liste1

Raster noton

Music of 2013

alva noto

Ambient

Electronica

Atonal

Electronic

[p*dis] distribution sampler for March 2011.

CYCLO - ID - id#01 (raster-noton)

0 - 5.33 
samuel beckett, not i (jessica tandy 1973) 
grischa lichtenberger, 1013_27_synt_rearrg_1 (not rel. 2013)
4.55 - 9.20 
grischa lichtenberger, 0710_31_kl st arrg flag 8 arg 1 rm 1 arg2 (not rel 2010) 
cliff martinez, ladies close your eyes (ost only god forgives, 2013)
8.42 - 11.22
the fear ratio, guv 1 (light box, 2011)
10.50 - 16.35
surgeon, whos band hands are these (roly vexd remix kinky) (whos band hands are these, 2007)
georgian chants (1914)
16.24 - 24.40
grischa lichtenberger, 1013_21-lv 1 pn rec strtc (not rel. 2013)
georg büchner, lenz im gebirge
23.00 - 26.20
grischa lichtenberger, 1106_25 kataplexie (not rel. 2006)
26.30 - 30.30
grischa lichtenberger, 0313_27_pn ss 2 (not rel. 2013)
30.30 - 34.30
grischa lichtenberger, 0913_04_lv_1 git (not rel. 2013)
33.00 - 36.45
grischa lichtenberger, 0512_16_lv 1 mit (not rel. 2012)
36.20. - 38.00
grischa lichtenberger, 1212_06_lv secr 13 2 d (not rel. 2012)
37.52 - 42.50
raime, we must hunt under the wreckage of many things (raime ep, 2010)
41.00 - 46.25
senking, exhausted (tap, 2003)
46.10 - 51.30
grischa lichtenberger, 0913_12 re 0713 lv 2 (not rel. 2013)
tsutomu ohashi, illusion (akira ost, 1988)
arthur russell, tree house (world of echo, 1986, reiss. 2004)
51.10 - 57.30
vainqueur, lyot (basic channel rmx, 1993)
56.00 - 62.10
grischa lichtenberger, 0518_lv 1 git (not rel 2013)
grischa lichtenberger, 0113_25 tape magnet ss 1 (not rel 2013)
61.00 - 65.20
grischa lichtenberger, 0213_25 julias orgalette ir forrest
65.30 - 68.20
the last poets, meanmachine (1971)
grischa lichtenberger, 0513_25_lv_1b X 1b (not rel 2013)
68.20 - 71.00
grischa lichtenberger, 0811_096_re 0211_08 (and IV, 2012)
71.00 - 75.10
photek, axiom (1997)
74.50 - 76.00
cyclo, c7 (2001)
75.50 - 85.00
grischa lichtenberger, 0311_09_lv_2 (not rel 2011)
grischa lichtenberger, 0611_22 git wtter (not rel 2011)
grischa lichtenberger, 0313_10 lv 1 g ss1 (not rel 2013)
84.50 - 87.17
elliott smith, satellite (elliott smith, 1995)

1013_27 Ice Fm

Delsin is proud to present this "Best Of Ambient"-compilation by one of their all-time electronic music heroes John Beltran. 16 tracks presented on triple vinyl and cd, including 'Collage Of Dreams' as featured on HBO's Six Feet Under series and other material from his sought after albums originally released on Peacefrog and R&S and more. With extensive liner notes from the artist himself.

John Beltran - Ambient Selections

3xLP (88dsr/jbt-lp1) / 1xCD (88dsr/jbt-cd1) / MP3 Album (88dsr/jbt-d1) / WAV Album (88dsr/jbt-d1)

Release date: June 2011

Ambient Selections

Soft Summer

DEBUT ALBUM OUT NOW – AVAILABLE ON CD/LP/DOWNLOAD.

