12 de March de 2020
Teatro Universidad de Navarra (Pamplona, SPAIN)
Comissioned by
Vertixe Sonora
3 instruments
guit, perc, sx

Inspired on a poem by Spanish Music Critic Paco Yáñez

Lumbre - Fulgor - Extinción (2020) - TRIO [Sax, Guit, Perc]

Fragment of a work (in progress) titled Stone Becoming Sand, for Multiplied Guitar

Strings (2019) [work In Progress - FRAGMENT] - Multiplied Classical Guitar

18 December 2021
MIHL (Lugo, SPAIN)
Ciclo MIHLSons-XXI
Comissioned by
Vertixe Sonora
With support from
Hong Kong Baptiste University
2 instruments
vídeo, vl

Unha e Mil Árbores (2021) - For Violin And Video Electronics

28 October 2021
Igrexa San Domingos (Tui, Pontevedra, SPAIN)
Festival Vertixe 9
Comissioned by
Vertixe Sonora
4 instruments
2vl, vc, vla

Solitarias, Infindas As Sequoias (2021) - For String Quartet

09 October 2022
Igrexa San Domingos de Bonaval (Santiago de Compostela, SPAIN)
LATEXOS 22
Comissioned by
Vertixe Sonora
11 instruments
ac, cb, cl, fl, ob, perc, sx, tbn, tpta, vc, vl

En Una Duna De Arena Del Desierto (2022) - For Ensemble

For saxophone quartet and ensemble
CEPROMUSIC Ensemble
Sigma Project Quartet
Conductor : José Luis Castillo
October 20, 2019
Auditorio Blas Galindo
Mexico City, Mexico

Sobre Los Nueve Infiernos Del Mictlán

..dnp... for String Quartet

‘Growing Tree from Within’ is part of a large scale work titled "Stone becoming Sand", which intends to explore Classical Guitar sonorities worked out through the edition of previously recorded sounds.

The piece works with a catalogue of somewhat indefinite pitched sound objects, set up as an organic whole in three tracks. The overall layout is built up through the combination of more controlled and more improvisatory contexts, which are juxtaposed and superimposed in different degrees as contrasting materials.

The title refers to nature elements and their inner forces of organic growth in expanded time.

www.moreiramusica.com

I. Growing Tree From Within (2018) [Stone Becoming Sand] - For Multiplied Guitar

'Dissonance of Emancipation'
for ensemble of nine
composed Gregor Forbes, 2019
performed 16 October 2019
Ensemble Avantgarde
Gewandhaus Leipzig, Mendelssohn Saal

Thumbnail image is a painting by Ad Reinhardt

Dissonance of Emancipation

RAMÓN OTERO Lumbre - Fulgor - Extinción (2020)
Trío amplificado

(Sobre un poema de Paco Yáñez e dúas imaxes de García Márquez)

Ciclo Cartografías Sonoras
Museo Universidad de Navarra
12 de Marzo de 2020

VERTIXE SONORA
Pablo Coello - saxofón / Rubén Barros - guitarra / Diego Ventoso - percusión / Iván Ferrer - sonorización

RAMÓN OTERO Lumbre - Fulgor - Extinción (2020)

Ramón Otero's work is mostly driven by two creative approaches. On the one hand, the quest for musical contexts in which contrasting materials (used to build up form) coexist as an organic whole but can still be perceived as differentiated elements: unity and diversity all at once –antithesis and paradox as musical form. On the other hand, the development of a working method which intends to explore sonorities worked out through the edition of previously recorded material. The pre-recorded material allows me to isolate sound objects that will be subsequently multiplied through modification of its sound parameters, repetition and re-location in all sorts of linear and overlapped combinations. With this working method, the same recording session may produce endless combinations; hence the multiplication concept. Both score writing and sound editing are constitutive parts of the composition process.
Even though the results of this working method may be produced as fixed media, as the composer controls every detail on every stage of the process [like a visual artist normally would], the multiplied instrument method allows for any combination of pre-recorded and edited material with live performance or live electronics. 

LIST OF WORKS
Ventar de Árbores (2014) – for Solo Guitar (premiered at the Coruña’s Fine Arts Museum – 2017)
Vento lisgairo (2015) – for Solo Piano (premiered at the Resis Festival – 2018)
Nós (2017) - for mezzosoprano, violin, violoncello and guitar (commissioned by the Coruña’s Fine Arts Museum, Spain)
Etopeas (2017) – for violin, violoncello and guitar (commissioned by the Pontevedra’s Council Museum, Spain)
Hidrotopías (2018) – for String Quartet (commissioned by the Resis Festival, Spain)
Growing Tree from Within (2018) - for multiplied Guitar (published at the Mexican Scores Youtube Channel, worlwide)
Antes de recorrer mi camino yo era mi camino (2019) – for Violin and Tape (commissioned by the Bienale Netet e Muzikes Klasike, Albania)
Lumbre-Fulgor-Extinción (2020) – for Amplified Trio [Tenor Sax, Guitar and Percussion] (commissioned by Vertixe Sonora Ensemble and premiered at the Navarra University’s Museum, Spain)
Livro de areia (2020) – for Amplified Tenor Sax and Violin with Electronics (commissioned by the DME Festival, Portugal)
Unha e Mil Árbores (2021) - for Violin and Video Electronics (commisioned by Roberto Alonso and Hong Kong Baptiste University, premiered at the MIHL's Museum)
Solitarias, Infindas as Sequoias (2021)- for Amplified String Quartet (commisioned by Vertixe Sonora, premiered at Igrexa San Domingos, Tui)
Memoria de la luz (2022) - for solo Piano (commisioned by Grupo Instrumental Siglo XX, premiered at Palacio de la Opera, A Coruña)
Sonata per Cello Solo Percorso (2022) - (commisioned by cellist Juan Aguilera Cerezo and recorded as part of the Album Casiopea, Works for Cello solo from XXI Century)
En una Duna de Arena del Desierto (2022) - for Ensemble (commisioned by Vertixe Sonora, premiered at Igrexa San Domingos de Bonaval, Santiago de Compostela)

En Una Duna De Arena Del Desierto (2022) - For Ensemble

Ramón Otero Moreira

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