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Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution, the national museum of the United States. We are part of the Smithsonian Center for Folklife and Cultural Heritage, located in Washington, D.C. 

We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people's engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others.

The Smithsonian may archive materials posted on this website pursuant to its document retention policies. By posting content, you are giving the Smithsonian and those authorized by the Smithsonian permission to use or modify it for any educational, promotional, or other standard museum purpose, in media of all kinds whether now known or later developed. For more on the Smithsonian's terms of use and privacy policies visit: http://www.si.edu/termsofuse 

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

مونت كارلو الدولية إذاعة فرنسية ناطقة باللغة العربية تبث برامجها مباشرة من باريس إلى دول الشرق الأوسط والأدنى وإلى موريتانيا، و جيبوتي، وجنوب السودان على موجات الإف إم وعلى الموجة المتوسطة من قبرص.
 تقدم الإذاعة مواعيد إخبارية متعددة وبرامج ثقافية وترفيهية متنوعة، تعتمد في مجملها على البث المباشر و التفاعلية، و التواصل مع المستمعين. طاقمها الصحفي ومراسلوها عبر العالم يوفرون تغطية شاملة للأحداث الدولية لما يزيد عن 8 مليون مستمع أسبوعيا. إذاعة مونت كارلو الدولية هي إذاعة حرة، علمانية، منفتحة على العالم و تخاطب كل الأجيال ويمكن الاستماع إليها أيضا على الانترنت، والهواتف الذكية، والكابل، والأقمار الصناعية وعبر تطبيق مونت كارلو الدولية الجديد على المحمول.


Jefferson Graham is a Los Angeles writer, photographer, the host of the PhotowalksTV travel series on YouTube, Amazon and Roku channel, a former Usa Today, columnist and host of the podcast the iPhone photo show. Replays of the old Talking Tech podcast are featured here.

The Strypes are 4-piece rhythm and blues band hailing from Cavan, Ireland, formed in 2011 by Ross Farrelly (lead vocals/harmonica), Josh McClorey (lead guitar/vocals), Pete O'Hanlon (bass guitar/harmonica) and Evan Walsh (drums).

The group has spent the past 18 months launching their explosive R&B assault on the clubs and festivals of Ireland, the UK and Europe, viciously hammering out a no-nonsense blues repertoire drawing from the songbooks of Chuck Berry, Bo Diddley, Howlin' Wolf, Little Walter, Slim Harpo and more with the passion and venom of British blues groups such as Dr. Feelgood, The Yardbirds, The Rolling Stones and The Animals. 

Having already been met with critical acclaim from greats such as Jeff Beck and Paul Weller and been tipped by NME as the No. 1 new band to watch, it seems things can only get better for The Strypes.

Ray Barcia is following