Todas las canciones que me gustan, que están en Soundclound, desde la J hasta la Q

Más music(J-Q) Todas 3

Clase

De viejitas

Reawakening -  Baroque and before

Latin + German + Arabic + Othodox music

Todas las canciones que me gustan (que están en SoundClound), que no incluyen una letra como tal, si no que solo son sonidos y melodías (aunque no sean con instrumentos).

Sin letras

Tristes

Ricardo I 1157, Antonio Vivaldi 1678, Johan Bach 1685,  Luigi boccherini 1743,  Amadeus Mozart  1756,  Ludguin Beethoven 1770, Nicolo Paganini 1782,  Gioachino Rossini 1792, Felix Mendelssohn 1809,  Frédéric Chopin  1810, Franz Liszt 1811, Richard Wagner 1813, Giuseppe Verdi 1813, Jacques Offenbach 1819, Nikolái Nekrásov 1821, Johannes Brahms 1833, Leo Delibes 1836, Piotr Chaikovski 1840,  Edvard Grieg  1843, Nikolái Rimsky-Korsakov 1844, Leoncavallo 1857, Ruggero Edward Elgar 1857, Giacomo Puccini 1858, Claude Debussy 1862, Richard Strauss 1864, Julius Fucik 1872, Euday L. Bowman 1887, Carl Orff 1895, Dmitri Shostakovich 1906, James Last 1929, Ernesto Cortázar II 1940, Andrew Lloyd Webber 1948

Música Clásica

The Serenade No. 13 for strings in G major, K. 525 was written by Wolfgang Amadeus Mozart in 1787. The work is more commonly known by the title Eine kleine Nachtmusik. The German title means "a little serenade", though it is often rendered more literally but less accurately as "a little night music". The work is written for a chamber ensemble of two violins, viola, and cello with optional double bass, but is often performed by string orchestras.

Mozart - Eine kleine Nachtmusik

FREE DOWNLOAD LINK:  

>>>>  http://wavbase.com/track/?track_id=216

My Heart (Ft. EH!DE)

Different Heaven & EH!DE - My Heart

Vivaldi– four Seasons

In memory of Joanne Griffin who passed away in September 2018 after a year long battle with cancer.

The Parson's Farewell - Traditional
The Royal Dream - Traditional
Crumhorn March - M. Phillips
All in a Garden Green - Traditional

from the album 'Harpistry' Joanne Griffin & Friends.  
Used by permission.  www.joannegriffinmusic.com 

Joanne Griffin - harp
Marcia Phillips - recorders, drum

Contra Dances

Richard Lionheart's famous lament about being imprisoned without a friend to seek his release. Returning from the crusades in 1192, he was recognised while crossing Austria and imprisoned  by Duke Leopold V for 2 years in his castle Dürnstein on the Danube. 
When the ransom was finally paid, it nearly bankrupted England. Richard returned to Normandy, where only months after his release, he was killed by an arrow during a castle siege.

Off the Wayward CD "Dance While You May"

Ja Nus Hons Pris

Disclaimer: No nos hacemos propietarios ni de la imagen ni de la música.

¡Hola!
La canción que os presentamos esta vez es Paradichlorobenzen (Paradiclorobenceno, un compuesto de química orgánica, en contreto C6H4C12). La segunda parte del título significa "Canción Lava-Cerebros Destructiva". Es la tercera canción de la saga "Benzene". Apareció en el videojuego Hatsune Miku: Project DIVA Extend.
Si queréis la versión cantada, la letra, la traducción, el kanji o cualquier otra cosa visitad nuestra web o haced click en el siguiente enlace:
http://manime.chifuukoe.com/cancion-paradichlorobenzene-hakaikei-sennou-song-vocaloid/
¡Un saludo!

【Kagamine Len】 Paradichlorobenzene (off vocal)

Movements 3. Rondeau and 5. Passepied from Telemann's Suite in E minor for flust and strings, from Tafelmusik. Catherine Bull and Janice Joyce, flutes. Julie Andrijeski, Valerie Arsenault, violins. Stephanie Vial, cello. The Atlanta Baroque Orchestra, in concert February 13, 2011, at Roswell Presbyterian Church, Roswell, Georgia.

Telemann Suite for Flutes and Strings from Tafelmusik. 3. Rondeau

Len Kagamine Prisoner Vocaloid

It started to pour with rain when I recorded this...
Two early dances:    Danza Asturiana - 16th century Spanish
                                    Trotto - 14th century Italian

Played on alto recorder, troubadour harp, and tambour

Dances in the Rain

Excerpted from a complete performance in collaboration with the Amherst College Choral Society, the exciting second movement of the Requiem by Giuseppe Verdi as performed by the Amherst Symphony Orchestra.

Verdi Requiem: "Dies Irae"

Bernart De Ventadorn  Can Vei La Lauzeta

Ranma 1/2 - Jajauma ni Sasenaide

Gregorian Chant

Anonymous: Te Deum - Hymnus (tonus monasticus)

The Abbey

Salve Regina

Perotin

Beata viscera

Orff : Carmina Burana DE-ACTIVATED

Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera (feat. London Philharmonic Choir)

Joyne Hands - English Renaissance Music

O Deathe, Rock Me a Sleepe

Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041

Thomas Gould, violin
Senesino Players

Johann Sebastian Bach: Violin Concerto in A minor: 1.

