Coucou, I’m Sunny :)

I play positive dance music with a 
Ｓｅｎｓｅ ☼ ｏｆ ☼ Ｓｕｎ 

Booking: lisa@undundbooking.com
Curator: @disconnect_podcast

➲ BIO 🪩
When the sun finally marries the disco ball, SINAMIN will be DJing their wedding.

With her signature blend of “positive dance music,” SINAMIN turns the dancefloor into a place of collective release—equal parts joy, connection, and momentum. Expect grooves that sparkle: Disco and House, funky edits, nostalgic hooks, and club-ready cuts that lift the room from the first beat and keep it glowing.

With a background in psychology, she brings a dedicated sensitivity for people and spaces in creating an atmosphere where everyone feels invited in. Think of it as collective therapy in the best way—not heavy, not serious, just that shared feeling of letting go together.

Her mission is simple: get people moving and smiling. From disco-soaked moments on driving basslines to shimmering anthems and peak-time energy, SINAMIN delivers that golden-hour feeling—arms in the air, voices echoing, and everything sparkling under the disco ball.

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➲ N E X T • S T O P S  ☀️🪩☀️ 

01.01. (Leipzig) - ostend
16.01. (Berlin) - secret party
04.02. Release Podcast Traumcast 📻
14.02. (Köln) - Ursprung Fi 
28.02. (Meißen) - Winzerei
01.03. Release Podcast Afterhour Sounds 📻
08.03. (Leipzig) - polikyl
27.03. (Berlin) - Kater Blau
01.05. (Hildesheim) - Woodlands
16.05. (Berlin) - Bootsparty ⛵️
04.06. Wurzelfestival 🎪
26.06. (Poland 🇵🇱) - LAS Festival 🎪
04.07. (Pforzheim) - Unterholz Festival 🎪
11.07. (Flennsburg) - private Wedding
22.08. (Heidelberg) - private Wedding
(more tba)

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✓ P L A C E S • G I G S  
Sisyphos (Berlin), Südpol (Hamburg), Odonien (Köln), Fusion Festival (Seebühne '23, Extravaganza '25), Garbicz Festival (Poland), Bucht der Träumer Festival (Helenesee), Moyn Festival, Mystic Creatures (Poland), Meeresrauschen Festival, Pangea Festival, Saterza Metari (Sardinien), Feel Festival, Sternfest Festival, Wurzelfestival, ifz (Leipzig), CoSy Festival, Vogelball (Hamburg), Wilde Renate (Berlin), Kater Blau (Berlin), Ritter Butzke (Berlin), Goldener Reiter (München), Station Endlos (Halle, Saale), Kitkat (Berlin), Broncos (Hannover), objekt klein a (Dresden), Datsche (Magdeburg), Weltecho (Chemnitz), institut für Zukunft (Leipzig), Woodlands (Hildesheim), Graf Karl (Kassel), plan b (Malmö) ... 

📻 P O D C A S T • M I X E S  (latest)

04/25 Love Letter #9 // @love-letter-label
11/23 Love Cast 112 // @love-foundation
08/23 KataHaifisch Podcast 333 // @katahaifisch
05/23 Vacanza Radio #82 // @vacanzaev
12/22 @radio80000 @lague-moin show
10/22 DAVE Podcast #39 Sinamin // @davefestival
10/22 Palm Paradise w/ Sinamin // @rblmedia
05/22 Beauty Sekt by Sinamin // @vayaonvacation
04/22 It Works Podcast #123 mit Sinamin // @itworks
10/21 [kluntje presents] Sinamin // @ost_end
09/21 Reset Radio #18 / @reset-kollektiv
08/21 RWCast #17 // @reinewaesche
06/21 MONOmente Podcast #019 // @monomente-podcast
05/21 Lovecast x THF radio // @love-foundation @thfradio
02/21 @blaq-numbers // @rinse_france

Ecstatic, Medicine, Conscious Storytelling, Ambient, Dub, Lounge, World Music, Dreaming, Soulfood......and more

New Project= Kaptain Kosmo (Ecstatic & Connected Dance) **Born 2023

1+1=1


Facebook: https://www.facebook.com/slowcrates

Nobody Lives Here - out now 🖤
https://ffm.bio/syml
https://laylo.com/syml

Techno since 1989, owner of Electric Ballroom. OG.

