The Assignment: Complete an asynchronous trio begun by two other musicians.
Based on the earlier works of Morgulbee and Krakenkraft
Morgulbee – A-minor-drone-disquiet0525
Winterer – Droneminer-disquiet0526

I missed the deadline on this one.
The photograph by August Sander is one of the seeds that lead to the song. I know it from the book About Looking by John Berger.
Much more to be said, but also easily too much.

More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: disquiet.com/0527/

On Their Way - With Krakenkraft and Morgulbee (disquiet0527)

The phrase minimally viable music reminded me of listening to The Caretaker's Everywhere At The End of Time. It's a harrowing listen as over six and a half hours what starts as wistful, joyful melodies become stripped of timing, tuning and coherence. Towards the end you're disoriented by a grey sonic plaque of scratches, pops and detritus.
I took a very abbreviated route and took a simple loop from my 2hpPluck and ran it on successive passes through more and more destructive fx until almost all pitch, timing and timbre information was removed. The end result plays at the beginning before the original loop fades in and starts to be messed with.
Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project — Minimally Viable Music (The Assignment: How much less is just shy of too little? ) — at: https://disquiet.com/0530/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-music/

Non Viable (disquiet0530)

My submission to
Disquiet Junto Project 0531: Noise Sculpt
The Assignment: Listen for a mirage of your music within white noise.
More on this 531st weekly Disquiet Junto project — Noise Sculpt (The Assignment: Listen for a mirage of your music within white noise) — at: https://disquiet.com/0531/
More on the Disquiet Junto at: https://disquiet.com/junto/

Thanks to the following freesounders billkace, alienxxx, leck-crawlball and hewn-marrow!!!

The Sum Of Noise(disquiet0531)

a little noise from iVCS3
a little quanta from audiodamage
merged into aum
reverb from Eventide Blackhole

That's it

peace

not our world part I & II(disquiet0531)

Among the themes Don DeLillo explores in his excellent novel White Noise is the miasma of uncertainty: a deep foreboding that eclipses human existence like a noxious cloud. The genius of the novel, which some argue to be DeLillo’s best work, is represented by moments of dry humor and domestic banality that poke through its chemically worrisome haze. Consider this passage by the story’s narrator:

“I opened the refrigerator door, peered into the freezer compartment. A strange crackling sound came off the plastic food wrap, the snug covering for half eaten things, the Ziploc sacks of livers and ribs, all gleaming with sleety crystals. A cold dry sizzle. A sound like some element breaking down, resolving itself into Freon vapors. An eerie static, insistent but near subliminal, that made me think of wintering souls, some form of dormant life approaching the threshold of perception.”

This is the intention Suss Müsik took with this week’s Junto assignment. The goal was to create a “cold dry sizzle … insistent but near subliminal, approaching the threshold of perception.” A disquieting yet enveloping calm. Various forms of white noise were recorded and altered using VCV Rack modules, with an external Chase Bliss Dark Worlds pedal adding extra tones. 

The piece, titled DeLillo, was recorded live to 8-track and mastered quickly. 

It must be mentioned that, as of this writing, the world is undergoing significant trauma. Suss Müsik is reminded of another passage from White Noise that feels oddly appropriate: “War is the form nostalgia takes when men are hard-pressed to say something good about their country.” 

May peace be with us all.

More on this 531st weekly Disquiet Junto project — Noise Sculpt (The Assignment: Listen for a mirage of your music within white noise) — at: https://disquiet.com/0531/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0531-noise-sculpt/

DeLillo [Disquiet0531]

The Assignment: Listen for a mirage of your music within white noise.

Aotearoa Noiseland - disquiet0531

My submission for
Disquiet Junto Project 0532: Other Means
The Assignment: Make music about something you find difficult or unproductive to talk about.
More on this 532nd weekly Disquiet Junto project — Other Means (The Assignment: Make music about something you find difficult or unproductive to talk about) — at: https://disquiet.com/0532/
More on the Disquiet Junto at: https://disquiet.com/junto/

Reverse Signal(disquiet0532)

In 1997, members of a religious cult called Heaven’s Gate believed that the passing of the Hale-Bopp comet would be followed by a spaceship. Convinced that the spaceship would take “true believers” aboard to the Afterlife, several members bought an expensive telescope to gain a better view of the comet. Within days, they requested a refund; when asked why they returned the telescope, they complained that the item was defective because it didn’t show the spaceship in the comet’s wake. Shortly thereafter, all 39 members of the cult killed themselves. 

Cognitive dissonance is a term coined by psychologist Leon Festinger to describe the state when a person’s beliefs and behavior contradict one another. It manifests itself in various ways, from what we eat to how we vote. The COVID-19 pandemic was a breeding ground for cognitive dissonance; political and cultural biases invaded factual discourse, impeding our capacity to solve a global condition whose reverberations persist to this day.

Suss Müsik sought to explore the vexatious nature of dissonance using DIY-glitch technologies and manipulated vocalizations. Sounds emitted from handmade devices were recorded to tape and “performed” using a hacked cassette Sony Walkman. The most interesting bits were sampled into loops and run through a grain synth engine. The vocal effect (which features a sample of psychologist Dr. Dan P. McAdams) recalls that of sound art pioneer Alvin Lucier, whose seminal piece I Am Sitting In A Room suggests a new form of musicality: spoken words verbalized and abstracted, the non-tonic becoming tonic and back again.

The piece is titled Festinger and was recorded live to 8-track. 

More on this 532nd weekly Disquiet Junto project — Other Means (The Assignment: Make music about something you find difficult or unproductive to talk about) — at: https://disquiet.com/0532/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0532-other-means/

Festinger [Disquiet0532]

original music composed for the play:
"Il grande inquisitore e altre parabole"
by Fabrizio Sinisi
directed by Silvia Rigon

production:
ERT - Emilia Romagna Teatro
2021

Il Grande Inquisitore

Buy on Bandcamp

Karamazov

Descend into the haunting depths of the underworld with this unsettling collection of 10 hell-themed ambience packs. This unique assembly is designed for game developers seeking to create an intense, fear-inducing environment that plunges players into the heart of the inferno.

Each pack in this collection encapsulates the chilling aura of hell. They reverberate with the tormented screams of condemned souls, creating a deeply unnerving atmosphere that echoes with the raw despair of the damned. The anguish in these sounds is palpable, ensuring players feel the visceral terror of their surroundings.

Adding to the infernal cacophony are the twisted cackles of demons. These sounds, a terrifying blend of mockery and menace, punctuate the air, amplifying the fear factor and reinforcing the sense of perpetual danger. The laughs range from low, insidious chuckles to high, screeching cackles, each one designed to send a chill down the player's spine.

The core of each pack is the overwhelming sense of unease that permeates every corner of this hellish landscape. This discomfort is woven seamlessly into the soundtrack, which ties all these sinister elements together. The track swells and recedes with the intensity of the environment, its ominous undertones echoing the despair and horror that define the inferno.

This collection is an invaluable tool for game developers aiming to construct a hellish gaming environment. The harrowing sounds and unsettling ambience will immerse players completely, creating an experience that's as terrifying as it is unforgettable. Each scream, each cackle, and each beat of the track work together to create an audioscape that's as close to hell as one could dare to venture.

1 - Phat Phrog Studios - Fantasy Collection - Hellscape Ambience

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

not our world part I & II(disquiet0531)

Marc Eisenschink