreciated.

Thank you so much for your support!

Dance of the Fire Spirit

Lady In The Glass Dress

Beyoncé- Poison

Whitney Houston - I will always love you - Live - Grammy Awards - 1994

Baby_Im_Jealous_X_Mr_Eazi_2K20_REMIX_ .Mp3

A piece of music is a mentally constructed entity, of which scores and performances are partial representations by which the piece is transmitted.
(Fred Lerdahl & Ray Jackendoff)

Any tone can succeed any other tone, any tone can sound simultaneously with any other tone or tones, and any group of tones can be followed by any other group of tones, just as any degree of tension  or nuance can occur in any medium under any kind of stress or duration. Successful projection will depend upon the contextual and formal conditions that prevail, and upon the skill and soul of the composer.
(Vincent Persichetti)

Music is a system of signs composed of complex forms which may be represented by physical sounds, and which in this way mediate between mental and psychic contents. To deal with such a system, semiotics are naturally evoked. To describe these forms, mathematics is the adequate language. To represent these forms on the physical level, physics are indispensable. And to understand the psychic contents, psychology is the predestined science.
(Guerino Mazzola)

Song Of The Open Road

Ramon Capsada Blanch