glaze's Numbers and Days remixed by Thom Nagy & Herzschwester

Numbers And Days (Nagy & Herzschwester Joint Forces Remix)

Oak & Whiskey (Till Krüger's Back to '93 Mix)

OUT NOW:
http://www.decks.de/t/various_artists-superhits_vol_2/c4n-ec

Super Music for Super People
Lucky You!
The universe must love you dearly because you are about to experience the
various artists series from the fantastic URSL Records. This record is jam packed with
only the best tracks from all-time - past, present and future! Original hits from
original stars! Play this record at any party anytime and you will be the undisputed
hero of the night, a true master of ceremony. Simply place the needle to the record
and watch as the boys and girls instantly transform into crazy party monsters, smiling
from ear to ear, exploding with love and and funk on your dance floor. Each one of
these body-rocking URSL Superhits have been played by super famous superstars on
dance floors across the galaxy and throughout the entire dimension of time to
devastating effect. So grab this red hot compilation of solid-gold chart-topping URSL
Superhits today. It's guaranteed fresh to infinity and beyond, Yeah!

Copyright & Produktinfo: 2015 URSL Records; Publisher: Copyright Control


rampue - Sephirot (Snippet) (URSL Superhits Vol.2)

Drive In is the first track from my album Universal Origins 2.0, out December 5th. It's a synth-disco-house French touch track that heats up the dance floor with punchy electro sounds. I came up with the idea for the track during a DJ set at Brasa in Alpe d'Huez: it was snowing, we were outdoors, and the crowd went into a trance, happy to be vibrating in unison—that's what drive-in is all about! I hope you enjoy the track as much as I enjoyed composing the album.

Drive In

This is the Vocalite's journey to the stars.

The Vocalite know only one goal: to achieve it together.
After the first two parts, this track brings the short sci-fi saga 
about this enigmatic race to a close for now. If you're interested, 
there may be more tracks featuring them.

This track is about shaping the Vocalite's energies and pursuing a common goal. 
All voices and chords work in harmony, but are disrupted by galactic dissonances. 
Undeterred, the Vocalite always find each other and gather energy to overcome all 
adversity with their solo voices.

But, back to the Story:

In a distant nebula of sound, the Vocalites were born.

They were not bodies, but voices — pure streams of tone and color drifting through the cosmos. Each Vocalite carried a unique resonance: some bright and crystalline, others deep and warm like starlight filtered through dust. Together they shaped a single track, a living composition woven out of their shared energy and their shared purpose.

This track was about shaping the Vocalite’s energies and pursuing a common goal.
They wanted to build a bridge of harmony that could be heard across galaxies, a beacon for every lost signal and lonely echo in the void.

At first, all voices and chords worked in perfect harmony. Waves of sound spiraled around one another, forming radiant chords that shimmered like auroras in space. The Vocalites blended so seamlessly that no one could tell where one voice ended and the next began.

But the universe was not silent.

From the dark between stars, galactic dissonances emerged — harsh, fractured tones that sliced through the music. They twisted harmonies, bent notes out of tune, scattered the Vocalites into distant corners of the track. For a moment, it seemed the song would dissolve into chaos.

Yet the Vocalites were not afraid.

Undeterred, they listened for each other in the static. A single tone rose — a soft, solitary note calling out into the noise. Another answered. Then another. Little by little, the scattered voices found each other again, their frequencies aligning like stars returning to a constellation.

They gathered energy with every reunion.

Each Vocalite stepped forward with its solo voice — clear, fearless, and unmistakably its own. One by one, their solos cut through the dissonance, not by destroying it, but by reshaping it. The harsh tones bent, softened, and eventually folded into the greater harmony.

The track did not return to what it had been before; it became something greater.

Now, woven through the music, you can hear scars and triumphs, fractures and fusions — all carried by the Vocalites who refused to be separated. Together, their solo voices rise and fall, proving that even in a universe full of discord, they can always find each other, gather their strength, and overcome all adversity with their song.

Thanks  for your inspiration and support.
 O ZERO

48x0 Journey To The Stars

48x0 Journey to The Stars

To celebrate Moodfamily’s 10th release, we return to our beginning.

AMyn resurfaces with an excellent 5 track EP 'Keeper of the Groove' as he explores the outer reaches of the strict rhythmic and melodic boundaries imposed in contemporary techno.

AMyn creates, on the thin line between dissonance and in tune, a wonderful tale of dreadful melancholy.

www.moodfamily.net

Far Only

AMyn - Far Only

https://open.spotify.com/album/3b0jlX4mkz1crKg40pLibG

https://itunes.apple.com/de/album/schwaermer-ep/1379112058

www.facebook.com/dantzewithus

www.facebook.com/welcometotma

Schwaermer / DTZ093

T.M.A - Schwaermer - DTZ093

Release Title:  Marshmallow
Artist: https://soundcloud.com/amounttechno
Label: https://soundcloud.com/ursl
Catalogue No.: URSLINT025 
Release-Date: 03.05.2019

Buy Link: https://www.beatport.com/release/marshmallow/2558006


expedition wonkytonky in central lamba sumba . muggy sticky heavy climate . rare flower speciesspotted at sunset . so soft and lovely . like huge extraterrestrial rose . maybe familia ibiscum . willcall it marsh-mallow.

7°08'39.4"S 58°36'28.2"W . 28°C . hum 90%


✘ Amount (Berlin //Germany)
https://soundcloud.com/amounttechno
https://www.facebook.com/Amounttechno/

✘ URSL (Berlin // Germany)
https://soundcloud.com/ursl
facebook.com/ursl.records
beatport.com/label/ursl/20732

URSLINT025

Marshmallow

PREMIERE: Amount - Schulze Boysen [ URSL ]

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

Acid Pauli is back with another four-track EP on the label he co-manages with friend and collaborator Nico Stojan.
This EP, self-effacingly titled 'Had to get rid of some shit', showcases Martin Gretschmann’s dancefloor prowess yet again.
'Dancing In The Trunk' is a hyped-up loopy banger - minimal in instrumentation but fully psychedelic in execution.
'Goran Utan' has a deeper, darker edge, with a tension that will tighten the grip on many dancefloors.
'Shakmat, but happy' appears in 'Pauli's Psychedelic Breakfast Take 9' and is a slow-building, loop-based groover, eventually opening up to reveal tinges of acid.
Lastly, the digital exclusive 'Edging in den Trunk' is a slower bomb - shuffling percussion and drifting arpeggios provide the lightness to this exquisite cut, which is based on the lead track 'Dancing In The Trunk'.

Acid Pauli - Had To Get Rid Of Some Shit

Part of my Cordophon Ep on Underyourskin Records UYSR008
Releasedate 29.08.13

Apropos Kalypse  [Snippet] UYSR008

Smash TV -El Matematico (Dirty Doering Remix) - Katermukke

rampue - ræmpjuː

INTERNATIONAL BOOKING:
hello@audiolithbooking.net

SHOWS:
audiolithbooking.net/en/artist/rampue/