so slick. such an awesome style. rasmus you kill it. super creative and memorable sound. cant wait to work togethr again

LYRiQz ovuh E’YthinG

nYc 717LYn 

stAY wittY

great poetic lyrics of this lonely feeling, and smooth boom bap flow and great energetic despair in the delivery. very nice song!

BIGfoot BEATs and Onehunnit colab. Many more tracks on the way. Kings in Crowns debut "Good Drugs" is set to release this fall. Free Download. 

https://soundcloud.com/funzo-1
https://soundcloud.com/onehunnitmusic
https://soundcloud.com/charley-p-hatchbakk

Sorry

I was so impressed with Ian's vocal capture and delivery I had to do something with it. I had this groove going on in 094 bpm and was browsing Ian's page when I came across " Tha Boss with tha sauce acapella 094 bpm ... Perfect!!!... Many thanks for this Ian man!
Vocals :- IPG1 https://soundcloud.com/ipg1/tha-boss-with-tha-sauce-vox-94-bpm
Music,composition,arrangement,mix and production ... Pablo 
Mastered at Retro-Tone https://soundcloud.com/pablocambo

The boss with tha sauce

The Boss with tha sauce

Tha Boss With Tha Sauce /// "In Tha Groove" IPG1 /// CAMBERELLI

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

new track for the Loopdiggers LDR 159. really fun making and putting the "evidence" together. Shout out to the whole Loopdigger crew, all my colabs, ace ha, project laboratory, and all of soundcloud.

New Evidence

I'M THE FUTURE LOOSING
SUPER SLUETHING
IMPROVING
ON  HUMAN
NECCESITY
WELL DEFINATELY
NEVER LET DOUBT
SINK
LIKE
MIDDLE OCEAN
COMMOTION
BOATS POSTING
STEAM COASTING
BROKEN
WATER LETTING FISH IN
INJESTING PROSE
OF THE LOWS
THE DROWNED FOES
CAUSE NO FRIEND
COULD AMEND
THE COLD FLOWS
THAT GRIP
MAKING  NAILS RIP
AS THE FINGERS SLIP
AND PUNCTURE HOLES
DIMINISHING BUOYANCY
DROWNING
LOOSING  TO LETHARGY
AS THE FEET STILL
STATIC
LIKE LOOKING FOR SAFETY
HAMEERING ON DOORS OF EMBASSIES
DON'T EVEN SEE
THE CURTAIN TWITCH
THE URGENCY IS VERBALLY FIRMLY
ETERNALLY 
TOO MANY PROBLEMS CERTAINLY
FOR OTHERS TO COMMITT
THE TIME TO HELP
SO I HIDE IT
LIKE THEE SHIT DON'T FIT
 STITCHED VELCRO
 PULL MYSELF TOGETHER
HERE'S MY HAND
I WILL HELP YOU

MY MEASURE
OF SITUATIONS
CAUSING MUTINY
I DON'T PLAY WRITE
AND INTERSECT THE STORIES
OF MANY
THERE'S PLENTY
TO HIT UPON THE MIND
AND LEAVE YOU DULL
PICKED OFF LIKE
ROTTEN FLESH AND HUNGRY GULLS
OF SOMEONE TYRYING TO WIN
IT BORES ME LIKE THE MANY JAWS
OF A  LEVITHAN
ILLUMINATING A BACK STORY
OF THE MANY BEFORE
BEFORE HE STARTS DINNING
THOSE PINNING SOULS OLD
GROWTH OF DESPAIR FLARES
THE ACHES OF THE AFFAIRS
OF THE HEART
THAT CHOSE CHAIRS 
AND WAIT THERE
LIKE CHOKE HOLDS
AND NO AIR
THE TEETH SNAP
LEAVING LEGS BELOW
SHOWERED IN BLOOD
THE SPERATION
AN EXAGERATION
OF AN IDEA INFLATING
LIFTING GIFTING
MOVING SYSTEMS
ISN'T  SOMATIC
A BODILY PRISON
BOUND B Y RULES
THIS IS WORDS SLIPPING
TO THE SOUNDS
GIVEN
SURROUND ME
I'M LIVING
THEY FOUND ME
NOW THEY ECHO OUT
MY SOUL
LIKE I'M STOOD THERE
SHOUTING AT THE MOUNTAIN
AMMOUNTING TO NOTHING
BUT SOMETHING
BUILDING
AND FILLING
THE WINDS START HOWLING
MY LUNGS COMPRESS
AND PRESS
THE WORDS BEYOND MY LIPS
AND IT SLIPS
LIKE BAGGED FIGURES
FROM LOADING BAY DOORS
ON ROCKY PARTS BORN
THAT SMASH AND RIP APART
BEFORE THE START OF  THE ART FORM
DYING FOR THE PHYSICAL 
TO THE DEATH
 PERFORM
PERFORMING A FORMULA
OF FLUID THOUGHTS
THAT STILL CORNER
CATCHING SHIT
LIKE TURNS IN SEWAGE PIPES
CHANGE THE ANGLE
BRING IT BACK
IF WE ANGLE IT

When the fire starts

Rockers Only Mother Fuckers

Written By https://soundcloud.com/user-705706912?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Bass And Drums https://soundcloud.com/junezunsane?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Mixing and mastering 

Studio B

eddyoffline & The Junez Mosquitoes

G33 QUARTER POUND OF TRUTH

Monparnase

Yet another collaboration between the great M.O.B.S. and myself. Many more on the way in the near future, so keep an eye out for new material soon from both of us. Made exclusively on iPad using Koala Sampler.

M.O.B.S. - Idle Mind (With Outro) [Produced By DKODA]

LoopDiggers Sunday Roulette N°166 Outro
@flossy1976 on the beat
@mreguest on the vox and pix
Hear more or get involved:
@LoopDiggersRecords

LDSR 166 OUTRO

BEAT167 (Open Collab)



Long distance rummaging rapper type of fella, who needed beats so decided to try and make his own from the nefarious world of bargain vinylment. Lost track of time and realised he'd forgotten to write the words he was creating to support. Now on a mission without the time he can never find, he jigsaws verse and beats at glacial speed for fun often miss-laying the final piece- but happy in the knowledge there's fullfilment in the incomplete.

If your hearing things and wishing it was an instrumental, drop a line and i'll try to get it sorted folks.

Thanks!
.
Toolage : Mpc 1000, 2500, 1210's, Microphones,Vinyl addiction,Pens, Paint, People, Computers, Freebie stickers, and other bits of shizz i'll include as they get used. 

When the fire starts

rasmus destructo

Recent comments

DKODA

U.Poet

Blaffy

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