No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Dubwise Station Recording is all about Reggae influenced bass music. Working with influential producers, musicians and vocalists from both the electronic and reggae scenes, the label brings original material set to mash up any dancefloor. Mainly about Jungle/DnB but you can also expect Dub, Dubstep and Breaks with some versions and remixes that will cater for all the moods and tastes.With a global vision, Dubwise Station Recording will bring together artists from around the world to play at major events, collaborate on new music and feature on the radio show. 
For 2014 make sure you check the new Dubwise Station podcast, hosted by Doumpa, it's the best place to hear all the hotest tunes from the scene as well as a guest mix from current influencial artist.

Michael Clarke aka "Tito Bandito" 
 "I grew up in Alberta however i was born in St. John's, NL. Moved back to ST.Johns for a few years and held residencies on the world famous "George Street" . That was a blast. " 

" I started spinning tracks when i was a teen, never really told anyone about it until i went out and started trying to promote myself in the clubs later on. Only my close friends knew...who are mostly in my life today still."

" Geners I tend to play are of the House variety, however I can surprise you with hardstyle, DnB or Psy ( anything )" 

Currently the newest instructor at the prominent DJ School Montreal, Tito Bandito continues to impress the crowd with his keen ear for those groovy dark bass lines and those sure fire ways to keep your feet moving. 

-currently working on a progressive psy E.P -



There are few artists who can claim to have shot to Drum & Bass fame as quickly, or as succinctly as Birmingham based DJ Hazard. In just a few short years this incredibly talented producer has knocked out enough dancefloor bombs to be considered a serious sonic terrorist, adding to the noise pollution problems of neighbourhoods around the world with his uncompromisingly tight beats and earth-quaking basslines.

Originally noticed by D&B legend DJ Hype while producing a few tracks for DJ SS’ Formation Records, Hazard was soon snapped up by the Playaz boss once he realised the young Birmingham based talent wasn’t under contract. There began a partnership that has rocketed DJ Hazard to the very top of his game, both in terms of producing immense dancefloor destroying tracks that eager DJs clamour to get their hands on during promo stage, and his own career as a DJ which has seen him travel the globe, doling out masses of bass-fuelled pain to unsuspecting ravers worldwide.

Soaking up the bass-heavy sounds of Ragga and Hip Hop like a musical sponge in his early youth, Hazard found he was drawn into the sub-low hitting basslines and the infectious cut up drums of early Jungle during the early ’90s and, like many youths at that time, began to collect those addictive slabs of black crack. Funding his love of buying and playing records by working in factories, washing up in restaurants and delivering pizzas, Hazard put everything he had into following a path that he loved and his hard work paid off.

Evidently his journey didn’t begin with the Playaz camp; throughout the ’90s Hazard built a reputation as a solid club DJ in the local Birmingham scene, while he built on that success with his regular radio show on Kool FM Midlands alongside MCs Biggie and Accapello. From there the production bug was the obvious logical move, and soon Hazard was churning out tracks that would get his style noticed by hordes of the top D&B dogs. As word about this fresh talent grew, Hazard continued to work his way up the Drum & Bass ladder with determination and belief in his own abilities, and with such determination on display it’s no wonder that DJ Hype picked him up as the first non Ganja Kru member to be signed exclusively to the camp.

From there on a string of releases made Hazard’s name one that even your average D&B fan’s mum could recognise. Tracks such as ‘Use Your Brain’ and ‘Get The Fuck Up’ cemented Hazard as a favourite in many aspiring DJs’ boxes, and almost overnight he became one of the most popular Jump Up producers in the game.

Of course it’s obvious to anyone that hard work and dedication are Hazard’s watchwords, as you can tell from his journey to the top, but now that he’s there, he’s not resting on his laurels either. More recently his incredible anthems ‘Busted’, ’0121′ and ‘Mr Happy’ all topped the Drum & Bass charts, receiving support from just about everyone who’s anyone in the scene. The incredible power of Hazard’s production and the insane levels he’s prepared to take it to became even more clear as he dropped the awesome brutality of the ‘Machete Bass’ EP, a release that has secured his place in the top echelons of Drum & Bass producers, a place that will leave his mark on this music for many years to come.

With talk of a DJ Hazard mix CD on the newly formed Playaz imprint and the possibility of an artist album in the works, as well as his increasingly hectic DJ schedule and his relentless dedication to his art, it seems that all this could just be the beginning for DJ Hazard.

randownfsc is following