Name: Forest Asleep (naviarhaiku565) by ray_cobley in haiku #565: springtime woods / even birds of prey / nestled asleep.
Duration: 7 min 4 s
Description: An electronic composition, sounds created in Pure Data.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

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all submissions

haiku #565: springtime woods / even birds of prey / nestled asleep.

This piece explores the concept of algorithmic improvisation, asking the question: "Why do we want our computers to improvise?" It was generated using a Python algorithm that constructs a sequence of 3-note cells. These cells can mutate over time but also return to previous states. The sequence is initiated by a single random seed and a parameter that controls the probability of variation. The timbre parameters of the instruments, on the other hand, are constantly changing, also triggered by a single random seed.
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More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at https://disquiet.com/0651/

The cover image for this project uses a photo by Ioan Sameli, thanks to a CC BY-SA 2.0 license; it’s been cropped and text has been added to it.

Thy CPU Meow - Disquiet0651

my discerining ear-naviarhaiku562

springtime woods
even birds of prey
nestled asleep
 
Takakuwa Rankō was a haijin from Kanazawa and a student of Wada Kiin. Born into a wealthy merchant family, he travelled all over Japan and finally settled in Kyoto, practising as a doctor. A great admirer of Bashō, he erected a small shrine (the Bashō-dō 芭蕉堂) in his honour in 1783. Among his main pupils was the poet Sakurai Baishitsu.

Haiku by Takakuwa Rankō

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF nestleD [naviarhaiku565]

This track was created for the Naviar Haiku group.
565

https://www.naviarrecords.com/naviarhaiku565-springtime-woods/

2024-10-31

Springtime Woods (Naviarhaiku 565 )

Crickets and birds, frogs and other insects sometimes never seem to sleep at night in the forest!

Nightime In Spring (NaviarHaiku 565)

31Oct24

My naviarhaiku565 track;
https://naviarlab.tumblr.com/post/765775339933908992/naviarhaiku565-springtime-woods

:D

springtime woods [naviarkaiku565]

An electronic composition, sounds created in Pure Data.

Forest Asleep (naviarhaiku565)

piano: matthias boss
remarque: lard brut bruit bien cuit

zunehmend stürmische Böen

An electronic composition, sounds created using Pure Data and Audacity with numerous effects, etc. 
More on the 671st weekly Disquiet Junto project, In the Air Tonight — The Assignment: Make an atmosphere of your own — at https://disquiet.com/0671/



1013.25 Millibars (disquiet0671)

2024-11-10

Neighbors From Grindavík

2024-11-21

Evening Walk

The weight of stillness

2024-11-29

NLS - 2024 - 11 - 29 - 1

towards the forest

just leave me here.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Forest Asleep (naviarhaiku565)

ray_cobley

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