ORDER DIRECTLY FROM ERASED TAPES and receive a FREE POSTER with each CD/Vinyl order*:
http://www.erasedtapes.com/store/index/ERATP032
BOOMKAT:
http://boomkat.com/cds/437680-a-winged-victory-for-the-sullen-a-winged-victory-for-the-sullen
AMAZON:
http://www.amazon.co.uk/Winged-Victory-Sullen/dp/B005BV5DOQ/
iTUNES:
http://itunes.apple.com/gb/album/a-winged-victory-for-sullen/id448922166?uo=4

'GEM' ★★★★ MOJO | 'TRIUMPH' ★★★★ UNCUT | 'VICTORIOUS' – GUARDIAN | 'A VICTORY' – BBC MUSIC
'CELESTIAL' 9/10 – DROWNED IN SOUND | 'OTHERWORLDLY' 7.3 – PITCHFORK | 'SUBLIME' – EXCLAIM
★★★★ SPIEGEL | 'EIN TRIUMPH' – DE:BUG | ★★★★ DE MORGEN | 'EEN PAREL' – FOCUS KNACK | 'PRACHTPLAAT' – GONZO 


EXCLUSIVE FULL ALBUM STREAM VIA OUR FRIENDS AT DROWNED IN SOUND:
http://drownedinsound.com/news/4143522**

*as long as stock lasts.
** for a limited time only.

---

CONTENT: ‘A Winged Victory For The Sullen’ is the first installment of the new collaboration between Stars Of The Lid founder Adam Wiltzie and L.A. composer Dustin O’Halloran. The duo agreed to leave the comfort zone of their home studios and develop the recordings with the help of large acoustic spaces, hunting down a selection of 9ft grand pianos that had the ability to deliver extreme sonic low end. Other traditional instrumentation was used including string quartet, French horn, and bassoon, but always juxtaposed is the sound of drifting guitar washed melodies. The recordings began with one late night session in the famed Grunewald Church in Berlin on a 1950s imperial Bösendorfer piano and strings were added in the historic East Berlin DDR radio studios along the River Spree. One last session on a handmade Fazioli piano in a private studio on the Northern cusp of Italy, before the final mixes took place in a 17th century villa near Ferrara with the assistance of Francesco Donadello. All songs were then processed completely analogue straight to magnetic tape. Their secret to harvesting new melodic structures from the thin air of existence was for the duo to push themselves to dangerous territory, realising that clear thinking at the wrong moment could stifle the compositions. The final result is seven landscapes of harmonic ingemination. In ‘Requiem For The Static King Part One’ – created in memory of the untimely passing of Mark Linkous – they have taken the age-old idea of a string quartet and then shot it out of a cannon to reveal exquisite new levels of sonic bliss. Of the 13 minute track ‘Symphony Pathétique’, Wiltzie says ‘after almost 20 years of struggling to create interesting ambient drone music, I feel like I have finally figured out what I am doing’. Notable guest musicians include Icelandic cellist Hildur Gudnadottir, as well as Erased Tapes label comrade Peter Broderick on violin. A Winged Victory For The Sullen is not a side project – it is the future of the late night record you have always dreamed of.

CONTEXT: On May 24th 2007, in Bologna, Italy, Adam was on tour and playing with the late Mark Linkous & his beloved Sparklehorse, on what would be their final European tour. That night Adam invited friend and colleague Francesco Donadello to see the concert, and Francesco's guest this evening was composer Dustin O'Halloran (Sofia Coppola’s ‘Marie Antoinette’ O.S.T.). Through a strange twist of backstage conversations surrounding passport cache conundrums, and love of Italian gastronomy, a curious friendship began that now has brought forth an offspring of truly curative compositions for the world to savour.

As announced by Pitchfork and Drowned In Sound the self-titled debut album of A Winged Victory For The Sullen will be released worldwide on September 9, 2011 via Erased Tapes Records (except for North America where it will be out on Kranky).

A Winged Victory For The Sullen - Steep Hills Of Vicodin Tears

pre-order now: http://funckarma.bandcamp.com/album/skinetic-culpture

with immediate download of the first track from this ep called ” Subject Matter “ all who pre-ordered will receive an email with a link to download the full album when the album drops.

