Paradigm For Bereft

Cast of Characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar delayed, foundational rhythm guitar
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and PRS EG semi-hollow body electric guitar

First of all, we wish the happiest Thanksgiving to all our wonderful SoundCloud friends and family. This song began as a twinkle in Artur's eye a couple months ago. Hey composed it with his Jaguar, as that is the premium surf guitar out there, and shared it with Tez, who invited the rest of us onto the project.
Tez, being the first on the boat, added his thrilling guitar fills and solos first. It was kind of odd the way we did this one, in fact, with the melodic/chordal instruments first, followed by the rhythm section. That said, JJ was next up to bat, adding his magical electric piano and soaring organ. Ken was first up for the backline, adding his driving drums. Josh then finally added his fretless bass to the stew. But before he was done, Josh also added the guitar solo you hear from 1:30-1:55.
After it was all said and done, we asked Tez to mix it for us, as he is a master producer and mixer.
This is the latest in a long line of surf rock songs of Artur's we've been fortunate enough to get to play with. He is the surfingest Polish fellow you will ever come across, and a wonderful, familiar collaborator with Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Surf Vibe (Surfers Like Us and Eclectic Collective)

DANACH WAR ES KEINER

movemente no15

electronic analog industrial,percussion,and staccatos

Oblique Strategies is not something I have ever heard of and was interested to see what it is. Having had a fairly superficial look, I am not sure if I have missed very much. 
I came across an alphabetical list of quotes and selected a couple of contiguous ones more or less at random: 'Imagine the music as a moving chain or caterpillar' and 'Imagine the music as a set of disconnected events'. The resulting track is an electronic composition which started with a sequence of sounds created using Pure Data, then modifying and expanding them by the use of selected filters and additions.

More on the 727th weekly Disquiet Junto project, Polar Strategies — The Assignment: Celebrate the 50th anniversary of the Oblique Strategies card deck — at https://disquiet.com/0727/.

Caterpillar Events (disquiet0727)

In Transit Between Clouds

For 4 days I sneaked around my studio, before I started building the reverb that should create the basis for my tribute to Vangelis. Blade Runner is the film score of my life. 

Vage Opolis

stay alive

Alone in the Crowd

A minimal Ebow-and-bass drone in E minor, built around a 12-note melody that dissolves one note per repetition.
Recorded during a lyrical Ebow session, using long sustained tones and slow melodic reduction.
A small ambient/minimalist experiment on top of a deep E drone.
Part of the Disquiet Junto project: disquiet0728

Legato Ebow Redux (disquiet0728)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Caterpillar Events (disquiet0727)

ray_cobley

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