ритмик

zlachk

Modular

Braids

Make Noise Maths as oscillator &gt; Bubblesound SeM20 in Notch-pass mode &gt; Synth Tech E560 Deflector Shield &gt; Intellijel Azimuth &gt; Eventide Space

Manual tweaking

Modular+Eventide Space

Dj Mag Review:
UMWELT
Post Human Satamile
The title really says it all. While NY imprint Satamile has a reputation for releasing uncompromising material,, French producer Umwelt applies his focus even deeper into the electro abyss. 'P.O.W', with its ghoulish riffs and industrial influences,, recalls a time when it was dangerous to walk the streets of New York. 'Biological Entity' and 'Zeta Reticuli Incident - a reference to Umek's electro alter ego - are powered by humming low-end intensity, while the hyper-breaks of'Delinkant' suddenly spiral out of control, like an angry crowd on the verge of rioting. This is the sound of new world disorder, frightening and unpredictable but strangely alluring.

UMWELT
biography
Lyon, France !


Behind Umwelt is a french music fanatic and an electronic music promotion activist. 
He is a real radio passionate: he has run radio broadcasts since 1993 and Teknocity since 1999.

As a DJ, going by the name of Freddy'J, he started mixing hardcore in 1993.. Now he is more eclectic. He plays electro, electrobreaks, breakbeat, breakcore... but he still has a weakness for dark sounds . 
He has outstanding mixing abilities; a french journalist saied “he is the Mozart of descks!”. Actually, he has not only a perfect technique but also a huge feeling by   leading people on a physical and mental travels.

As an artist, Umwelt he has been composing electronic music since 1996 and released his first tracks in 1997. He began producing techno and electro on his own labels Shelter and Fundata Records that have met a great success. Now his sounds are more electro, dark and broken. From the beginning, he has exclusively worke with hardware: this man loves machines ...he doesn't find computers and softwares very attractive and very sexy...


- “Post Humain” - SAT28  – Summer 2005
- “La Nouvelle Chair” - K6 XIV – 2005
 - “Telek” -  on Beatzclash vol1 compilation LP + CD  LHLP03/LHCD03 – 2002

- "Mountain Wilderness" - SH 05 (100 ltd) – 2000
- "Revisited EP" - SH 04 – 2000

 - "Landscape EP" - SH 03 – 1999
 - "Swelt EP" - FDT 04 - 1999
 - "...City EP" - SH 02 - 1999
- "Tchoukar EP" - SH 01 – 1999

 – "KinderspielL" (aka Junkman)  - FDT 03  - 1998
 - "Un:Real Convenience"  cd album - FDT01CD  - 1998
 – "STYX" - TK 01  - 1998
 - "Gas 41" - FDT 02  - 1998
- “Action” -Trax CD Sampler 008  - 1998

 - "Zeltron EP" - FDT 01 - 1997
 - “Traboul” (exclu) - license on Futuria 97 compilation - 1997


Bandcamp

Biological Entity by Umwelt

Playing around with the prototype of the 2015 Tau edition by Random*Source - built with 10 super-matched, low noise THAT300 transistor arrays. The build is an (early) attempt of a +/-12V adaption, but was run mostly on +/-15V during recording(!) with messy preliminary wiring and not really calibrated, so it may sound/behave different from a properly built +/-15V (or correctly modified 12V version). Anyway, I hope it still gives an idea of what 20 poles sound like ...

Haible Tau (20 Pole) phaser / flanger (R*S version 2015)

Exploring the resonant side of the Serge Resonant EQ (R*S edition for Eurorack, layering 2 live recordings, each basically using nothing but the EQ:
- Perc track was made by running a pulse from a DUSG into Input 1 and each 4th of those pulses (using a Pulse Divider) into Input 2 and playing with the 10 bands and the Feedback knob / Phase switch
- Drone track uses the normal (triangle) out for Input 1 and the Gate out from the same DUSG (running in Cycle mode as an oscillator) - again only playing with the bands and feedback.