 1 oct tru all the digital outlets and our own shop.

Subject Matter
Skinetic Culpture
Spead Dace
Due Tratt




Roel Funcken Skinetic Culpture

From the album "Liedgut", Raster-Noton 2009


Wellen und Felder

Excerpt from the Bowman Suite. Original track on the album "Atom™ programmiert den Scheiß aus sich raus" now available on Rather Interesting (CD/iTunes)

Auszug aus der Bowman Suite

Spotify: https://play.spotify.com/artist/6HYyeW4R4oZbUvkjG7t3qH

Join me on Patreon! www.patreon.com/owsey

Painting used: Wlodzimierz Kuklinski's "Cold."

Owsey: 
http://www.facebook.com/owsey 
http://www.owsey.bandcamp.com 
http://www.twitter.com/owseymusic 
http://www.youtube.com/owseymusic 
http://www.last.fm/music/Owsey 
http://www.soundcloud.com/owsey

Birdy's original track available here: http://itunes.apple.com/gb/album/shelter-single/id441559253

Essay's remix: http://soundcloud.com/essayessay/birdy-shelter-essays-tearful

Spotify

Birdy - Shelter (Owsey Remix)

Track released in April 2011 by BT. 

It is with exceptional pleasure I share this gift back with you. Thank you ALL so much for making a donation to Japanese relief efforts. As individuals we can do little, together we can do much. 

Thank you for supporting this worthy cause. Blessings to you,
_BT

ps: there is a marker for 3 minutes at the end of the track. It is not just silence, it is there for a reason.
All my best.

Hikari

Cut Hands, "Stabbers Conspiracy"

Remix of Title Track Gangsta Riddim by Funckarma's Roel Funcken

Buy From Juno

Scan One - Gangsta Riddim (Roel Funcken rmx)

Bootleg track :   Jon Hassell "Amsterdam blue"    Ursula Rucker' ghost track  "Secrets"

ANALOGIC MASHUP, NO SOFTWARE USED

Jon Hassell & Ursula Rucker - Amsterdam blue secrets

http://novafuture-blog.com/2012/04/16/cristian-vogel-the-inertials-shitkatapult

Cristian Vogel - Deepwater

Computer Controlled Artificial Behavior

Read Our Review

Vatican Shadow - "Cairo is a Haunted City"

30 minute mixtape for The Kort. All original productions.
Check out the interview here- http://thekort.com/post/28428306710/samuelkerridge

KORTMIX009: samuelkerridge

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

05 Or

http://shop.raster-noton.net/?pid=269

»the title ›and IV (inertia)‹ refers to a fictionalized successor of the baksan neutrino telescope in the caucasus region. at first, it has been an idea for a novel, based on the consideration that it is impossible to deal with the topic of a ›lebensraum‹ like berlin without being hit by stylization – so I had to experiment with strategies of fiction.«

with »and IV (inertia)«, grischa lichtenberger presents his first full length record on raster-noton after his participation in the unun-series. for his musical production, he uses field recordings of his environment which are manipulated and broken down to their bare nakedness until only fragments are left. apart from analogue sources, he also uses digital sound data which is likewise turned and twisted until the boundaries between analogue and digital are blurred.

the arrangement of these atomic elements results in a rather rough and brute, machine-like cut-up sound with an outstanding dynamic – almost none. it seems like that the 21 tracks only consist of a minimal set of elements, but which are rearranged in a virtuous manner and with a high degree of variation. broken beats and dribbling basses allude to downbeat tunes, let one stumble because of their arhythmicity, to eventually take up the underlying groove again. equally, there are fierce and harsh technoid elements. and towards the second part of the record, there is also room for new developments where more introverted and airy songs take over.

lichtenberger’s musical production on »and IV (inertia)« goes in line with his general artistic work, which also comprises other artistic genres such as installations and paintings. there is a mental attitude behind all this, and while the music sounds abstract, one may still identify his personal note. In this way, »and IV (inertia)« is the extension of a concept he already started with his »~treibgut« ep (r-n112), »to define aspects of legitimation for an artistic work in engagement with the concreteness of one’s living situation.«

grischa lichtenberger. 1210_08_4+ (excerpt). taken from grischa lichtenberger. and IV (inertia)

grischa lichtenberger. 1110_01_lv_1b. taken from grischa lichtenberger. and IV (inertia)

Richard Devine - Etch and Sketch (Drasko V Remix)
RiSP Album 2012 
Detroit Underground

www.detund.net
www.drasko-v.com

Richard Devine - Etch N Sketch (Drasko V Remix)

Testing my new live set - direct recording.

