Bounce & Rythm

Buy on Bandcamp: https://spectralbounce.bandcamp.com/album/zevar
Buy on One Eye Witness: https://www.one-eye-witness.com/release/1737476164/aedis-zevar

Spectral Bounce proudly presents Zevar, the debut release by Aedis. An alias of David Iriarte, this new undertaking sees the Amsterdam-based artist plumbing the depths & tunnelling further into a sound that has surely been in the works for some time. One half of Iro Aka, Iriarte is no stranger to the exploration of ambiance & rhythmic play: the duo released a trilogy of records on John Talabot’s label Hivern Discs between 2020 & 2023.

On Zevar, Iriarte first traverses the deeper territories of tech house before conjuring up mystic 2-step and delving into rolling techno. The sense of spaciousness throughout the EP is vivid: perpetually unfolding modulated delays; cavernous reverb; weighty, grounding sub frequencies. This expanse is punctuated by fragmentary voices, psychedelic refrains (“Xtz”), intricate break deployment (“Station”) and thudding bass tones (“RTHM”). Just enough is given, just enough held back. With these 4 tracks, Aedis brings you that little bit deeper.

Art by Susanne Janssen
Words by Cameron Leaf

Aedis - Zevar (SPEC04) | Spectral Bounce | Snippets

Buy on Bandcamp: spectralbounce.bandcamp.com/album/zevar
Buy on One Eye Witness: www.one-eye-witness.com/release/17374…4/aedis-zevar

Spectral Bounce proudly presents Zevar, the debut release by Aedis. An alias of David Iriarte, this new undertaking sees the Amsterdam-based artist plumbing the depths & tunnelling further into a sound that has surely been in the works for some time. One half of Iro Aka, Iriarte is no stranger to the exploration of ambiance & rhythmic play: the duo released a trilogy of records on John Talabot’s label Hivern Discs between 2020 & 2023.

On Zevar, Iriarte first traverses the deeper territories of tech house before conjuring up mystic 2-step and delving into rolling techno. The sense of spaciousness throughout the EP is vivid: perpetually unfolding modulated delays; cavernous reverb; weighty, grounding sub frequencies. This expanse is punctuated by fragmentary voices, psychedelic refrains (“Xtz”), intricate break deployment (“Station”) and thudding bass tones (“RTHM”). Just enough is given, just enough held back. With these 4 tracks, Aedis brings you that little bit deeper.

Art by Susanne Janssen
Words by Cameron Leaf

PREMIERE: B2. Aedis - RTHM | Spectral Bounce

A2. Aedis - Xtz | Spectral Bounce

Buy on Bandcamp: spectralbounce.bandcamp.com/album/dangerous-when-wet
Buy on One Eye Witness: https://www.one-eye-witness.com/release/1744798990/dreams-dangerous-when-wet

@dreamstrax

Spectral Bounce’s fifth instalment comes courtesy of L.A.’s rave archivist and dancefloor operative Dreams, A.K.A. Jesse Pimenta. Throughout his decade-long career the California native has inspected, dissected and concocted all manner of dance musics, leaving his mark with drops on Apron Records, Pinkman, BANK NYC and his own imprint Dance Data. On SPEC05 — Dangerous When Wet — he hijacks the synapses with 4 accomplished productions, plotting a high BPM course through manifold styles using the raw aesthetic that characterises his output.

“Losing Control” is a frenetic dancefloor invitation, immediately locking into a pacing groove. Beneath wild hand drums, Dreams plays with an insistent 303 bassline alternating between rasping buzz and oily squelch, while stern vocals are layered on top of breaks that have been processed to a viscerally satisfying end.

Taking things from delirious dance circle to underwater biosphere, the EP’s eponymous track explores a submerged 1980s Miami. Weighty & enveloping, “Dangerous When Wet” is pure aquatic pop-n-lock — hydraulic electro for a drowned world. Ocean floor caustics are transmuted into auditory form: arpeggios bubble up; drones shimmer mystically; hi-hats hiss like air from an open valve. Amongst the sonar bleeps, a barrage of pummeling low-end is sure to give subwoofers a workout.

“XTC Messenger” delivers an infectious paranoid dispatch, astutely balancing the sensual with the deranged. A slow-mo dial tone unfolds languidly, running counter to nervously twitching high frequencies. Its punchy percussion is tuned for maximum dopamine release; the track’s abrupt vocal chops and mechanical kick-snare pulsation evoke the leather jackets and jagged edges of 1980s industrial discotheque.

“Pressure Points” closes the EP on a heady and mesmerising polymetric trip. The parting track is a lithe yet spacious number, propelled by a rattling break. Here Dreams follows from track 2, creating an immersive environment in which sounds tightly twist and twirl. Shifting oscillators call out like tiny creatures as the bass throbs and wriggles further into your brain, long after the needle hits the runout groove.

SPEC05 — Nightclub specialist in effekt! 

releases May 30, 2025

Art by Susanne Janssen
Words by Cameron Leaf
Mastered by Marco Pellegrino @ Analogcut

Dreams - Dangerous When Wet (SPEC05) | Snippets

Buy on Bandcamp: spectralbounce.bandcamp.com/album/perfe…t-encounter

Amsterdam label Spectral Bounce recruits French club stalwart @chris-carrier-841295497 for SPEC06 — Perfect Encounter. Active since 1994, the Parisian artist has released a wellspring of records on Robsoul, Slapfunk and his own Sound Carrier recordings, parallel to his longtime career as a DJ. Characterised by swirling delays and progressive arrangements, Perfect Encounter shows the producer exploring the mesmeric corners of tech house, ideally fitted to the Spectral Bounce aesthetic.

Opener “XLR8” starts with rolling toms that make way for fluid, modulated tones; each bar ebbs and flows to the sweeping synths set in motion by Carrier. Processed with a multitude of delays, rhythmic FX boldly swish above the drums, making for an immersive soundstage. Second track “Light Side” retains the billowing echoes but moves more nimbly, cutting things back to make for a spacious and breezy number. Its croaking synths hop around the stereo field, accompanied by tight percussion and a walking bassline.

The hallucinogenic “Third Moon” sees Carrier step further into trance-inducing territory. The track’s pulsing, syncopated bass note thrums underneath an arpeggio that evolves into a heady prismatic drone. While the chugging beat is ever-present, melodic refrains rise up and evaporate like wisps of vapour, alongside a vocal that fades away as quickly as it appears. The EP’s eponymous “Perfect Encounter” dials up the tension and closes the record with a mysterious touch. Speedy 16th note patterns propel the beat, creating shifty rhythms that rattle and hiss. A rasping, gelatinous synth and squeaky detuned tones resemble extraterrestrial signals — alien morse code for an enraptured dancefloor.

Art by Susanne Janssen
Words by Cameron Leaf

Bandcamp

PREMIERE: A1. Chris Carrier - XLR8

I’ve put together a few more RS moments for you – this time with more of a dancefloor vibe. The new EP features three club tracks: housy, bouncy, dirty, and sample-driven. Enjoy playing them out and dancing to them ✨ Grab it on Bandcamp or stream it on all major platforms.

Mastered by Lopazz

Buy it on bandcamp

Go my way

DJ & Producer
making moments for the dancefloor

Labels:
Running Back
Freeride Millenium
SNC Records
Enclave Records
Asight

Go my way

Raphael Schön