Listen on good speakers at high volume :-)

Serge Resonant EQ - bokeh

some Dirtybird tracks with a few randoms mixed in :) 
1. Dancing (Again!) - Eats Everything
2. No Panties - Kill Frenzy
3. Ya Kidding - Fisher
4. Make a Cake - Claude VonStroke
5. Prophecy - Tchami & Malaa
6. Vanilla Cream - Ciszak
7. Gorilla - Kill Frenzy
8. Faking it (Chachi Remix) - Calvin Harris
9. Cola - Camelphat & Elderbrook
10. Nobody Like You (Sun Soaked Mix) - Kaskade
11. Stop it - Fisher
12. Mind Yo Bizness - Get Real & Claude Vonstroke
13. Consideration (Will Clarke Remix) - Rihanna
14. Another Club - Radio Slave

dirtybird gets the worm mixtape

bling blaow

edit of madeintyo - skateboard p

ape like nigo

Modcan Dual wave demo

Полиритм w/ Tiagunin b2b Juravlove @ TESTFM ~ 05~11~2019

First solo output from our label co-founder @oktobertechno

Shaping his own style and sound identity has always been the first priority for this emerging talent.

Now more confident with his tools and approach, he delivers a first 3-tracker EP strongly infused by his own singularity.

Raw, electric, driving sound patterns charged with tension and nerve-racking textures.

Support us :
 facebook.com/autonomerecords 
autonomerecords.bandcamp.com/

Genre: Electronic 
Style: Techno
 Catalogue: ATNM007 
Release date (digital): 30th April 2020

Mastered by Tema Mastering

Autonome Records ©

Conductor EP

Oktobr - Air Pressure [ATNM007]

Buy / Support Us

free download .mp3

starvice - losecontrol

COVID-19

Not for the faint hearted! 150BPM and faster! Featuring happy hardkore, ghetto-tek, deadly acid and seriously serious tekno. Scream if you wanna go faster....we're just keeping ourselves entertained.

Buy here

LUCA LOZANO, MR. HO - "FAST & FURIOUS" EP

Clemency presents References (Remixed) - three re-interpretations of her debut EP by Perko, Boofy and Jennifer Walton. 

Each remix builds on the sparse dissonant sounds of Clemency’s original production into three heavyweight soundsystem workouts. 

Perko works ‘Testimony’ into a wriggling, hypnotic drum workout; 
Boofy leans into ‘Biblical Names’’ subby rhythmic momentum; 
Jennifer Walton pairs ‘Mimic Animals That Are Easy to Love’s menacing sirens with apocalyptic 303s and unforgiving percussion. 

References was originally released with a collection of Clemency’s own personal references - including poetry, fiction, coordinates and cosmetics - that inspired the record. References (Remixed) comes with new references from each remixer to accompany their interpretations.

Perko's References

vandrigen.app/
arkbooks.dk
www.sfu.ca/-truax/wsp.html
The World Soundscape Project
www.akirarabelais.com/o/software/al.html
Kirkegaard’s Antikvariat
music.hyperreal.org/bford/palsl
François J Bonnet - The Order of Sounds: A Sonorous Archipelago
www.favouritesounds.org
Dome - 3 (Editions Mego)

Testimony (Perko Remix)

* Subscribe for more premieres: http://bit.ly/2igyosu
* Read more: https://boltingbits.com/adam-pits-kino-der-toten-x-kalay/
* Watch on YouTube: https://youtu.be/T4iXHoq9xyQ
* Pre-order: https://xkalay.com/album/piston-pump

Adam Pits lands next for a debut on X-Kalay as one of the most talked about new producers circulating the UK underground. Based in Leeds, Pits has already attracted the attention and support of established players such as Subb-ann, Call Super and Ciel and left countless others scrambling to chase down his energetic club centric productions.

With his style drawing on the best elements of proggy house, breaks, trance and techno he delivers a solid EP for X-Kalay of driving club rhythms, UK bass and tranced out euphoria; the maturity of his craft seeming to belie this young producer’s relatively modest age.

In addition, the mysterious Magicwire artist Bliss Inc. contributes a remix on the flip and reworks Pits’ title track “Piston Pump”into a chugged out trancey peak time banger.