You may call it straightforward, I like it very much as an unique new track! Thank you for creating this out of my track.

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one. 

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636, disquiet.com/0637, and disquiet.com/0638, and you can follow the forking paths through the related Google Drive spreadsheet.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

This playlist is for the #disquiet0639remix approach.

Disquiet Junto Project 0639: Path Ways (Remix)

Remix of the previous collaborative work for the Disquiet Project:
https://soundcloud.com/merlebardenoir/the-middle-path-disquiet0638

Assignment: https://disquiet.com/2024/03/28/disquiet-junto-project-0639-center-4-of-3/

Merle Bardenoir, he_nu_ri & blaaroed - The Middle Path [disquiet0639]

Disquiet Junto Project 0639: Path Ways (4 of 3)

I picked up/finished my 637, to give it a proper burial.

Center and more:

https://freesound.org/people/kyles/sounds/450651/

playground active bright children playing with rolling planks with passing cars and spanish voices Madrid, Spain.

CLARINET in Bb:
1) Multiphonics
2) Glissando
3) Keys click

4)Kalimba and Percussiv Piano.

My Way - NMT (disquiet0639remix)

This track is a remix and mash-up of different tracks of the Disquiet Junto Projects of the last three weeks.

The track https://soundcloud.com/blisterpop/four-variations-for-left-by-jimmy-lem-disquiet0636 created by Jimmy Lem (@blisterpop) is the initial track for all other compositions used in this remix.
The track https://soundcloud.com/triermusic/disquiet0636-oneplustwo by Nate Trier (@triermusic), https://soundcloud.com/hugh-g-stonah/wannabe-duetduet-with-jimmy-lem by @hugh-g-stonah and https://soundcloud.com/tannes-marrei/four-variations-tied-together-with-jim-lemanowicz-disquiet0637 by  AlvaroDeCampos (@tannes-marrei) are all duets based on the first track.
The track https://soundcloud.com/33per/six-variations-tied-in-a-knot-with-alvarodecampos-and-blisterpop by @33per was created based on the aformentioned track by  AlvaroDeCampos.

As climax of these series of Disquiet Junto Projects this track now was built from segments of all these 5 tracks. Additional effects were employed.

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

Variatio Delectat [with Jimmy Lem, AlvaroDeCampos, Nate Trier, Hugh G Stonah, 33per] (Disquiet0639)

Disquiet Junto 0639 

                                                          Pathways 4 of 3 

 

The Assignment: Rework musical trios using the constituent parts-one of two ways DAW: Ableton 12 

Key: G minor? 

Time Signature: 4/4 

Length: 3 minutes 

Started with the four tracks from 0636 that were not used in 0637.The tracks were by August Miles,Dandante,Martinsea and  MtnViewMark-Bits 

Used panning automation to change each tracks panning

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

disquiet0639remix

This is a remix of https://soundcloud.com/winterer/swamp-bone-factory-building-disquiet0638-with-raincat-xhg
by Krakenkraft & Etherkraken (@winterer) and Raincat (@raincat-306596410).

It contains a field recording by Rico_Casazza -- https://freesound.org/s/547996/ -- License: Attribution 4.0


More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

Disquiet0639remix - Swamp Bone Factory Remix (with Raincat and Krakenkraft & Etherkraken)

I haven't time for anything complicated this week so this track is a relatively straightforward reworking of: https://soundcloud.com/rabmusiclab/pheasantry?si=5ade0285a3e6422b8c623d45119fcbc5&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

Pheasantry Pleasantry (disquiet0639)

Marco Lucchi : synthesizers and tanpura & tabla app

E.F.S. chautaal in C#

Acaju - 21-8-2025

The rare keyboard improvisation. Recorded in Ponta do Sol, Cabo Verde, West Africa. Starts sort of chaotic but resolves into something more peaceful and clear. 

Verde

24 7 25

Title /Lazy Rain
words&vocals-Khan
Guitar,bass,drum,mix-Tomoki

lyrics
The rain began to fall
Washed away
Wet footprints
The  rain began to fall
Washed away
web  words 
The  rain began to fall
Washed away
White flowers 
The rain began to fall
Washed away 
White lazy clouds 
The rain began to fall
Washed away 
White lazy shells
The rain began to fall
Washed away 
White parasol 
The rain began to fall
Washed away 
Sand castles
The rain began to fall
Washed away
Sweet and bitter
We just look lazy rain castle
There is no  meaning in anything
降り出した雨が消していく
濡れた足跡
降り出した雨が消していく
ウェブの言葉
降り出した雨が消していく
白い花
降り出した雨が消していく
のんびりした白い雲
降り出した雨が消していく
のんびりした白い貝殻
降り出した雨が消していく
白いパラソル
降り出した雨が消していく
砂の城
降り出した雨が消していく
苦くて甘いものたち
私たちは気怠い雨の城を見てる
全てのことに意味はない


lazy Rain(Khan&Tomoki)

Using Paul Revere's famous night-time ride alerting people of the coming of the red coats, Light The Lanterns serves as a contemporary warning to light the lanterns again, this time, for the enemy within the US Administration.
Smart people doing wrong always perplexes me.
Religious people supporting wrong raises concerns about faith claims of following truth.
Political parties  and governments oppressing people causes alarms to ring out.

Track 10 from the 2025 Album called Fringe, available at https://www.terrywigmore.com/wigmore-allen-gibbons

Light The Lanterns

V1
In a world that's confusing
When the Sheriffs are the bad guys
When the ones with the masks on
Are putting cuffs on the good guys
When the ones being locked up
May be the ones that we needed

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it


V2 
When they tax the poor ones,
And give it back to the rich ones
When the constitution becomes
the  whim of a convicted felon
Maybe it's time for Paul Revere 
to light the lantern ( to light the lanterns)

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it

How can something wrong, seem so right, for some 
Right for some (yeah yeah)yeah yeah
How can something wrong, seem so right, for some
Right for some 
Something wrong was right
Something wrong not right
Something wrong but right
Something

Wigmore: Lyrics, Vocals, Music, Production
Allen: Lyrics, Vocals, Guitars, Bass

Wigmore Allen Gibbons - Light The Lanterns

un peu de rock pour changer, et pour essayer d'autres effets et sonorités

chrysalide

Surfers like Us ….. composition, all guitar parts, arrangement and mix

Hi Everyone!
After the summer break, I invite you to listen to my brand new song!
I hope you enjoy the dreamy vibe of this track! 😎🎸

The cover photo was taken by my daughter Marta (Baltic Sea in Poland) 🔆

Thanks so much for listening and support.
Artur

Sea Breeze Dance

jaming in the garden 3

You Are Not My Friend

30/8 2025
it's downloadable if anyone ...

Moog synthesizers:
model D Minimoog
Voyager XL
Sub 37
and a drum machine
photo: Skeneby

the Ox 2

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Pheasantry Pleasantry (disquiet0639)

ray_cobley

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