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S L O W   M O T I O N   D I S C O   E X P L O S I O N
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C O N T A C T :
10markdjteam@protonmail.com
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N E X T   T I M E : 
27.09 @ Woodlands - Hildesheim
04.10 @ Sisyphos Nichtgeburtstag - Berlin
19.12 @ Privat - Berlin
30.12 @ CCC - Hamburg
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L A S T   T I M E :
05.09 @ Johnny Knüppel - Berlin
07.09 @ Tarmac Festival - Flugplatz Altstedt
14.09 @ Renate (M.Meier Showcase) - Berlin 
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G O O D   T I M E S :
R.I.P. Mensch Meier resident - Berlin 
Sisyphos - Berlin
Kater Blau - Berlin
Klunkerkranich - Berlin
Rummelsbucht - Berlin
Monarch - Berlin
Heinrich-Böll-Stiftung - Berlin 
Moloch - Hamburg
Gängeviertel - Hamburg
Koralle - Hamburg
Südpol - Hamburg
Hafenklang - Hamburg
Schicksaal - Lübeck
Péripate - Paris 
JaZ - Rostock
Institut für Zukunft - Leipzig 
So & So - Leipzig
Waldschänke Dornheim - Würzburg
MS Treue - Bremen
Kauz - Zürich
Christiana - Kopenhagen
Fusion Festival - Lärz (D)
At Tension Festival - Lärz (D)
Nation of Gondwana - Nauen (D)
Garbicz Festival - Polen
Moyn Festival - Oyten (D)
Meeresrausch Festival - Pennemünde (D)
Wilde Möhre Festival - Drebkau (D)
Tarmac Festival - Flugplatz Allstedt
Somewhere Festival - Dänemark
Distortion Festival - Dänemark
Alm Beatz Festival - Süd Tyrol (I)
Freiland Festival - Brooks (D)
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B A C K   T O   T H E   F U T U R E !
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Founder of Thievery Corporation.

In a time where much of the world is confined and fearful comes Thievery Corporation co-founder Eric Hilton’s first solo record “Infinite Everywhere”, an elegant exploration of inner space that will leave listeners feeling replenished and centered. While Thievery painted with a broad musical brush, genre hopping across (and sometimes within) over 20 plus years of albums and live work, Hilton’s solo debut is distilled, focused, and more personal.  "I’m kind of the drum & bass guy in Thievery – I’ve never been much of a player of melodic instruments. “Infinite Everywhere” is me challenging myself to play more. I started work on a laptop and cheap midi controller; when my engineer Igor Garnier heard the rough tracks, he encouraged me to play more,” says Hilton. “I’ve always been a bit of studio rat, but I've found I really enjoy making music on my own, late night with just me and a keyboard – I’m kind of hooked on that. On this record I played nearly every instrument, which I’ve never done before.”

“Infinite Everywhere” was recorded at The Winter Palace in Washington, DC from September 2019 through March 2020. The album title and concept predate the current global crisis, but are remarkably prescient, conveying feelings of melancholia and optimism in equal measure. And while Hilton has incorporated exotic musical ingredients from diverse cultures on his previous work with Thievery Corporation, “Infinite Everywhere” is decidedly more European in feel. This influence came from an unexpected place, Hilton explains: “I took a tongue in cheek influence from prog rock – the best elements of it anyway. Prog too often goes off in a direction I don’t like. But some more mellow progsongs aren’t necessarily “rock” – at their best they’re explorations of space, organic, with truly gifted playing. That part of the genre appeals to me.” 

The meditative title track and first single, “Infinite Everywhere”, personifies Hilton’s humanistic and exploratory ethos. “Infinite Everywhere” is so simple, but it always gets me into my chakra mode – there’s a realignment that comes when listening to it,” he says. The song isn’t just a doorway to the album, but a potent rhythmical mantra for willing ears. “When I meditate, I become vapor, flowing free around the earth or the atmosphere – I let myself explore in my mind, pop up on a Tokyo Street, then in Prague, or on the Ganges in India. My mind decides on the time and space. “Infinite Everywhere" represents that experience of doing that."

But don’t make the mistake of thinking that descriptors like “exploratory” and “meditative” are code for a sleepy record. As an album, “Infinite Everywhere” is the ne plus ultra of elegant groove, which Hilton has been distilling for over two decades. It kicks, and it sounds amazing. “In Thievery, we always wanted to make music that was electronic but sounded real, -that’s what I’m into. I love making real sounding things with an unusual process.”  We are living in strange times – perhaps the strangest in our lifetimes. The album’s second single, “This Strange Daze” featuring Puma Ptah, is something of an outlier, being the only song on the record with vocals, and more of a Jamaican feel. “Strange Daze” was a strong instrumental sketch, but something in me said it would be more powerful
with a vocal. I’ve been working with the incredible Puma Ptah for many years, he’s done some tracks and toured with Thievery and is the main singer for The Archives. He’s such a great writer, so I hit him up to collaborate on the track. He wrote the song about week one of this current crisis, riffing off the title, powerful lyrics about anxiety and worry eating at you, how to deal with it and cope. It occupies a very special place on the record, another point of connection.”

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