Mass for the Octave of the Nativity of the Blessed Virgin Mary: Offertory: Diffusa est gratia (mode VIII)

Beethoven--0 - Bethoven - 7th Symphony

Cecilia Bartoli - The Vivaldi Album

Alma oppressa

Shinjitsu no Uta (Instrumental)

youtube.com/watch?v=LfPKTzq0LRM

[Rin][Len] Paper Plane

【Ozzu Kiroii】The Little Mermaid 【Fandub Latino】(Megurine Luka)

Bach: Morimur

J.S. Bach: Partita No. 2 for Solo Violin in D Minor, BWV 1004: V. Chaconne

Rin Kagamine Dolls

This CD is distributed with direct authorization of all artists. 
These tracks can be downloaded  exclusively from
www.chitarraclassica.eu  and/ or www.cristianoprqueddu.com

Any other distribution  is not authorized

Luigi Attademo - Johann Sebastian Bach - Ciaccona

La Canción Mas Triste De Dragon Ball Z + Descarga

This 800-year-old song was composed by Richard I of England when he was captured and held for ransom. I played the melody on an Akai EWI USB using a violin patch from ThumbJam.

N/A - From Web

Ja nuns hons pris

Richard I - Ja nuns hons pris

DIMASH KUDAIBERGEN - Jamaica Димаш Құдайберген-

Silbido de Gohan (Versión Cumbia)

Live recording of premiere performance. Patrick Gallois, flute; orchestra consisting of University of Toronto students and faculty  under the direction of Gary Kulesha.

Commissioned in 1992 by Conaccord Canada for flutist Robert Aitken, Overscript was first performed on March 23, 2001 by flutist Patrick Gallois and an ad hoc ensemble consisting of faculty and students of the Faculty of Music, University of Toronto. Originally titled Concerto for Flute and Chamber Orchestra, Overscript was mildly revised and renamed in 2012. That year I composed a second flute concerto called Departures and this necessitated renaming the first concerto. Overscript  is a palimpsest (an overwrite) of, and a musical commentary on the Concerto in G minor for Flute, Strings and Basso Continuo, BWV 1056/I, by Johann Sebastian Bach. The latter is itself a compilation of movements from earlier concerti, the manuscripts of which no longer exist. Judging from the melodic writing and the instrumental range of the solo part, it seems that the two outer movements are probably from a violin concerto, while the middle movement must have been originally conceived for a solo wind instrument. It has been handed down to us as the Concerto for Harpsichord and Strings in F minor, an arrangement Bach probably made for his weekly Collegium Musicum concerts in Leipzig. In my own composition, I took into account the published harpsichord version of the original and the flute version recorded on compact disc by William Bennett and the Academy of St. Martin-in-the-fields under Neville Marriner (London Jubilee 417 715 LM) as well as the continuo rendering by Christopher Hogwood. The entire Bach concerto is included, however fragmented, in my own work. Not only have I preserved the original in its entirety, but I have also preserved the overall structure: the linear harmonic and thematic evolution is identical in both works. A process of 'intervalic stretching' and 'tempo compression' of the original music is in operation throughout, and the listener is invited to make comparisons between the original and the derived materials, which, for that purpose, are always juxtaposed in close proximity. This method of conveying musical information is more evident in the outer movements. In the middle movement, there is an emotional and personal involvement with the material which, like in a romantic concerto, will hopefully carry the listener beyond the cerebral concerns of the other two movements. Here, the opening melody—one of the most beautiful melodies by Bach—is interrupted at the point of the half-cadence, and what follows is a long development section in the romantic tradition which eventually returns to the original melody at the end. The baroque concerto character of the original is preserved in the outer movements. There the soloist plays with the orchestra, not against it. In the middle movement, the orchestra begins as an accompanist to the solo instrument, eventually assuming a role reminiscent of the nineteenth century concerto. In addition to the strings and continuo orchestration of the original, my orchestra includes an oboe and a bassoon. The prominent role of these two instruments, second only to the solo flute, is acknowledged in the rather long cadenza of the third movement, where they occasionally share the spotlight with the soloist. The solo part itself is arduous, and makes great demands on the player in terms of range, expressiveness, rhythmic precision and breath control. Finally, the naming of the individual movements (also a 2012 afterthought) has nothing to do with punches in the boxing ring. It has to do with hemispheric function in the human brain and how this might be reflected in the contrasting compositional approaches to the Bach material in each of the movements.



OVERSCRIPT: Concerto for Flute and Chamber Orchestra 3 (Gallois Toronto)

Allemande from Tielman Susato’s Danserye of 1551, sequenced by Ray Blanchard on the Yamaha CX5M music computer. 

Tielman Susato - Allemande

Éveil - Les plus beaux chants sacrés

Hymnus peregrinorum: Dum pater familias

Pavane for 4 Crumhorn remix

I am an amateur musician with a particular interest in performing or otherwise producing Renaissance music by electronic means. In my posted tracks, I have used acoustic instruments (recorders), an electronic wind controller (Akai EWI USB), and step-time sequencing, in various combinations. Many of my tracks were produced in the late 1980’s with the Yamaha CX5M music computer, but they were never published in any form until 2011.

Richard I - Ja nuns hons pris

Ray M. Blanchard