Symphonic Machine Live Version

<a href="http://click.linksynergy.com/fs-bin/click?id=0B57Xhiast4&subid=&offerid=146261.1&type=10&tmpid=3909&u1=soundclouddesc&RD_PARM1=http://itunes.apple.com/us/app/tabletop/id436080882%3Fmt%3D8">Created with Tabletop for iPad</a>

Demo I created for Retronyms Tabletop 2.0 release. 

Glitch Breaker Demo - Made with TableTop 2.0 iPad app.

Track taken from the upcoming Matthew Collings album 'Splintered Instruments' available through Fluid Audio on 31.01.13.

* Track composed by Matthew Collings / Ben Frost
* Drums and Additional Percussion by Brady Swan

Matthew Collings - Vasilia

The Haxan Cloak - 'Excavation': Released 15th April 2013
CD, 2xLP & Digital

iTunes Pre-order: https://itunes.apple.com/us/album/excavation/id617447893
Boomkat Pre-order: http://boomkat.com/downloads/663910-the-haxan-cloak-excavation
Insound Pre-order: http://www.insound.com/Excavation-CD-The-Haxan-Cloak/P/INS117532/

The Haxan Cloak - The Mirror Reflecting (Part 2)

品番：AMIP-0029
アーティスト：Karl Bartos  (カール・バートス)
タイトル： Off The Record  (オフ・ザ・レコード)
発売日：2013年  3月 14日（木) 
フォーマット：国内流通盤CD
定価：2200円（税込）
レーベル：Bureau B
ジャンル:  Techno Pop / Electro
バーコード: 4532813340296

■解説 / ライナーノーツ:
中野泰博 (Shop ＭＥＣＡＮＯ)  

【Track List】

01. Atomium
02. Nachtfahrt
03. International Velvet
04. Without A Trace Of Emotion
05. The Binary Code
06. Musica Ex Machina
07. The Tuning Of The World
08. Instant Bayreuth
09. Vox Humana
10. Rhythmus
11. Silence
12. Hausmusik

事件です！元Kraftwerkのオリジナル・メンバー 
Karl Bartos が10年 ぶりとなる新作を発表！！

ファン感動 のKraftwerkを越えたKraftwerk！
電子ポップスのオリジネーターが 歌う“ザ”テクノ・ポップの今！！

ポップスからアンダーグランドまで現在のエレクトロニック / ダンス・ミュージック全体の礎を築いたと言っても過言ではないドイツが生んだ最重要バンド Kraftwerkのオリジナル・メンバー、 METAMORPHOSE 2011 (振替公演)で来日も果たし、世界ツアーも控えるなど生ける伝説Karl Bartosの最新作は、Palais Schaumburg、Andreas Dorau、Moebius、Roedelius、Conrad Schnitzler、Cluster / Klusterの再発などジャーマン音響史の最重要アクトを現代へと蘇らせ、Ulrich Schnauss、Qlusterの新作もリリースするハンブルクのレーベル＜Bureau B＞より。Kraftwerkの数多くのクラッシクスと呼ばれる作品はKarl Bartosのスタジオで録音されており、パーカッションだけでなくメロディーでも『The Man Machine』 (1978)、『Computer World』 (1981)において多大なる貢献を果たし、2003年にリリースされた初のソロ・アルバム『Communication』に続く本作はボコーダー、シンセ、リズム・マシーンなど一点の曇りもないプリミティブでピュアな電子の美学を貫き、Kraftwerk譲りのメロディアスで壮大な未来への高揚と色あせないノスタルジアへと誘う、ファンにはうれしいクラシックな趣のある待ってましたの”ザ”テクノ・ポップとなっています。

