after their successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound.

recur is presented as emptyset’s third studio album, continuing on from their work with demiurge. the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project’s exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point.

recur is also available as cd ( r-n151), 12" vinyl (r-n151-2) and limited edition of 180 gr heavy vinyl + cd + art print signed by the artists (r-n151-3).

emptyset. fragment (excerpt). taken from emptyset. recur

BASIC ANHALT ANALOG NEW C'OLD SCHOOL BODY MUSIC MINIMAL SYNTH WAVE FUTURE POP AVANT-GARDE AND TECHNICAL MUSIC ANGST POP STYLE DRONE PAGAN INDUSTRIAL HARSH SLOWY
... AND BLACK METAL
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EBM dans la plus pure tradition Old/New School à ce jour.

MINIMAL SYNTH WAVE:
Retro futuriste, élégance et arrogance des jeunes gens modernes ayant trouvé dans le synthé, une froideur assumée.
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DE THANNBERG 
il fut un temps j'animais des soirées privées, dont les plus souterraine galerie d'art contemporaine,  des univers musicaux s'écartant de la norme toujours renouvelés tout au long de la nuit provoquant un état psychique qui contient un traitement injuste et cruel infligé au commun des mortels. 
Cette particularité de me démarquer en adoptant une certaine attitude qui se resserre successivement autour de plusieurs genre de musique stylistique électronique réduite à l'essentielle furieusement trébuchante ayant trouvé dans le synthé, une froideur assumée et rythmée.
http://dethannberg.blogspot.com/

Government is not your friend




https://www.youtube.com/user/ElektricSurgery

I am a ..."データブロック"... DataBlock (╓D V T V B L Ø C K┛)▪ ◦ ▫ ▬╦┺ ▒ ┼  ╧▐ ▔┅ ┆  ▓▕ ┛ ├ ═ ║ ╒ ╓
IDM.Electronic.Experimental

 𝌴 ....Electronic Music Production....Sound designer:Neuro-glitch, Extraterrestrial technology, Sound system transformations, Glitches, Crashes, Broken synthesis, Bits drones, Cyber transformation, Distortions, Interference, Noise, Transmission problems, Visual distortion, Neuro abstraction, Drilling, Cuts, Detached, Foreign..
No sound synthesis boundaries..

Together with:Neuro-Glitch LAB:Sound design lab,We are working in all turns and direction until the music industry in its darkest nooks and crannies, while high-tech changes, digital approaches and methods is that crushes the mind, brings a new level we experimenting with all genres, using all the resources and the component to to create new forms of sound evolution. Extraterrestrial technology, sound system transformations, glitches, crashes, broken synthesis, bits drones, cyber transformation, distortions, Interference, noise, transmission problems, visual distortion, neuro abstraction, drilling, cuts, detached, foreign, mechanics, rebooting the system, section.....
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital

official soundcloud page of raster - artistic platform.