STUNG (verb) pronounced /stʌŋ/ ,pronounced STANG, as of STANGlICZKY, Igor Stangliczky, Sound artist, Craftsman, Designer.

Lukatoyboy is a musician, sound artist and educator from Belgrade, currently based in Berlin.

His sound art practice is based on performances dealing with networks, sound and narrative, using walkie talkies and site specific topics.
Focused on the relation of chances and structures, he creates participatory works with suggested rules, questioning exclusivity and authority of an artist.
He is currently researching alternative methods of listening, using found architecture and proposed distance as tools for discovery.

As a musician, he is mostly involved in electroacoustic improvisation (based on real-time sampling of various objects, toys, voices, and field recordings) using feedback and analogue synthesizers. Lukatoyboy also produces nanotechno and free IDM on a Game Boy.

He has performed and/or taught workshops at festivals: CTM, Unsound, TodaysArt, Communikey, Semibreve, Wasted, Moers, UH, Phonart, Uovokids, Netaudio… in countries Netherlands, Germany, Switzerland, USA, Austria, Turkey, Hungary, Croatia, Macedonia, Poland, Czech Republic, Belgium, Slovenia, Romania, Sweden, Bosnia & Herzegovina, Bulgaria, Kosovo, Portugal, Finland.

His collaborations name Sainkho Namtchylak, Svetlana Spajić, Mia Zabelka, Irena Tomažin, Peter Evans, Franz Hautzinger, Eric Thielemans, Jonas Kocher, Laurent Bruttin, Martin Brandlmayr, Johannes Frisch, Georg Wissel, Branko Džinović, Balazs Pandi, and Igor Čubrilović, among others.

Since 2010, edits Blind Tapes, a participatory and chance dedicated tape label.

He was recognized with an award for sound design for the theatre play Bartleby (2011, Mini Teater, Slovenia) at the international theatre festival Borštnikovo Srečanje.

As an educator, he led numerous workshops for kids, dealing with topics of improvisation, sound art and performative narrative in most of the European countries and several states of the USA.

He was an artist in residence at STEIM (Amsterdam), Pedra Sina (Funchal), Semibreve (Braga), Titanik Gallery, (Turku) and Hai Art (Hailuoto).

Lukatoyboy is a recipient of the “Ubiquitous Art and Sound” Open Call for works, awarded by Deutschlandradio Kultur/Klangkunst, Goethe-Institut, ICAS – International Cities for Advanced Sound, ECAS – European Cities for Advanced Sound, and CTM Festival, which sought unusual ideas for pairing the specific artistic possibilities of radio with the potentials of live performance or installation in 2013.

He is a cofounder of a residency/festival MultiMadeira.

Korder are Stefan Miletic aka Filtercutter and Igor Stangliczky aka Stung.&nbsp;



Sound + Process deconstructs new electronic and experimental works through conversations with their composers. These artists all belong to the online community lines (http://llllllll.co). Hosted and produced by Dan Derks.

An online music curation platform centered around reposting amazing music.
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My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Rastko Lazic is an electronic sound composer from Belgrade, Serbia.
Please visit my site www.rastko.info for more info, sounds and pictures .

All of the future material shall be posted on http://rastko.bandcamp.com/ and soundcloud shall be used only for the latest releases .

I wish you all a great day .



 


Formerly known as Opuswerk.
High-quality electronic dance music from the Swiss lakeside, 

Affiliated to labels like @dement3d, @artsltd, @semantica-records,, @krillmusic and @knotweed-records

1/2 of HISS:1292 with @francoisx

Curator of the #OPUS parties with guests such as:
Iori, Agonis, Cosmin TRG, Henning Baer, Sandrien, JP Enfant, Yotam Avni, Blawan, Svreca, Ulf Erikson, Nikita Zabelin, Barker
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Half Dutch, Half Egyptian, and based in Geneva, Hendrik van Boetzelaer has established himself as a key player of the Swiss scene. He is known for his passion for warm and forward thinking music for the body regardless of the genre. Following years of activism as Opuswerk, his first work under his real name, the “Mémoire Du Présent EP”, on François X’s Dement3dXXX, reveals an artist’s coming of age in continuity of his past work.
Trained as an architect, and passionate by the concept of “the club”, he thrives for what triggers raw emotions. Maturing from years of self-education, spawned with dub and drum and bass sound systems, he plays and makes music that is both adventurous and inventive with a defined futuristic aesthetic and firmly grounded in the experience of one’s body on the dancefloor. It’s as if he found his sound as much as it found him, delving inspirations from the wide spectrum of what dance music has to offer: House, Techno, EBM, Electro, IDM, Balearics, old and new.
His approach to producing, both visceral and highly technical have gotten him to team with artists like François X for the HISS:1292 project or Ripperton for the Aelectricitae Live project. As Hendrik van Boetzelear his work has reached a new plateau of explorations where he channels his many cultural origins into freeform experimentations. As a testimony to his never ending hunger for knowledge, and representative of his research process, his previous work using the Opuswerk pseudonym, came out on labels such as Bleed Music, Semantica, ARTS or Dement3d. As Hendrik van Boetzelaer, he has shed his skin and dropped the moniker.
His style is always forward thinking and finds adventurous ways of transporting the dancers beyond the boundaries of the club all the while challenging them. His musical consistency, brings him to play, in the best clubs and festivals from Concrete to Tresor or Mute, CTM Festival and Montreux Jazz or Paleo.
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Piece of Shh… is one the longer standing producers in Belgrade, coming up over the last 6 years with the Belgradeyard Soundsystem, a heavy jazz influenced collective of producers and live musicians who were one of the few Serbian artists to achieve success outside its borders.
Once he started following his own direction, his sound started to become sparer before arriving comfortably at his signature minimal-meets-dubstep sound that’s both familiar and new. He’s remixed for Sutekh and released on Earsugar (Berlin), Cosmic Sounds (London), rx-tx (Ljubljana) and Public Records (San Francisco), as well as sharing stages with luminaries like Digital Mystikz, Mrk1, Loefah, the Bug, Modeselektor, 2562, Substance, Dedbeat...
His devastating combination of sub bass, dub sirens and syncopated rhythms really draws out the tension in the crowd.


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