バイエルン州ベルヒテスガーデン出身。エレクトロニック・ミュージックを大衆へと導き、今もなお活動を続ける伝説のモンスター・グループ、Kraftwerk (クラフトワーク)のオリジナル・メンバーであり、結成時の75年から91年までパーカッション担当として在籍。  脱退後もLothar ManteuffelとのユニットElektric Music、New OrderのBernard Sumner、The SmithのJohnny Marrと共にElectronicを結成、数枚のアルバムをリリース、2003年に本名儀で初となるソロ・アルバム『Communication』を発表。2011年に来日したばかりの70年代から活動する数少ないジャーマン電子界屈指の現役アーティスト。

Karl Bartos:
http://www.karlbartos.de

Bureau B:
http://www.bureau-b.com

______________________________________________

Distributed by Inpartmaint inc.
http://www.inpartmaint.com

Karl Bartos -  Atomium (Snippet)

Hotflush label boss, Scuba, handpicks 7 tracks from the imprint's catalogue for Annie Mac's BBC Radio 1 show on January 18th, 2013.

1. Mount Kimbie - Maybes (Hotflush)
2. Scuba - Adrenalin (Hotflush)
3. Joy Orbison - Hyph Mngo (Hotflush)
4. Scuba - Twitch (Jamie Vex'd remix) (Hotflush)
5. Sepalcure - Love Pressure (Hotflush)
6. Search & Destroy - Candyfloss (Loefah remix) (Hotflush)
7. Toasty - The Knowledge (Hotflush)


Scuba - 'Hotflush Classics' Mix for Annie Mac - 18.01.2013

Efterklang - Dreams Today (Brandt Brauer Frick Reinterpretation)

Dualism playing a Super Slow & Hypnotic 170 min DJ-Set @ the PoVe Event in Bern

::: Dualism DJ-Set
::: live recording february 20th 2013
::: PoVe Event Bern (CH)
::: Duration 170 min
...........................................
::: facebook.com/dualismmusic
::: facebook.com/lush.play
::: soundcloud.com/dualism
::: www.dualism-music.com
::: www.numbolic.com
::: myspace.com/dualismmusic

DUALISM @ PoVe Event (Feb 20th 2013) Bern (CH)

[ Free Download ]  Buy Link 

http://www39.zippyshare.com/v/91995495/file.html 


Track List:

Otto knows - Million voices
Coldplay - fix you
One Republic - Apologize
Bingo Players - Rattle
Empire of the sun - Walking on a dream
Zedd - Spectrum
Dyro - Metaphor 
Fat boy slim vs Fedde le grand  - praise you
martin solveig - night out volcal edit
kaskade - Turn It Down
Nicky romero  - Toulouse 
Dirty South amp Thomas Gold ft Kate Elsworth - Alive  (Alesso Remix)
Avicci amp nicky romero - i could be the one (Original Mix)
Nervo amp nicky romero - Like home (Original Mix)
Nervo amp nicky romero - like home (Dillon francis remix)

 

Eliss Paprika - Bittersweet Mix 2013 [ Free DL ]

Uploaded with AudioShare app - http://kymatica.com/audioshare

TM OBC at Drumcomputer

"mantle" is already pixel‘s forth release on raster-noton since his debut in 2003 and a further exploration of his approach to rhythm-driven, electronic music.

the overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or
shock waves, giving the impression of being warning signals, and the few calm moments of the tracks are constantly disrupted by dark drowns. if this is the future, it will not be very bright. but all the precisely generated sounds, which seem to be produced by industrial machinery, are by no means lifeless. actually it seems like the automats are tuned to funk, resulting in a polyrhythmic, driving and impulsive composition one cannot escape from.

pixel. plumb bob (excerpt). taken from pixel. mantle

Download

The Way It All Went Down

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.