We dropped our skulls to the floor
Just to stop you from talking
It’s been days since the low
Such a fever should dull
At the foot of it all
This test should end here
But then we see the back of it’s neck
Something in the way that it steps
Oh it moves us
Like fire 
Like fire 
Like a fire
It’s been
Days and days and days and days and days and days and days and days
Since we last left
Maybe we should go on from this one
Maybe we should not
But it still
Gives the same answers
Oh it moves me
Oh it moves me
Oh you move me
Like fire
Like a fire
Like a fire
Oh you move me
Like a fire
Like a fire
Like a fire

Faces

"The Lion's Den" mini-album Available now.
iTunes: http://smarturl.it/twinoakslionsden
BandCamp: http://bit.ly/19WPZGy

'Constellation Lines' is the second single from the self-recorded, self-released mini-album "The Lion's Den".

Official:        http://www.twinoaksmusic.com
Facebook:  http://www.facebook.com/twinoaksmusic
Twitter:        http://www.twitter.com/twinoaksmusic

iTunes

Constellation Lines

Local record store: http://smarturl.it/akr103indies
Amazon: http://smarturl.it/AKR103Amazon
iTunes: http://smarturl.it/akr103itunes
Asthmatic Kitty Records: http://smarturl.it/buy-akr103
Paper Bag Preorder: http://shop.paperbagrecords.com/products/this-is-my-hand

From the LP "This Is My Hand." 
Available September 16, 2014.

Available on CD /Vinyl /Digital including limited edition translucent red 12" from Asthmatic Kitty Records.

Available in Canada from Paper Bag Records in frosted vinyl

Lyrics:
billet spied
bolt sped
across the field
crows fled
aloft and wounded
left one dead

lover killer
at the wall in the mirror

on the one side I can dream my future
on the other I can feel my nature

inside myself I have a moment to choose
to hold or to refuse
to shoot or to let loose
the cawing crow the pulsing throat

lover killer
at the wall in the mirror

on the one side I can dream my future
on the other I can feel my nature

I am a lover and a killer

My Brightest Diamond, "Lover/Killer"

Ethereal People

Tangeri

Sentimental Ranger

Phosphorescent "Los Angeles" (Live) off 'Live At The Music Hall' 3XLP live album out 2/17/15, Pre-order: http://smarturl.it/phoslive_scd?iQid=sc.la

Amazon: http://smarturl.it/phoslive_amazon?iQid=sc.la
iTunes: http://smarturl.it/phoslive_itunes?iQid=sc.la
Indies: http://smarturl.it/phos_indies?iQid=sc.la

Phosphorescent Online:
Site: http://phosphorescentmusic.com/
Twitter: https://twitter.com/Phosphorescent
Instagram: http://instagram.com/phosphorescentmusic
Facebook: https://www.facebook.com/Phosphorescentmusic


At the end of December 2013, Christmas looming and the New Year just around the corner, Phosphorescent played a four-night stand at the Music Hall Of Williamsburg in Brooklyn; and for four-nights running, blew the roof off the place.  Matthew Houck, fronting his seven-piece band, plus an auxiliary string trio deployed throughout the set, played for more than 10 hours, all recorded and eventually edited down to the 19 tracks that appear on the new three-album set, Phosphorescent Live At The Music Hall, out 2/17 on Dead Oceans.

Inspired by live albums such as Bob Dylan’s Hard Rain, Houck envisioned an album that, rather than play like a greatest hits collection, would present songs from throughout his catalog in new ways, representative of how the songs have grown and transformed over the years in the live setting. Phosphorescent were coming to the end of almost a year of hard touring behind 2013’s Muchacho before the four Brooklyn Music Hall shows, (one of which was a solo performance by Houck), and the ability of Houck’s songs to morph and expand is showcased here through these revelatory performances. 

Live At the Music Hall spans nearly 10 years and four Phosphorescent albums total, including 2005’s Aw Come Aw Wry, 2007’s Dead Oceans debut Pride, breakout 2010 album Here’s To Taking It Easy, and ultimately, 2013’s transformative Muchacho. The Phosphorescent live line-up here features Ricky Ray Jackson on guitar and pedal steel, pianist Scott Stapleton, drummer Christopher Marine, bassist Rustine Bragaw, percussionist David Torch and organ / keyboards player Jo Schornikow.

“Playing those four shows, it was clear something special was going on,” says Houck. “After eight months of touring, we’d gotten to a really good point where we weren’t quite exhausted yet with the material, but we’d had enough time to really grow with the songs. So we were in that sweet spot where we were pulling something great out of the songs every night.” Without a doubt, Live At The Music Hall is an inspiring document of a band at the peak of their powers.

LIVE AT THE MUSIC HALL TRACKLISTING
1. Sun Arise! (An Invocation, An Introduction)
2. A New Anhedonia
3. Terror In The Canyons (The Wounded Master)
4. The Quotidian Beasts
5. Tell Me Baby (Have You Had Enough)
6. Nothing Was Stolen (Love Me Foolishly)
7. Dead Heart
8. Down To Go
9. Song For Zula
10. Ride On / Right ON
11. A Picture of Our Torn Up Praise (Solo)
12. Muchacho’s Tune (Solo)
13. Wolves (Solo)
14. Joe Tex, These Taming Blues
15. Los Angeles
16. A Picture Of Our Torn Up Praise
17. South (Of America)
18. Wolves 
19. At Death, A Proclamation

Live at the Music Hall

Los Angeles

Pre-order on iTunes

Phosphorescent - "Los Angeles" (Live)

Alt-J - Choice Kingdom (Yvan Remix)

04 First Light Of Winter

Russia

Infinity

Efterklang - Sedna

Ramona Falls is a project spurred on by the overactive imagination of musician Brent Knopf of Portland, Oregon

Russia

RamonaFalls

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